When a string of mysterious murders grips a small town, a blind man finds himself unwittingly entangled in the investigation. His unique perspective and heightened senses might hold the key to uncovering the truth behind the chilling crimes.
Does Psycho have end credit scenes?
No!
Psycho does not have end credit scenes.
47
Metascore
3.9
User Score
4.6 /10
IMDb Rating
51
%
User Score
What profession does Marion Crane have?
When Phoenix secretary Marion Crane, in her late 20s, meets up with her lover Sam Loomis at a seedy downtown hotel, she yearns for the stability that only marriage can offer. However, Sam, a hardware store owner in Fairview, California, is reluctant to commit due to the burdens of his previous marriage, overwhelmed by debt and alimony demands from his ex-wife, leaving him feeling incapable of providing for Marion in a new commitment.
Returning to her job at a real estate office run by Mr. Lowery, Marion discovers that a brash Texan named Mr. Cassidy is purchasing a house for his daughter with a staggering amount of cash—four hundred thousand dollars. Both Marion and her co-worker Caroline are taken aback by the pile of cash. Mr. Lowery, feeling anxious, instructs Marion to deposit the money on her way home, as she’s developed a headache and wants to leave early.
Instead of returning the money, Marion sees it as a means to resolve her predicament with Sam. In haste, she packs her belongings, shoving the cash into an envelope as she sets off for Fairview. Along the journey, she draws the attention of a patrolman and, feeling increasingly frantic, trades in her car for a new model, using five thousand dollars from the stolen cash.
Plagued by nightmares about her crime being discovered, Marion finds herself caught in bad weather and checks into the dilapidated Bates Motel, managed by the neurotic and seemingly harmless Norman Bates, who shows an unsettling interest in her. He talks about his overbearing mother, and Marion briefly glimpses a woman she thinks is her, lurking behind a curtain in the ominous mansion that looms over the motel.
After Norman serves her a hastily prepared supper, Marion’s loss of appetite, fueled by overhearing a fight between Norman and his mother, leads her to reconsider her decision. That night, Marion resolves to return the money the next day, attempting to calculate her expenses. Unbeknownst to her, Norman is watching her every move through a peephole.
Marion’s night takes a violent turn when she steps into the shower, only to be brutally attacked by what appears to be an elderly woman in a tattered dress and wig—leaving the bathroom soaked in blood. Norman, horrified at finding the body, dutifully wraps Marion in the shower curtain, placing her corpse in the trunk of her car, along with her newspaper, which unexpectedly still contains the stolen cash. He then drives the vehicle to a swamp, where he submerges it in the murky waters.
Meanwhile, Marion’s sister Lila grows worried about her disappearance and contacts Sam for help. Detective Sam Arbogast, hired by Marion’s boss, enters the hunt to find her secretly. Although Sam claims ignorance about Marion’s whereabouts, he, along with Arbogast, begins to piece together clues leading back to the Bates Motel, where Arbogast notices a silhouette of an old woman behind the curtain in the manor.
Upon interviewing Norman, who appears anxious and evasive, Arbogast senses there’s more to the story. As he digs deeper, he receives a call from Lila stating that he believes Norman is harboring Marion and plans to investigate further. Upon his return to the property, Arbogast makes the trek up to Norman’s mother’s room, only to meet a horrific fate himself at the hands of the same mysterious old woman.
Back at the motel, Lila and Sam grow increasingly suspicious when they discover that Norman’s mother has been dead for years, buried after a gruesome murder. Determined to find out what happened to Marion, the duo checks into the motel under fake names. They stumble across clues in Marion’s room that hint at her connection to the money, but those clues prove inconclusive when Norman denies any knowledge of her.
Lila decides to take matters into her own hands and heads to the creepy house in search of Mrs. Bates, while Sam distracts Norman. When Norman realizes Lila is inside the house, he races back, but Lila discovers a shocking sight: the decayed corpse of Mrs. Bates, sitting in a chair, not recognizing that the true horror is yet to unfold.
As Lila screams in terror, Norman, donning a wig and dress to mimic his mother, arrives wielding a knife, intending to end Lila’s life. Thankfully, Sam bursts in just in time to save her from the clutches of death.
Later, the three of them, along with Sheriff Chambers, anxiously await answers from psychiatrist Dr. Simon about Norman’s fate. When Dr. Simon engages with Norman, he realizes that he is speaking in a dual voice, revealing that Norman has tragically become his mother. This essence of his identity tells them about the tragic turn of events that led to her murder and the chaotic deception that followed thereafter.
Dr. Simon explains that Norman, overwhelmed by guilt, assumed his mother’s personality after killing her and her lover, hoping to erase his heinous crime from memory. Meanwhile, Norman, having fully morphed into his mother, reflects on her life, stating, > “I wouldn’t even harm a fly…”
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