Directed by
Thornton Freeland
Made by
RKO Radio Pictures
The film begins with an airplane soaring directly towards the audience, its propeller merging seamlessly into the title frame. As the opening credits roll, we are introduced to the main characters through delightful film clips that reveal both their real names and the roles they portray. Following this, we return to the airplane shot, transitioning to a distant view of the Hotel Hibiscus in Miami, embellished by a sign announcing: Hotel Hibiscus, Roger Bond and His Yankee Clipper Band Now Playing in the Date Grove.
Mr. Hammerstein (Franklin Pangborn) serves as the hotel’s new overseer, having been summoned from Switzerland to improve the hotel’s staffing. However, he appears quite uncomfortable while inspecting various hotel staff, expressing dissatisfaction with the worn shoes of one maid and lustful interactions of another. He then shifts his focus to the hotel’s band, where the head waiter, Eric Blore points out the relaxed band members. Among them is the charming Honey Hale (Ginger Rogers), the band’s female vocalist, who cheekily greets Hammerstein with, Good morning, Popeye. Following a reprimand about their behavior around guests, Hammerstein inquires about the whereabouts of bandleader Roger Bond (Gene Raymond) and his assistant, Fred Ayres (Fred Astaire). Honey assures Hammerstein that they’re coming right down.
The narrative then shifts to a small single-engine airplane performing daring loops before landing. Fred is the first to hop out, clinging to the struts to maintain his balance, as Roger utilizes a piano situated in the rear cabin to compose songs mid-flight. They rush to the hotel to participate in the scheduled radio program, but not before Hammerstein growls about their tardiness.
Upon arrival, the band is poised and waiting, while Hammerstein paces nervously. Just as the clock ticks down, Roger and Fred slip in at the back of the bandstand. Roger enthusiastically engages with radio listeners as he announces their opening song, Music Makes Me, featuring a vivacious vocal from the irreplaceable Honey Hale. As couples take to the dance floor, Roger casts flirtatious glances at several attractive patrons, all while Fred cautions him to stay cautious, lest they find themselves out of work. Amidst this, Roger’s attention is drawn to a captivating Brazilian woman at a nearby table who sends him a note.
Unbeknownst to Roger, the head waiter informs the girl’s aunt, Dona Elena de Rezende (Blanche Friderici), about the situation, but the message gets wildly distorted along the way. Upon finding them, Dona Elena greets Roger as if he were a gigolo, giving him money for his trouble, which he promptly uses to buy an orchid for Belinha de Rezende (Dolores del Rio). After some comedic misunderstandings, Hammerstein fires Roger and the band when he discovers them dancing.
The following morning, Fred joyfully announces that Roger has landed them a new gig at the Hotel Atlântico in Rio de Janeiro. Their adventures continue with a scene depicting Roger and Belinha composing radiograms, separated by a wall, unbeknownst to each other. Their exchanges reveal a charming connection as they prepare for their voyage to Rio.
As they take off, Roger cleverly disguises himself from Belinha, showcasing his playful side. When a mechanical hitch forces them to land on a moonlit beach, Roger thinks up new music, enhancing the romantic atmosphere. However, with lingering guilt about her engagement, Belinha finds herself in a riveting emotional tug-of-war during her time with Roger, leading to some lighthearted and heartwarming antics.
After awakening to surprising circumstances and gradually piecing their plight together, the backdrop shifts to Rio, where Roger is likewise on a mission to locate the enchanting Brazilian girl he met. He shares tales of his romantic exploits while Fred works on setting up an extravagant aerial performance to save the hotel’s grand opening from financial trouble instigated by unflattering syndicate actions.
As the hotel’s opening day dawns, Roger and his friends come together for an unforgettable aerial show filled with glamour, fun, and unforeseen twists. Through stunning performances featuring the band, belting out lively numbers like Flying Down to Rio, the hotel’s fate hangs delicately in balance. The climax of their story unfolds mid-air, leading to beautiful reconciliations, heartfelt moments, and joyous new beginnings.
In a thrilling finale, Júlio (Raul Roulien) arrives in time to save the day, leading to an unforeseen but heartwarming marriage proposal, leaving audiences thoroughly enchanted until the very end.
Introduction of Characters
The film opens with an airplane flying towards the audience, smoothly transitioning into the title frame. During the opening credits, viewers are introduced to the main characters through delightful clips that showcase their real names and roles.
Hammerstein's Arrival
Mr. Hammerstein, summoned from Switzerland, arrives as the hotel's new overseer. His first inspection reveals his discomfort with the hotel staff's behavior, particularly focusing on a maid's worn shoes.
The Hotel Band
The narrative shifts to the hotel band, where Hammerstein expresses dissatisfaction with the band members' relaxed demeanor. Among them is Honey Hale, who cheekily greets Hammerstein, setting a whimsical tone.
Roger and Fred's Arrival
Roger and Fred land in a small airplane, with Roger working on composing songs mid-flight. They hurry to the hotel to join the scheduled radio program, much to Hammerstein's irritation regarding their tardiness.
Radio Program Begins
As they finally arrive, tension fills the air with Hammerstein pacing nervously. Roger kicks off the radio program by announcing their first song, 'Music Makes Me,' with a lively performance from Honey Hale.
Distracted by Romance
While performing, Roger's attention is drawn to a striking Brazilian woman who sends him a note. This interaction begins the comedic misunderstandings that unfold throughout the film.
A Misunderstanding with Dona Elena
Dona Elena, the Brazilian woman's aunt, mistakenly perceives Roger as a gigolo and gives him money as a token for his supposed service. He uses this money to buy an orchid for her niece, Belinha.
Fired from the Band
After discovering the band dancing, Hammerstein fires Roger and the band, creating a moment of tension and disarray. This action sets the stage for their next adventure.
New Gig in Rio
The following morning, Fred excitedly reveals that Roger has booked a new gig at the Hotel Atlântico in Rio de Janeiro. Their excitement sparks the beginning of a new adventure.
Romantic Connections
Roger and Belinha start exchanging radiograms, unaware of each other's identities, highlighting their growing connection. Their separation adds intrigue and charm to their romance.
Moonlit Beach Landing
During their journey to Rio, a mechanical hitch forces the airplane to land on a moonlit beach. This magical setting inspires Roger to compose new music while Belinha wrestles with emotional conflict.
Quest in Rio
Upon arriving in Rio, Roger embarks on a quest to find the enchanting Brazilian woman he met. With tales of his romantic exploits, he adds to the whimsical narrative while Fred prepares for an aerial performance.
The Hotel Opening
On the day of the hotel opening, Roger and his friends present an aerial show filled with glitz and flair. This performance is crucial for saving the hotel from challenges posed by unsavory syndicate actions.
The Climax
The climax features exhilarating performances that intertwine the band's music with the overarching narrative. As tensions reach a peak, beautiful reconciliations occur among the characters.
A Heartwarming Proposal
In a thrilling conclusion, Júlio arrives just in time to rescue the situation and unexpectedly proposes, adding a layer of enchantment and leaving audiences captivated until the last moment.
Honey Hale (Ginger Rogers)
Honey Hale is the charming and vivacious female vocalist in the band, known for her cheeky demeanor and strong presence. She brings a touch of sass and playfulness to her interactions, particularly with Hammerstein and the band members. Her character embodies the spirit of the jazz era, captivating audiences with her talent and charisma.
Roger Bond (Gene Raymond)
Roger Bond is the charismatic bandleader who often finds himself in romantic predicaments. His flirtatious nature and whimsical personality lead him into humorous scenarios, particularly with Belinha. He balances creativity in his music with the complications of his heart, creating an engaging character arc throughout the film.
Fred Ayres (Fred Astaire)
Fred Ayres is the energetic performer known for his charm and comedic timing. He serves as a voice of reason and support for Roger, often cautioning him about romantic escapades. His upbeat personality and talent contribute significantly to the band's dynamic, making him a beloved character in the storyline.
Dona Elena de Rezende (Blanche Friderici)
Dona Elena is a comical and somewhat overbearing figure related to Belinha, adding layers of misunderstanding and humor to the plot. Her character represents parental concerns and societal expectations in romantic relationships, stirring conflict and laughter as she misinterprets situations.
Belinha de Rezende (Dolores del Rio)
Belinha is the enchanting Brazilian woman caught in a web of affection and societal obligations. Her character experiences a captivating emotional journey as she wrestles with her feelings for Roger, giving the romance depth and resonance. She represents the heart of the romantic dilemma in the story.
Mr. Hammerstein (Franklin Pangborn)
Mr. Hammerstein is the somewhat prissy hotel manager tasked with bringing order to Hotel Hibiscus. His character provides comedic relief through his over-the-top reactions and dismay regarding the band's antics. He acts as a foil to the carefree spirit of the performers, heightening the film's humor.
Júlio (Raul Roulien)
Júlio is a pivotal character who arrives just in time to contribute to the film's resolution. His character brings a romantic surprise into the narrative with a heartwarming marriage proposal, adding a layer of enchantment and fulfillment to the story's climax.
Time period
The film does not specify a distinct time period, but it presents a whimsical and playful ambiance characteristic of early 20th-century musicals. The setting reflects a time when travel and music were integral to social gatherings and entertainment.
Location
Miami, Rio de Janeiro
The movie unfolds primarily in Miami, known for its vibrant beaches and lively nightlife, particularly at the luxurious Hotel Hibiscus. The narrative then shifts to Rio de Janeiro, famous for its breathtaking landscapes and cultural richness, as the characters face romantic adventures and challenges amid the city's enchanting backdrop.
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Music
Music is central to the film, acting as both a plot device and a source of joy for the characters. The characters use music to express emotions, connect with one another, and navigate their romantic endeavors. The lively performances and catchy songs enhance the film's upbeat mood.
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Romance
Romantic entanglements are a dominant theme, with Roger and Belinha's relationship defined by misunderstandings and emotional dilemmas. The film explores the lighthearted yet complicated nature of love as characters navigate their feelings amidst comedic situations and a tropical backdrop.
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Adventure
The characters embark on a journey filled with adventures, from performing in Miami to taking off for Rio. Their escapades are marked by both challenges and humorous incidents, culminating in a grand aerial show that tests their creativity and camaraderie.
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