Back
Does The Stepford Wives have end credit scenes?
No!
The Stepford Wives does not have end credit scenes.
![The Stepford Wives](https://atm.fra1.digitaloceanspaces.com/movies/the-stepford-wives.jpg)
The Stepford Wives
2004
In the seemingly idyllic Connecticut suburb of Stepford, television executive Joanna Eberhart struggles to adjust to her new life after a career setback. As she navigates the town's eerie perfection, Joanna uncovers a sinister truth behind the smiling facades of its women, forcing her to confront the dark forces threatening her own identity and sanity.
Runtime: 93 min
Box Office: $103M
Language:
Directors:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
42
Metascore
3.5
User Score
![Metacritic](/images/common/movies/rt-logo.png)
26%
TOMATOMETER
30%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
5.3 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
57.0
%
User Score
Check out what happened in The Stepford Wives!
Joanna Eberhart (Nicole Kidman), a high-powered television executive with a keen eye for reality TV's most tantalizing tropes, had built a career on showcasing women who outsmarted their cheating husbands. Her latest venture, a tropical island fidelity test show that highlighted the unwavering commitment of one devoted spouse in particular, seemed to have struck a chord with audiences everywhere. However, when the husband from said show unexpectedly shows up at Joanna's highly anticipated corporate presentation, brandishing a gun and demanding answers, her carefully constructed world begins to unravel. Panic sets in as lawyers and shareholders scramble to intervene, ultimately leading to Joanna's downfall: she is fired on the spot, her reputation in tatters.
As she struggles to come to terms with her newfound unemployment, Joanna's husband Walter (Matthew Broderick), a junior executive who had been content to work alongside his wife for the sake of proximity, announces his own decision to retire and relocate their family to Stepford, Connecticut. This idyllic gated community, replete with manicured lawns and perfectly coiffed residents, seems like the perfect haven from the chaos that has engulfed Joanna's life. Yet, as she gradually begins to rebuild her shattered confidence, Joanna cannot help but notice that something is amiss in this seemingly utopian town. The husbands, content and complacent, seem more interested in their own pursuits than in engaging with their wives, while the women, uniformly blonde and impeccably dressed, appear trapped in a web of domesticity.
It is amidst this sea of conformity that Joanna finds an unlikely ally in her old friend Bobbie Markowitz (Bette Midler), a brilliant but unapologetically Jewish writer who shares Joanna's disdain for Stepford's stifling atmosphere. As the two women navigate this strange new world, they find solace in their shared love of dark, city-style fashion – a stark contrast to the colorful, cookie-cutter ensembles favored by their new neighbors. However, as Bobbie undergoes an inexplicable transformation, shedding her signature black attire and embracing the Stepford aesthetic, Joanna is left to face the mystery alone.
As she delves deeper into the secrets that shroud this seemingly perfect community, Joanna begins to realize that something sinister lies at its very core. The men's clubs, the endless domestic chores, and the unrelenting pressure to conform all seem to serve a far more sinister purpose than mere suburban bliss. With Bobbie lost to her new identity and her own sense of self rapidly disintegrating, Joanna finds herself at the forefront of a desperate battle to uncover the truth behind Stepford's eerie façade.
As the curtain closes on this eerie tale, the enigmatic married couple of Claire (Glenn Close) and Mike Wellington (Christopher Walken), the seemingly perfect pair who has captivated the town with their peculiar charm, finally reveals its dark secret. Initially, Claire presents herself as a realtor, welcoming Walter and Joanna to their new home, while simultaneously masquerading as their fitness instructor, leading a group of women in their finest attire and elaborate makeup through a series of bizarre exercises.
As the town's unofficial mayor, Mike Wellington exudes an air of authority, his title a far cry from his actual Microsoft-backed past. However, it is at the town's picnic that Joanna begins to sense something amiss. A woman's reckless dancing leads to a comical yet unsettling moment where sparks erupt from her ears, prompting Mike's refusal to summon medical aid despite the gravity of the situation. Meanwhile, Walter is left agog by the contentment of the other men, only to be further astonished when one resident summons his wife and requests a twenty-dollar loan, which she obliges with an uncanny efficiency, producing not cash, but instead, a stream of crisp, twenty-one-dollar bills.
As Joanna's unease deepens, she begins to realize that something is gravely amiss in this seemingly idyllic community. The truth slowly unravels as it becomes clear that the town's women have been quietly transformed into automatons, all except for Claire, who has been hiding her true nature beneath a veneer of normalcy. It is only then that we discover Mike's synthetic strawberry blonde locks are merely a façade, masking his true robotic persona, orchestrated by Claire, the mastermind behind this bizarre town.