Directed by
Mauro Borrelli
Made by
Lionsgate
Mary Kelly, portrayed by Melissa Roxburgh, finds herself embroiled in a chilling investigation involving a serial killer notorious for mimicking the methods of his victims. The perplexing case begins with Detective Jake Doyle, played by Martin Lawrence, who is equally baffled upon discovering the body of a woman bound to a cross in a church, her angelic appearance accentuated by wings. The priest claims to have never seen her before, raising more questions than answers.
As the investigation develops, a string of murders emerges in the city, all sharing a horrific similarity that designates the criminal as a ‘copycat killer.’ This unsettling pattern leads Mary and Jake to suspect a previously incarcerated serial killer known as ‘The Artist,’ or Arnaud Lefevre, skillfully brought to life by John Malkovich. Arnaud, infamous for abducting and slaying six sex workers in a grotesque manner - poisoning, preserving, and arranging their bodies into lifelike poses he deemed ‘masterpieces’ - shares a haunting history with Jake, who once played a significant role in bringing him to justice.
Concerned for Mary’s safety, Jake remains apprehensive when she expresses a desire to confront Arnaud in prison. Armed with her background in psychology, Mary attempts to manipulate Arnaud’s ego to extract valuable insights about the case, but he proves a tough nut to crack. As their investigation deepens, more bodies turn up, each echoing Arnaud’s signature style, and he questions Mary about the first victim’s clipped wings, leading her to a childhood memory: a particular type of nail polish no longer in production that she used long ago.
Through their tenacious pursuit, the duo will uncover random clues associated with the victims, including an enigmatic compass arrow stuck in one of the bodies. Jake wrestles with his own traumatic past linked to Arnaud, remembering how the death of his partner Zeke — who took her own life following contact with Arnaud — left deep emotional scars. Meanwhile, heavy tensions arise between Mary and Arnaud as they clash over faith and science, with him provoking her doubts about her beliefs.
The narrative crescendos when a homeless intruder breaks into Mary’s home, and in subsequent events, another victim is discovered bearing Zeke’s compass. The compass leads to an obscure art book, “The Inferno Landscape,” which becomes pivotal to unraveling the madness woven by the copycat.
As Mary recalls references to the archangel Samael made by Arnaud, she becomes increasingly submerged in the investigation. During her journey, she unearths Arnaud’s volatile relationship with his mother, a sex worker he deemed immoral, which ultimately leads to her tragic demise at his hands. In a twisted revelation, Arnaud offers to divulge the copycat killer’s identity in exchange for Mary to endure a harrowing session sculpting her own insecurities.
The tension escalates when Mary uncovers a horrifying truth: Jake is, in fact, being manipulated by Arnaud, who possesses him as a means of seeking retribution for past grievances. A shocking confrontation reveals Jake’s identity crisis stemming from Zeke’s death and his belief that he has transformed into ‘The Artist.’
In a climactic battle of wits, Mary ultimately triumphs over Arnaud. She tricks him by poisoning his pencils, leading to his demise and reclaiming control of her narrative. This dark and twisted tale not only addresses themes of possession and psychological trauma but also showcases how deeply intertwined the lives of those touched by madness can be.
Discovery of the Body
The investigation begins when Detective Jake Doyle uncovers the body of a young woman bound to a cross inside a church. Her angelic appearance, complemented by wings, raises immediate suspicions, especially as the priest claims ignorance of her identity.
Emergence of the Copycat Killer
As Jake and Mary delve deeper into the case, they notice a disturbing pattern of murders around the city. All victims share horrifying similarities, prompting the investigators to label the perpetrator as a 'copycat killer' mimicking past crimes.
Retrieving the Past: The Artist
Their investigation leads them to Arnaud Lefevre, a former serial killer known as 'The Artist'. Arnaud had previously been sentenced for abducting and doing unspeakable things to six sex workers, which brings Jake's troubled history with him to the forefront.
Jake's Emotional Burden
Jake reflects on his past connection with Arnaud, particularly the painful memories surrounding the death of his partner, Zeke. Zeke's tragic suicide is closely tied to her interaction with Arnaud, leaving Jake wrestling with guilt and trauma.
Mary's Dangerous Meeting
Mary's determination leads her to confront Arnaud in prison, where she attempts to extract information regarding the current killings. Utilizing her background in psychology, she hopes to manipulate Arnaud's fragile ego, but he proves to be a daunting opponent.
Eerie Clue: The Compass
During their relentless pursuit, Mary and Jake discover a compass arrow embedded in one of the victims. This unusual clue connects them to the larger pattern of killings and leads Mary to reminisce about her childhood and a specific nail polish.
Confrontation of Beliefs
Tensions mount between Mary and Arnaud as they debate the dichotomy of faith and science. Arnaud expertly manipulates Mary's beliefs, provoking her doubts and forcing her to confront her own vulnerabilities.
Break-in at Mary's Home
The suspense escalates when a homeless intruder breaks into Mary's residence, heightening her paranoia. Shortly after, another victim is found, presenting evidence that ties back to Jake's partner, Zeke, culminating in confusion and fear.
Discovery of the Art Book
The investigation takes a dramatic turn when the victims’ clues lead to 'The Inferno Landscape,' an obscure art book that holds vital information about the copycat killings. This pivotal discovery deepens their understanding of the case.
Arnaud’s Tragic Past
As Mary piece together clues, she learns about Arnaud's abusive relationship with his mother, who he killed as a child. This revelation plunges her deeper into the psychological aspects of both Arnaud’s mind and the unfolding case.
The Ultimatum
In an unexpected twist, Arnaud offers to reveal the identity of the copycat killer, but only if Mary agrees to undergo a disturbing psychological test involving her own insecurities. This manipulation adds a new layer of danger to her already fraught investigation.
Betrayal Revealed
Realization strikes as Mary discovers that Jake has been secretly influenced by Arnaud. This manipulation not only puts their investigation at risk but also forces Jake to confront his guilt and identity crisis stemming from Zeke's death.
Confrontation with Arnaud
Tension peaks as Mary confronts Arnaud in a final showdown, using her wits to unravel his psychological games. She cunningly poisons his drawing tools, ultimately leading to his downfall.
Triumph Over Darkness
With Arnaud's demise, Mary regains control over her narrative and confronts her own traumatic past. The dark journey emphasizes the themes of psychological trauma and the deep connections forged through shared madness.
Resolution
As the dust settles after the conflict, both Mary and Jake are left to grapple with their blurred lines between victim and villain. The case leaves lingering questions about mental health and the impact of past traumas on their futures.
Mary Kelly
Mary is a determined and resourceful investigator with a background in psychology, driven by a deep commitment to solving the case. Her interactions with Arnaud reveal her tenacity and vulnerability as she confronts her own insecurities. Throughout the film, she evolves from being an investigator to becoming a pivotal player in the psychological duel against Arnaud.
Jake Doyle
Detective Jake Doyle is haunted by a tragic past, marked by the loss of his partner. His journey throughout the film showcases his struggle with guilt and identity as he grapples with his connection to Arnaud. As a character, he embodies the theme of psychological trauma, finding himself manipulated in a dangerous game of wits against the serial killer.
Arnaud Lefevre (The Artist)
Arnaud, known as 'The Artist,' is a chilling and manipulative figure whose dark past ties him closely to the murders. With an unsettling charisma, he embodies the archetype of an artist driven by retribution and twisted creativity. His complex relationship with Mary propels the story, making him both a formidable antagonist and a tragic character shaped by trauma.
Time period
The story unfolds in a contemporary setting, where advancements in forensic psychology and criminal investigation tools impact how characters approach the serial murders. The dark themes and moral complexities resonate with modern societal issues, particularly regarding crime and justice.
Location
City, Church, Prison
The movie takes place primarily in a bustling city, which serves as the backdrop for a chilling series of murders. Key locations include a church where the first victim is discovered, and the prison where Arnaud Lefevre is incarcerated. The urban setting is crucial, as it highlights the pervasive danger of the copycat killer on the community.
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Psychological Trauma
This theme explores the profound effects of psychological trauma on the characters, especially focusing on Jake's struggles with his partner's death and his past with Arnaud. The interplay between personal demons and the investigation reveals how deeply trauma can influence behavior and decision-making. The film illustrates the characters' attempts to confront and overcome their fears.
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Identity and Manipulation
Identity crisis is a central theme, particularly as Jake navigates his past association with Arnaud and the psychological manipulation at play. Mary’s interactions with Arnaud highlight the complexities of self-perception and the lengths to which individuals will go to reclaim their narratives. The film delves into how manipulation can distort identity and lead to catastrophic outcomes.
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Art and Morality
The connection between art and morality is prominent, as Arnaud's gruesome 'masterpieces' challenge conventional views of beauty and ethics. The film raises questions about whether art can justify heinous actions and explores how Arnaud's artistic inclinations stem from a troubled relationship with his past. This theme serves as a catalyst for the characters' motivations and moral dilemmas.
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