As the camera gracefully sweeps across the picturesque city of Savannah, it reveals a rich tapestry of its inhabitants, each displaying their own quirks and eccentricities. At the heart of this intricate storyline lies Jim Williams, a character of varied dimensions, portrayed by Kevin Spacey. He is an art collector and dealer of antiques renowned for his extravagant celebrations, an ambitious entrepreneur who has amassed his wealth through astute business maneuvers, as well as a man grappling with his identity as a semi-closeted homosexual in an era when such feelings were largely repressed. This complex individual becomes the focal point for John Kelso, a magazine journalist from New York, who is represented by John Cusack, and is embarking on a quest to write a feature for Town & Country centered around one of Williams’ lavish Christmas galas hosted at his grand Mercer House mansion.

Upon arriving in Savannah, Kelso’s mission takes shape as he prepares to shed light on Williams’ notorious holiday festivities. While traversing the city’s stunning architecture, he embarks on a comedic adventure to find a taxi at the airport, ultimately accepting a ride from an entertaining tour-bus driver who offers him an impromptu sightseeing tour of the city’s iconic locales.

After reaching Forsyth Park, Kelso settles into his lodging at Monterey Square, where he unexpectedly crosses paths with Billy Hanson, a key figure who will later impact the narrative significantly. Following this initial encounter, the journalist visits the office of Sonny Seiler, Williams’ dependable attorney, portrayed by yet another vibrant character. After an engaging introduction to Williams, the trio takes Seiler’s dog, Uga IV, for a leisurely stroll through Forsyth Park. It is during this leisurely excursion that Williams shares he plans to auction a rare c. 1765 painting titled Newmarket Heath, with a Rubbing-down House by George Stubbs at that night’s event.

As the evening unfolds, Kelso is roused from his slumber by Mandy Nichols who implores him for assistance in retrieving ice for her partner Joe Odom’s exuberant piano performance. Kelso joins her back at the party, where he encounters an array of colorful characters, including stylist Jerry Spence and Odom. Upon entering the lavish setting of Mercer House, he is welcomed by Lucille Wright, the catering mastermind behind the evening’s festivities, guiding him into the heart of the glittering party. Williams, the gracious host, has thoughtfully provided Kelso with an elegant tuxedo, allowing him to blend seamlessly with the eclectic ensemble of guests. Among them are the famed Emma Kelly, affectionately dubbed the “Lady of 6,000 Songs,” and a trio of compelling personalities: Harry Cram, a charming former silent film star; Serena Dawes, an actress with a mesmerizing backstory; and Williams’ mother, Blanche.

As revelries ensue, Kelso is treated to a display of Williams’ impressive organ playing, a performance meant to drown out the disruptive barking of his neighbor Lorne Atwell’s dog. Tension swiftly elevates when Billy Hanson erupts into the party, demanding payment from Williams. The confrontation turns aggressive, with Hanson brandishing a shattered bottle before storming off, leaving behind a lingering cloud of tension. However, the pair soon retreats to the tranquility of Williams’ library where the two share a brandy and reflect on the events of the evening. In a surprising moment, Kelso discovers his own book nestled within Williams’ impressive collection, prompting a hasty departure the following morning as he prepares for an imminent flight.

Awakened by the sound of sirens, Kelso steps into Monterey Square and is confronted with the chilling news that Hanson has met his demise at the hands of Williams. Upon entering the Mercer House through a discreet rear entrance, Kelso plunges into a chaotic scene: Williams is in the midst of being interrogated by the authorities regarding the murder. Seiler returns to help diffuse the situation, and Kelso, with Williams’ encouragement, opts to stay in Savannah to document the unfolding trial for his forthcoming book. Throughout this journey, Kelso becomes immersed in Savannah’s unique culture, encountering the captivating Lady Chablis, a vibrant transgender performer, along with Luther Driggers, a quirky man with an obsession for attaching flies to strings while threatening the local water supply. Also in the mix are the enigmatic members of the Married Woman’s Card Club and a spiritualist named Minerva, inspired by the real-life figure Valerie Boles.

As Kelso delves deeper into the intricacies of the case, he finds himself ensnared in a world of intertwined relationships and underlying motives, ultimately leading him to discover the circumstances surrounding Han’s tragic end. As Kelso navigates this labyrinth of alliances in Savannah, his relationship with Williams deepens, while a budding attraction to Mandy, the sultry torch singer, propels him into an adrenaline-fueled exploration of the city’s eccentricities. This includes joining Minerva for mystical rites at midnight, where the thin line between mortality and the supernatural begins to blur.

The narrative takes a sharp turn when Williams, seeking vindication, delivers a false testimony in court, declaring self-defense in the incident with Hanson. Initially hesitant, Kelso’s revelations about crucial evidence ultimately result in Williams’ acquittal. As Kelso prepares to leave Savannah, he shares a bittersweet conversation with Williams in the study, where Williams reflects on the very essence of truth—ultimately deeming it a matter of personal perspective. With Kelso departing, Williams’ demeanor shifts, and he tragically succumbs to a heart attack, envisioning Hanson’s ghost in a haunting moment of reflection.

After an emotional funeral, Minerva imparts a mysterious warning to Kelso about not becoming too entangled in the past. As he settles into his new apartment, he embraces a new beginning, celebrating with Mandy and the spirited Lady Chablis. The film closes with images of graves in the cemetery, beautifully accompanied by k.d. lang’s haunting rendition of “Skylark,” framing the narrative within a poignant farewell. This moving conclusion resonates as the camera lingers on the enigmatic Bird Girl statue, forever gazing out over the horizon, a fitting end to this tale rich in complexity and human emotion.