Black Butterflies 2012

In the gentle glow of the moonlight illuminating their seaside shack, sisters Ingrid and Anna Jonker awaken to a life-altering reality: their elderly grandmother has passed away. The grief-stricken head of the family, Abraham Jonker, soon arrives, surprised to find the girls barefoot, leading Anna to question him. His straightforward response, “Call me ‘Pa’,” sets a somber tone for the gathering.

As the years drift by, we find an adult Ingrid battling the tumultuous waves of life in the Cape Town suburb of Clifton. When her desperate cries for help pierce the air, she is rescued by the distinguished author, Jack Cope, who plunges heroically into the ocean. After a narrow escape, Ingrid reveals her admiration for Jack’s novel, revealing it as a beacon of hope that once saved her life. The shock sets in when Jack realizes he is conversing with the illustrious poet, Ingrid Jonker herself.

Just as their connection begins to spark, an uneasy visit by Abraham Jonker reintroduces a complicated family dynamic—he delivers news of Ingrid’s estranged husband, Pieter Venter, who has requested a ride. Ingrid firmly rejects her ex’s overtures, instead seeking solace in Jack’s bohemian lifestyle, joining him and his artistic friends for a night filled with lively conversation. However, their celebration is disrupted by the presence of a disheartened black writer whose work has been censored, echoing the oppressive political climate surrounding them.

As their night unfolds, Ingrid finds herself drawn to Jack’s apartment, where the warmth of family is palpable but bittersweet. Jack’s impending divorce looms large in their burgeoning romance, yet it is during this time that Ingrid shares a heartfelt poem inspired by him, sparking a deeper connection between them. As Jack’s feelings grow intense, he invites Ingrid and her daughter to move in with him. Their lives become beautifully intertwined, yet the subject of marriage weighs heavily on Ingrid, as Jack hesitates to formalize their bond.

With each passing day, Ingrid finds herself engulfed by the dual forces of creative ambition and emotional turmoil. Jack eventually confides that his support for her artistry has drained him, and he decides to visit his children and their mother for a few months, leaving Ingrid reeling and desperate. Feeling abandoned, Ingrid chooses to quit her job and poignantly bids him farewell at the train station, where she pleads for him to reconsider or to allow her to join him. Jack’s departure opens a profound void in her heart.

As time drags on, Ingrid is faced with the pangs of loneliness. She turns to another literary figure, Eugene Maritz, who becomes enamored with her poetry. This new relationship ignites Ingrid’s passion, leading to a passionate affair with Maritz, whose talent has been lauded by poet Uys Krige, seen as the future of Afrikaans literature. However, when Jack returns and discovers Maritz’s presence, his fury compels him to end things with Ingrid, as they both grapple with the aftermath of a tragic police shooting of a young black child — an incident that stirs deep emotions, prompting Ingrid to compose her iconic poem, Die Kind, which resonates with themes of loss and the fight against Apartheid.

Faced with her father’s dismissive attitude and lack of support, Ingrid seeks validation in her poetry. Abraham’s cold rebuff of her work deepens her despair, as his harsh criticism echoes in her mind. The tangled web of her relationships with Jack and Eugene spirals her into a severe emotional decline, leading to her institutionalization at Valkenberg Hospital. Jack’s visits provide a flicker of hope, and during one encounter, Ingrid reveals the heartbreaking truth of her terminated pregnancy — a secret she withheld, fearing Jack would only marry her out of obligation.

Amidst her pain, Ingrid finds comfort in her poems, despite the hospital’s confiscation of her writings. When Jack discovers remnants of her work, it inspires a collaboration with Uys Krige, resulting in the celebrated poetry collection, Rook an Ochre (“Smoke and Ochre”), which garners critical acclaim and an APB Award nomination. This success grants her the chance to travel to Europe, yet her triumph is overshadowed by a painful confrontation with Abraham, who hurls cruel insults and reveals his initial intentions to suppress her writing.

Ingrid seeks Jack’s companionship on her European adventure, but he is hindered by political restrictions, leading her to accept Eugene’s offer. However, finding out Ingrid’s lingering feelings for Jack shatters their relationship, prompting him to leave for South Africa sooner than planned. Ingrid, engulfed in anguish, spirals deeper, attempting to end her suffering while in a Paris hospital. Upon securing consent from Abraham for ECT, she returns to Cape Town, lost and devoid of her creative spirit.

In a bittersweet gesture, Ingrid gifts Jack her AFB medal and a Walt Whitman poem, embodying her unyielding love, but as Jack urges her to come back, she retreats into the depths of despair. Tragically, Ingrid walks into the ocean, taking her life amidst the waves, leaving Jack to confront the devastation of her loss from afar.

As the film’s narrative draws to a close, the camera captures a serene expanse of sea and sky, setting the stage for the poignant reading of Ingrid Jonker’s poem, Die Kind, by Nelson Mandela. His resonant voice intertwines with the film’s emotional depth, as it becomes evident that this poem held a significant place in Mandela’s inaugural address to the South African Parliament, symbolizing a call for healing and reconciliation in a nation emerging from the shadows of Apartheid. Through the powerful words of Jonker’s poem, the film paints a vivid portrait of solidarity, hope, and the resilience of the human spirit.