
In 1970s Spain, encyclopedia salesman Alfredo's life changes unexpectedly when he and his wife, Carmen, begin producing provocative educational films intended for Scandinavian viewers. Carmen’s rising popularity as a sex symbol in Europe creates challenges for Alfredo, testing his artistic ambitions and putting a strain on their marriage. He struggles to balance his creative aspirations with Carmen's newfound fame and the changing dynamics of their relationship.
Does Torremolinos 73 have end credit scenes?
No!
Torremolinos 73 does not have end credit scenes. You can leave when the credits roll.
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Challenge your knowledge of Torremolinos 73 with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is Alfredo López's profession at the beginning of the movie?
Encyclopedia salesman
Beauty salon owner
Film director
Real estate agent
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Read the complete plot summary of Torremolinos 73, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Set in Spain in the year 1973, Torremolinos 73 is a comedic tale that follows Alfredo López, portrayed by Javier Cámara, an encyclopedia salesman facing declining sales. This downturn troubles his wife, Carmen, played by Candela Peña, a beauty therapist who yearns for motherhood. At a time well before the digital revolution made information easily accessible, the demand for encyclopedias waned, prompting their sales director, Don Carlos (played by Juan Diego), to brainstorm a novel business concept. He suggests an expansion to include an “audiovisual encyclopedia of human reproduction,” essentially producing 8mm films that capture couples in intimate moments.
In an enthusiastic but somewhat cheeky manner, Don Carlos reassures the sales team that participating in the filming would secure their jobs—a proposition that ignites a variety of reactions. He organizes a convention at a motel where they meet Dennis (portrayed by Thomas Bo Larsen), a Danish pornographer with a reputation. Dennis makes grand claims of collaborating with Ingmar Bergman, often linking his film ideas to Bergman’s philosophies while trying to rally the sales team.
Initially hesitant, many of the salesmen reject Don Carlos’ unusual proposal. Yet, after some soul-searching and to protect his job, Alfredo ultimately agrees. Carmen, reeling from her own recent job loss at a beauty salon, supports his decision. As they embark on this unconventional venture, they quickly discover that their films resonate with viewers, becoming a surprising underground success in Spain.
Soon, Carmen experiences unexpected fame as her alter ego in these racy films earns her recognition in public as a glamorous porn star. Meanwhile, Alfredo remains blissfully unaware of the true nature of their productions. Nonetheless, he flourishes as a storyteller, creatively engaging with the film medium. Inspired, he writes a serious adult screenplay starring Carmen, exploring the human desire for connection and authenticity within the world they have entered—where, despite the unconventional circumstances, love and kindness ultimately prevail.
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