The Replacements 2000

In a last-ditch effort to salvage the season, the Washington Sentinels' owner conjures up an unconventional plan: assemble a team of misfit replacement players in just seven days. As desperation sets in for fans and management alike, Shane Falco and a ragtag group of underdogs seize the opportunity to rewrite their own stories and make the most of their second chance at glory.

In a last-ditch effort to salvage the season, the Washington Sentinels' owner conjures up an unconventional plan: assemble a team of misfit replacement players in just seven days. As desperation sets in for fans and management alike, Shane Falco and a ragtag group of underdogs seize the opportunity to rewrite their own stories and make the most of their second chance at glory.

Does The Replacements have end credit scenes?

No!

The Replacements does not have end credit scenes.

Actors

Meet the cast of The Replacements and learn about the talented actors who brought the characters to life. Explore their roles and career highlights.


Ratings

Discover how The Replacements is rated on popular platforms like IMDb, Metacritic, and TMDb. Explore audience and critic scores to see how this movie ranks among the best.


Metacritic

30

Metascore

6.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.6 /10

IMDb Rating

TMDB

66

%

User Score

Movie Quiz

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The Replacements Quiz: Test your knowledge about the comedic sports film 'The Replacements' and its quirky characters.

Who plays the main character, Shane Falco?

Plot Summary

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Get the full story of The Replacements with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.


The film begins with Shane Falco, portrayed by Keanu Reeves, a former standout quarterback from Ohio State University who crumbled during his last college game and failed to make it in the professional league. He now finds himself scrubbing the bottoms of boats. While submerged underwater, he stumbles upon a trophy football marked “Shane Falco: All American,” sparking illusions of his past glory on the field.

Meanwhile, the fictional Washington Sentinels are in the midst of a game beset by a player strike over salary issues, discussed by commentators John Madden and Pat Summerall. As the game approaches its conclusion, quarterback Eddie Martel (#7), played by Brett Cullen, opts to slide down rather than score the winning touchdown, prioritizing his health over the game. Following this, Sentinels coach Lindell, portrayed by Keith David, declares a walk-out, driven by his players’ demands for a $5 million annual salary that remains unmet.

The next day, Edward O’Neil, the Sentinels’ owner, brings back Jimmy McGinty, played by Gene Hackman, to recruit replacement players during the strike and manage the team going forward. McGinty commits only if O’Neil guarantees freedom in his coaching style. The task at hand is straightforward: secure three wins out of their final four games to make it to the playoffs.

In his bold recruitment, McGinty assembles a colorful collection of misfits including Nigel Gruff (#3), a Welsh soccer player and pub owner known as “The Leg” for his spectacular kicking abilities, yet grappling with a gambling addiction; Walter Cochran (#34), a deeply religious man recovering from a career-ending knee injury; and Earl Wilkinson, aka “Ray Smith” (#42), a convict playing with special permission. Other characters include Daniel “Danny” Bateman (#56), whose aggression in tense situations makes him a defensive force; Jumbo Fumiko (#68), a food-loving sumo wrestler turned offensive tackle; and the Jackson Brothers, dynamic former linemen now serving as bodyguards.

Culminating in a national spectacle, Shane is persuaded to return as quarterback and finds himself smitten by Annabelle Farrell, played by Brooke Langton, the head cheerleader. Despite her interest in him, Annabelle hesitates due to her preconceived notions of pro athletes being self-centered. As she seeks new cheerleaders for the team, she inadvertently selects two strippers, Heather and Dawn, for their unique talents, amidst a sea of subpar competitors.

In their debut match, the Sentinels fall short, losing by four points, with a terrified Falco altering McGinty’s play call. This encounter leads to a rough brawl with the actual Sentinels players, but surprisingly strengthens the chemistry within the new team. Riding this newfound connection, they notch a dramatic last-second field goal win in their following match, and muster another victory, inching ever closer to playoff aspirations.

However, O’Neil reveals that Martel is crossing the picket line, causing an emotional conflict for McGinty who initially insists on utilizing Falco. Contrarily, he understands the stakes when facing the league’s top team. Heartbroken, Falco is informed of his benching, yet scales back his pride for the good of the team. This leads to personal struggles, particularly in his budding relationship with Annabelle.

As the climactic final game approaches, Martel’s struggle to mesh with his teammates is evident; the Sentinels fall behind at halftime. When McGinty is prompted about their victory chances, he cryptically states, > “miles and miles of heart,” a message reaching Falco. Time challenges him as he rallies back to the game, receives a rousing cheer from the crowd, and humbly reconciles with Annabelle live on TV.

With the clock winding down and trailing 17-0, Cochran manages a touchdown before injury strikes. As the game tightens, McGinty opts for a field goal to tie. However, when the kicker bows out, Falco seizes the moment to reclaim the play from his coach. Throwing a pass to tight end Brian Murphy, the Sentinels clinch a 20-17 victory, securing their spot in the playoffs amidst joyous celebration.

In a poignant closing narration, McGinty reflects on the team’s post-game reality: lacking endorsement deals or parades, they returned to their ordinary lives. Yet their shared experience offered one final taste of fame and camaraderie—a moment etched forever in their memories.

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