As a burned-out publicist, Eli Wurman's world is turned upside down when he's tasked with whisking away his client's former lover, Jilli Hopper, to save his political aspirations. But after witnessing her brutal murder, Eli finds himself torn between doing the right thing and protecting his own reputation, as old flames and new suspicions ignite a maelstrom of moral turmoil.
Does People I Know have end credit scenes?
No!
People I Know does not have end credit scenes.
53
Metascore
8.0
User Score
53
%
User Score
Who plays the character Eli Wurman?
As Eli Wurman, portrayed by Al Pacino, approaches the twilight of his career, he finds himself yearning for a tranquil retirement. However, his life is a turbulent mix of persuasion, manipulation, and coercion. His reality is further clouded by an insidious blend of prescription drugs and alcohol, blurring the lines between what is real and what is fantasy. One night, his last major client, Cary Launer, played by Ryan O’Neal, urges him to manage a public relations crisis involving Jilli Hopper, a sharp-tongued television star brought to life by Téa Leoni. Jilli is embroiled in a web of deception and struggles with her own vices.
Eli and Jilli dive headfirst into the seedy underbelly of Manhattan, where the elite revel in their indulgences. Jilli, amidst her chaotic antics, hints at searching for a “toy,” a term that masks her dangerous intentions. After being forcefully removed from an event, her ominous farewell, “I got all of you now,” signals a deeper trouble ahead, yet Eli, dazed by his intoxication, remains unaware of the danger lingering over him.
As the sun rises, Eli grapples with the aftermath of the previous night, wrestling with the fraying threads of reality and the daunting specter of mortality. While a charity event looms, he can’t shake the distraction of his former sister-in-law, Victoria, played by Kim Basinger, whose genuine affection for him clashes with their complex past. Eli teeters on a pivotal moment in his life, wrestling between his desires and the burdens carried from his history.
With police and worried acquaintances encroaching on his fragile world, Eli starts to realize the political intrigues swirling around him. The gravity of his involvement in these sinister affairs weighs heavily as powerful figures close in, intent on preserving their secrets. Meanwhile, preparing for the fundraiser, Eli’s attempts to bring together diverse communities—Black and Jewish, alongside Hollywood elites and media tycoons—become increasingly fraught. Memories of that fateful night elude him, enveloped in fog and uncertainty.
As a tapestry of flashbacks unfolds and familiar faces visit him, it’s clear that Eli’s precarious existence is on the line, though he remains in the dark about the true nature of his peril. He works tirelessly to stage an unforgettable event, yet in doing so, he unknowingly plants the seeds of his own destruction. It is only posthumously that the reality strikes him—that the very individuals who once celebrated his success are the same ones determined to erase all traces of their dark deeds from memory.
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