People I Know 2003

As a burned-out publicist, Eli Wurman's world is turned upside down when he's tasked with whisking away his client's former lover, Jilli Hopper, to save his political aspirations. But after witnessing her brutal murder, Eli finds himself torn between doing the right thing and protecting his own reputation, as old flames and new suspicions ignite a maelstrom of moral turmoil.

As a burned-out publicist, Eli Wurman's world is turned upside down when he's tasked with whisking away his client's former lover, Jilli Hopper, to save his political aspirations. But after witnessing her brutal murder, Eli finds himself torn between doing the right thing and protecting his own reputation, as old flames and new suspicions ignite a maelstrom of moral turmoil.

Does People I Know have end credit scenes?

No!

People I Know does not have end credit scenes.

Ratings


Metacritic

53

Metascore

8.0

User Score

TMDB

%

User Score

Movie Quiz


People I Know Quiz: Test your knowledge on the intricacies of 'People I Know' and its captivating storyline.

Who plays the character Eli Wurman?

Plot Summary


As the twilight of his career descends upon him, Eli Wurman (Al Pacino), a worn-out Jewish publicist, yearns for a peaceful retirement, yet his instincts are perpetually driven by the primal urges of persuasion, manipulation, and coercion. His existence is an insidious cocktail of prescription drugs and booze, a haphazard concoction that blurs the lines between reality and fantasy. One fateful evening, Eli’s last remaining “big client” Cary Launer (Ryan O’Neal), an actor contemplating a foray into politics, implores Eli to contain his latest public relations debacle - a tangled web of deceit surrounding Jilli Hopper (Téa Leoni), a razor-tongued television actress with a penchant for illicit substances and a hidden vulnerability.

As they navigate the seedy underbelly of Manhattan’s nightlife, Jilli guides Eli through a hedonistic playground where the rich and famous indulge in their vices. The air is thick with tension as she claims to be searching for a “toy,” a euphemism that belies her true intentions. When security escorts her from the premises, Jilli’s parting words - “I got all of you now” - seem to hold a sinister portent. Eli, however, remains oblivious, his senses dulled by the haze of intoxication.

In the aftermath, Eli becomes entangled in a series of events that blur the lines between reality and fantasy. He stumbles through the morning hours, his mind foggy from the excesses of the previous night. As he struggles to come to terms with the memories of Jilli’s disappearance, he is forced to confront the harsh realities of his own mortality. The prospect of a charity benefit looms on the horizon, but Eli’s attention is diverted by the allure of Victoria (Kim Basinger), his former sister-in-law and the widow of his deceased brother. A woman who genuinely cares for him, yet her presence is tempered by the weight of their complicated history. As Eli teeters on the precipice of a life-altering decision, he must reconcile his desires with the constraints of his past, all while grappling with the darkness that has consumed his existence.

As the police and concerned acquaintances converge on Eli’s world, probing the depths of his memory and perceptions, he begins to grasp the scope of the political machinations at play. The weight of involvement in something far-reaching and perilous settles upon him, as powerful forces conspire to silence him permanently. Meanwhile, Eli’s efforts to unite the disparate threads of his life - comprising members of the Black and Jewish communities, Hollywood A-listers, and media moguls - for a grand fundraiser become increasingly precarious. As he navigates the treacherous landscape, Eli’s own recollections of that fateful night remain shrouded in uncertainty.

Through a kaleidoscope of flashbacks and visits from those closest to him, it becomes clear that Eli’s life hangs precariously in the balance - a fact that escapes his notice. Yet, as he orchestrates a dazzling event surrounded by these very individuals, the seeds of his own demise are sown. The truth dawns on him only after his untimely passing, when it becomes apparent that those who contributed to his success were the very same forces hell-bent on erasing any evidence of their nefarious deeds from existence.

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