Directed by
Michael Moore
Made by
United Artists
In Michael Moore’s provocative documentary, he engages in discussions with notable figures such as South Park co-creator Matt Stone, musician Marilyn Manson, and then-president of the NRA Charlton Heston to uncover the underlying reasons behind the Columbine massacre and the alarmingly high rate of violent crimes in the United States, particularly those involving firearms.
The film’s title derives from a chilling detail regarding Eric Harris and Dylan Klebold, the two students behind the tragic Columbine High School shooting on April 20, 1999. It was initially reported that they attended a bowling class early on that fateful day before commencing their attack, but later investigations revealed they were actually absent from school. Nonetheless, Michael Moore cleverly weaves the bowling theme throughout the narrative. For instance, he captures Michigan militia members practicing with bowling pins as targets. When reflecting on former classmates, Moore learns that Harris and Klebold participated in a bowling class instead of traditional physical education classes, and the girls he interviews generally agree that their interest in bowling held little educational value. This opens a critical discussion about whether educational systems address the genuine needs of the youth, or instead, perpetuate an environment of fear.
Furthermore, Moore ventures to Oscoda, Michigan, where he discovers that firearms are alarmingly easy to access in this small town, particularly since Eric Harris spent part of his childhood there while his father was serving in the Air Force. He goes on to compare gun ownership and violence in various countries, ultimately concluding that there is no direct correlation between gun ownership and violence. In his quest to decipher America’s obsession with guns, Moore identifies a pervasive culture of fear instigated by governmental practices and media portrayals. He sarcastically proposes the idea that bowling could potentially bear as much blame for the tragic events as Marilyn Manson, or even Bill Clinton, who was overseeing foreign bombing campaigns at the same time.
One striking encounter unfolds when Moore visits a Michigan bank that offers a free hunting rifle to customers who meet specific deposit criteria. In a humorous yet unsettling moment, he asks, “Do you think it’s a little dangerous handing out guns at the bank?” After successfully acquiring a gun post-background check, his bewilderment underscores the film’s critique of American attitudes toward gun possession.
As the documentary progresses, it includes poignant montages paired with powerful soundtracks. For example, “Happiness Is a Warm Gun” by The Beatles accompanies a chilling sequence depicting various acts of violence and gun ownership in America. Later on, Moore tackles the concept of institutionalized violence through his dialogue with Evan McCollum of Lockheed Martin, effectively linking the local defense industry’s presence to the mentality surrounding the Columbine incident, questioning if children connect missile manufacturing with school shootings.
The film also juxtaposes the fear-based gun culture in the United States with a more peaceful environment in Canada, where gun ownership is similarly prevalent yet incidences of gun violence are remarkably lower. Interspersed with poignant interviews, the documentary serves to illustrate how different cultural contexts shape attitudes toward violence.
Towards the climax, Moore’s conversation with Charlton Heston stands out as he challenges Heston on the NRA’s stance concerning gun violence. Heston’s insistence on the right to bear arms and his defense of the NRA leads to a tense and revealing exchange, culminating in Heston asking the filmmaker and his crew to leave his home.
Through a blend of investigative commentary and societal critique, Moore’s documentary holds a mirror to America’s gun culture, challenging viewers to confront the deep-rooted fears and ideologies that contribute to this ongoing crisis.
Introduction to the Columbine Tragedy
Michael Moore introduces the tragic events surrounding the Columbine High School shooting, which occurred on April 20, 1999. The documentary begins by unraveling the motivations behind the attack perpetrated by Eric Harris and Dylan Klebold.
Bowling Class Insights
Moore explores the chilling detail that Harris and Klebold were supposed to be attending a bowling class on the day of the shooting. This detail becomes a central theme in the film, highlighting the disconnect between youth activities and educational relevance.
Michigan Militia Members
The documentary features members of the Michigan militia practicing shooting at bowling pins. This surreal juxtaposition of a leisure activity with serious gun culture invites viewers to question America's relationship with firearms.
Investigating Gun Access
Moore travels to Oscoda, Michigan, to investigate the prevalence and accessibility of firearms. He reveals that Eric Harris, having lived in the area during his childhood, had easy access to guns, raising concerns about gun culture in small towns.
Cultural Comparison
Moore draws comparisons between gun ownership in the United States and other countries, concluding that there's no direct correlation between the two. He highlights the underlying cultural factors that contribute to violence in America.
The Bank's Gun Promotion
In a striking and humorous scene, Moore visits a bank that offers a free hunting rifle as an incentive for customers meeting certain deposit requirements. His bewilderment over the juxtaposition of banking and firearms serves to critique societal attitudes toward gun possession.
Background Check Revelation
After navigating the process to acquire a gun with a background check, Moore reveals the ease with which he obtains a firearm. This moment underscores the film's critique of the American gun culture and its inherent risks.
Soundtrack and Violence Montage
The documentary presents poignant montages as powerful soundtracks play, notably using 'Happiness Is a Warm Gun' by The Beatles. This artistic choice amplifies the emotional weight of the visual imagery depicting violence and gun culture.
Discussion with Lockheed Martin
Moore engages in a discussion with Evan McCollum of Lockheed Martin, linking the local defense industry to a mindset that could potentially foster violence. This conversation probes the broader implications of America's military industrial complex on society.
Contrasting Canada
Moore juxtaposes the fear-driven gun culture of the United States with the more peaceful gun ownership environment in Canada. Despite similar levels of gun ownership, Canada experiences significantly lower rates of gun violence, highlighting the impact of cultural context.
Challenging Charlton Heston
A pivotal moment occurs during Moore's conversation with Charlton Heston, who fiercely defends the NRA's position on gun rights. Their tense exchange lays bare the ideological divisions surrounding gun violence and the right to bear arms.
Confrontation and Exit
The conversation with Heston culminates in frustration, with Heston insisting that Moore and his crew leave his home. This confrontation encapsulates the unwillingness to engage deeply with the implications of gun culture.
Final Reflections
Moore uses the film to reflect on America's gun culture, encouraging viewers to confront the societal fears and ideologies that contribute to the ongoing crisis. The documentary serves as a call for deeper understanding and dialogue about this national issue.
Michael Moore
Michael Moore is a provocative documentary filmmaker known for his critical and often controversial exploration of social issues. In this film, he serves as a guide, challenging viewers to confront uncomfortable truths about gun violence and cultural attitudes in America. His style is both investigative and confrontational, reflecting his commitment to societal critique.
Charlton Heston
Charlton Heston appears as a prominent figure in the NRA and a vocal advocate for gun rights. His interactions with Moore are intense and reveal the deep-seated beliefs about gun ownership in America. Heston's steadfastness in defending the right to bear arms highlights the polarizing nature of the gun control debate.
Marilyn Manson
Marilyn Manson is a musician who provides critical commentary on American culture within the documentary. His presence raises questions about the scapegoating of artists in discussions about violence, illustrating the complexities of blame in societal tragedies. Manson's insights offer a broader view of cultural contributions to violence.
Matt Stone
Matt Stone, co-creator of 'South Park', contributes to the dialogue about media's role in shaping perceptions of violence. His perspectives provide a glimpse into how satire and media reflect and critique societal issues. Stone's humor and critical analysis enrich the discussion around the influence of entertainment on societal fears.
Time period
1990s
The film is set in the late 1990s, a period marked by significant societal anxieties surrounding gun violence in the United States, particularly following notable events like the Columbine shooting. This era witnessed increasing discussions about gun control, societal fear, and the cultural influences in American life that connected to violent behavior.
Location
Oscoda, Michigan
Oscoda is a small town in Michigan known for its natural beauty and proximity to Lake Huron. It serves as a backdrop for some of the film's explorations into America's gun culture and the ease of access to firearms. The town has historical ties to military families, which adds another layer to its significance in the narrative.
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Gun Culture
Gun culture is a central theme of the documentary, examining the societal norms and values that surround firearms in America. Through various interviews and comparisons with other countries, the film raises questions about the implications of this culture on violence and public safety. It critiques the normalization of gun ownership and the fear-driven narratives that perpetuate it.
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Education and Youth
The documentary touches on themes of education and its relevance to youth culture, critiquing how traditional educational systems may fail to address the needs of students. The recurring motif of bowling serves as a symbol for this discussion, questioning whether the activities offered to students are meaningful or contribute to a culture of disengagement and fear.
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Media Influence
Moore examines the role of media in shaping public perceptions of violence and gun ownership. The documentary suggests that sensationalized coverage of events may contribute to a culture of fear that influences legislation and individual behavior towards guns. It emphasizes the need for a critical view of how media portrays issues of violence in America.
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