Flying Down to Rio 1933

When choreographer Fred Ayers teams up with his friend Roger Bond to help woo Belinha De Rezende, sparks fly as they concoct a plan to win her heart. Amidst sizzling dance numbers and romantic entanglements, Fred's own feelings for Honey Hale begin to take flight, leading to a thrilling finale that soars above the audience – literally – in this joyful 1933 musical comedy.

When choreographer Fred Ayers teams up with his friend Roger Bond to help woo Belinha De Rezende, sparks fly as they concoct a plan to win her heart. Amidst sizzling dance numbers and romantic entanglements, Fred's own feelings for Honey Hale begin to take flight, leading to a thrilling finale that soars above the audience – literally – in this joyful 1933 musical comedy.

Does Flying Down to Rio have end credit scenes?

No!

Flying Down to Rio does not have end credit scenes.

Ratings


Metacritic

72

Metascore

tbd

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.6 /10

IMDb Rating

TMDB

61

%

User Score

Movie Quiz


Flying Down to Rio Quiz: Test your knowledge of the classic 1933 musical film 'Flying Down to Rio' with this diverse set of questions.

What is the name of the hotel where much of the movie takes place?

Plot Summary

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The film begins with an airplane soaring directly towards the audience, its propeller merging seamlessly into the title frame. As the opening credits roll, we are introduced to the main characters through delightful film clips that reveal both their real names and the roles they portray. Following this, we return to the airplane shot, transitioning to a distant view of the Hotel Hibiscus in Miami, embellished by a sign announcing: Hotel Hibiscus, Roger Bond and His Yankee Clipper Band Now Playing in the Date Grove.

Mr. Hammerstein (Franklin Pangborn) serves as the hotel’s new overseer, having been summoned from Switzerland to improve the hotel’s staffing. However, he appears quite uncomfortable while inspecting various hotel staff, expressing dissatisfaction with the worn shoes of one maid and lustful interactions of another. He then shifts his focus to the hotel’s band, where the head waiter, Eric Blore points out the relaxed band members. Among them is the charming Honey Hale (Ginger Rogers), the band’s female vocalist, who cheekily greets Hammerstein with, Good morning, Popeye. Following a reprimand about their behavior around guests, Hammerstein inquires about the whereabouts of bandleader Roger Bond (Gene Raymond) and his assistant, Fred Ayres (Fred Astaire). Honey assures Hammerstein that they’re coming right down.

The narrative then shifts to a small single-engine airplane performing daring loops before landing. Fred is the first to hop out, clinging to the struts to maintain his balance, as Roger utilizes a piano situated in the rear cabin to compose songs mid-flight. They rush to the hotel to participate in the scheduled radio program, but not before Hammerstein growls about their tardiness.

Upon arrival, the band is poised and waiting, while Hammerstein paces nervously. Just as the clock ticks down, Roger and Fred slip in at the back of the bandstand. Roger enthusiastically engages with radio listeners as he announces their opening song, Music Makes Me, featuring a vivacious vocal from the irreplaceable Honey Hale. As couples take to the dance floor, Roger casts flirtatious glances at several attractive patrons, all while Fred cautions him to stay cautious, lest they find themselves out of work. Amidst this, Roger’s attention is drawn to a captivating Brazilian woman at a nearby table who sends him a note.

Unbeknownst to Roger, the head waiter informs the girl’s aunt, Dona Elena de Rezende (Blanche Friderici), about the situation, but the message gets wildly distorted along the way. Upon finding them, Dona Elena greets Roger as if he were a gigolo, giving him money for his trouble, which he promptly uses to buy an orchid for Belinha de Rezende (Dolores del Rio). After some comedic misunderstandings, Hammerstein fires Roger and the band when he discovers them dancing.

The following morning, Fred joyfully announces that Roger has landed them a new gig at the Hotel Atlântico in Rio de Janeiro. Their adventures continue with a scene depicting Roger and Belinha composing radiograms, separated by a wall, unbeknownst to each other. Their exchanges reveal a charming connection as they prepare for their voyage to Rio.

As they take off, Roger cleverly disguises himself from Belinha, showcasing his playful side. When a mechanical hitch forces them to land on a moonlit beach, Roger thinks up new music, enhancing the romantic atmosphere. However, with lingering guilt about her engagement, Belinha finds herself in a riveting emotional tug-of-war during her time with Roger, leading to some lighthearted and heartwarming antics.

After awakening to surprising circumstances and gradually piecing their plight together, the backdrop shifts to Rio, where Roger is likewise on a mission to locate the enchanting Brazilian girl he met. He shares tales of his romantic exploits while Fred works on setting up an extravagant aerial performance to save the hotel’s grand opening from financial trouble instigated by unflattering syndicate actions.

As the hotel’s opening day dawns, Roger and his friends come together for an unforgettable aerial show filled with glamour, fun, and unforeseen twists. Through stunning performances featuring the band, belting out lively numbers like Flying Down to Rio, the hotel’s fate hangs delicately in balance. The climax of their story unfolds mid-air, leading to beautiful reconciliations, heartfelt moments, and joyous new beginnings.

In a thrilling finale, Júlio (Raul Roulien) arrives in time to save the day, leading to an unforeseen but heartwarming marriage proposal, leaving audiences thoroughly enchanted until the very end.

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