Directed by
Alan Metter
Made by
Warner Bros.
Discover the intricate plot of Moving (1988). From unexpected twists to emotional highs and lows, this detailed summary breaks down every moment to give you a deeper understanding of the film’s story.
In the vibrant state of New Jersey, mass transportation engineer Arlo Pear experiences an unexpected setback when he loses his job following a heated disagreement with his boss. This unforeseen change of circumstances prompts him to seek new opportunities, leading him to an interview with G.T.I. Transits. There, personnel officer Gary Marcus presents Arlo with a remarkable chance: to assume the role of head of Research and Development for an innovative monorail project set to take place in the scenic locale of Boise, Idaho.
Excited, Arlo rushes home to deliver the good news to his family, including his supportive wife, Monica, their teenage daughter Casey, and their mischievous twin sons, Marshall and Randy. However, Arlo’s enthusiasm is quickly met with opposition as each family member expresses their reluctance to leave behind their familiar surroundings for the uncharted territory of Boise. Understanding this hesitance, Arlo cleverly convinces Monica that a move to Boise will mean freedom from their much-dreaded neighbor, Frank Crawford, and his notorious, intimidating lawnmower tractor.
With the decision made, Arlo and Monica put their beloved home on the market despite Casey’s desperate attempts to thwart the sale, driven by her desire to remain nearby her new boyfriend, Kevin. Her efforts fail, and soon enough, they sell the house, embarking on a journey to Boise to seek a new residence. Upon arrival at the intriguing Cadill household, Arlo and Monica are initially enchanted by the property, only for their excitement to dwindle when Mr. Cadill casually reveals his intention to take the windows, doors, and even the swimming pool with him. Arlo, thinking this is a jest, decides to purchase the property regardless and returns to New Jersey.
As packing commences, Arlo encounters movers Edwards and Perry, who raise his suspicions and lead him to find alternate movers. During this time, he also engages a young man named Brad Williams to transport his prized Saab sports car to their new home. The plot thickens when Arlo receives distressing news from their neighbors, the Butterworths; a rumor circulates that their daughter, Casey, is planning to marry to escape the move. To their utter disbelief, they discover Casey at the chapel, not marrying Kevin, but rather a random stranger named Rudy she met at the mall. In a bid to prevent the marriage, Arlo and Monica strike a deal allowing Casey to reside with the Butterworths until she completes her high school senior year.
On the day marked for their move, Arlo is taken aback when the suspicious movers Edwards and Perry show up as the ones hired to assist with their relocation. As these movers, accompanied by a colossal figure known as Gorgo, load up the truck, Arlo steps outside only to witness Brad departing with his beloved car. This leads to an emotional farewell as the Pear family and their dog, Flipper, finally set off towards Boise. In a moment of levity amidst the chaos, the twins present Arlo with a psychology magazine detailing Brad’s eight distinct personalities, sure to add a touch of humor to their tumultuous situation.
The family arrives at their new house only to realize it has been stripped bare, leading to a confrontation with Mr. Cadill. With the frustration mounting, Arlo resolutely tracks down the movers, only to learn they have taken an unexpected detour to New Orleans for Mardi Gras.
The following morning, the sound of a roaring lawnmower tractor interrupts Arlo’s thoughts, prompting him to investigate; incredibly, their new neighbor is none other than Cornell Crawford, the menacing twin brother of his previous, fearsome neighbor, Frank. Brad arrives with the Saab, but its appearance is alarmingly altered, outfitted for battle. In a twist of bad luck, Arlo’s first day at work starts with disheartening news—Marcus delivers the crushing blow that the ambitious monorail project has been shelved due to prohibitively high costs. Arlo argues his case, determined to revive the project, but Marcus remains unmoved, leading to Arlo’s dismissal from the firm.
Overwhelmed by the series of misfortunes, Arlo takes matters into his own hands, equipping himself with firearms and reclaiming the moving van from Edwards, Perry, and Gorgo, with intent to unload their belongings in Boise. To his surprise, Casey, missing her family and the comfort of home, decides to join them, adding a welcome relief to their turbulent journey. As Marcus later arrives at their house looking for reconciliations, it becomes clear that Arlo’s expertise in the field may just breathe new life into the monorail project.
Hearing the unmistakable sound of Cornell’s loud lawnmower, Arlo grows impatient, demanding that Cornell acquires a standard lawn mower instead. When Cornell stubbornly refuses, Flipper steps in, growling ominously until Cornell reluctantly adheres to Arlo’s request. With the family reassembled and Arlo’s professional path once again ignited, he finds peace and happiness in his new beginnings, ready to tackle whatever challenges come next in his family’s new life.
Track the key events of Moving (1988) with a comprehensive timeline. Perfect for understanding the sequence of major plot points, this feature offers clarity on how the story unfolds.
Arlo Loses His Job
In New Jersey, mass transportation engineer Arlo Pear finds himself without a job after a heated argument with his boss. This incident marks the beginning of a significant change in his family's life as they prepare for a major move.
Job Opportunity in Boise
After losing his job, Arlo interviews with a new engineering firm, G.T.I. Transits. There, he is offered the position of head of Research and Development for a new monorail project in Boise, Idaho, which sparks hope for his future.
Family Reacts to the Move
Returning home, Arlo shares the news of his job offer with his wife Monica and their three children. However, the family is resistant to the idea of relocating to Boise, especially due to their fear of their overbearing neighbor, Frank Crawford.
House Goes on the Market
Arlo and Monica decide to put their house up for sale, hoping for a quick offer. Their daughter Casey tries various antics to sabotage the sale, driven by her desire to stay close to her boyfriend Kevin.
House Sold
Despite Casey's attempts, the house is sold, and the family prepares for their move to Boise. This development marks a turning point for the family, as they now have to adapt to the idea of leaving their home.
House Hunting in Boise
Once in Boise, Arlo and Monica meet with the Cadills to find a new home. They are initially taken by the property but are stunned to learn that Mr. Cadill plans to take the windows, doors, and pool with him.
Choosing a Moving Company
While searching for a moving company, Arlo interviews movers Edwards and Perry, but their suspicious demeanor leads him to choose a different company. He also hires Brad to transport his beloved Saab sports car to Boise.
Casey's Shocking Decision
Arlo and Monica receive a shocking call from their neighbors, the Butterworths, who reveal that Casey is planning to get married to avoid moving. To their surprise, she is at the chapel with a boy named Rudy, not Kevin.
Moving Day Arrives
On the day of the move, Arlo is taken aback when he sees the truck arrive with movers Edwards and Perry. Complications arise as Brad takes off with Arlo's car, heightening the stress of the day.
Road Trip to Boise
As the Pear family departs for Boise, they stop at a diner where the twins inform Arlo about Brad's history with multiple personalities. This adds to the sense of chaos surrounding their transition.
Arrival at the New House
When the Pears arrive at their new house in Boise, they are horrified to discover the home stripped of its fixtures. Arlo's anger leads him to confront Mr. Cadill to retrieve their belongings.
Unexpected Neighbor
Arlo is jolted awake by the sound of a lawnmower in the morning, only to find that Frank Crawford's twin brother, Cornell, is their new neighbor. This encounter adds to Arlo's anxiety about their new life.
Monorail Project Canceled
On his first day at G.T.I. Transits, Arlo learns that the highly anticipated monorail project has been canceled due to budget issues. He pleads with Marcus to reconsider, but ultimately, he is let go.
Arlo Takes Action
Feeling defeated, Arlo takes matters into his own hands by purchasing firearms and commandeering the moving van from Edwards and Perry. This desperate act signifies his determination to reclaim his family's belongings.
Family Reunited
After unloading their belongings, Arlo is pleasantly surprised to find that Casey missed her family and decided to join them in Boise. The family comes together in their new home, signaling a moment of relief and unity.
Meet the characters that bring Moving (1988) to life. Dive into detailed profiles of the cast and their roles, exploring their motivations, relationships, and arcs within the story.
Arlo Pear (Randy Quaid)
Arlo Pear is a determined family man who faces a series of unfortunate events while trying to provide for his family. His optimism often clashes with reality, leading to humorous situations as he navigates the stress of relocating. Despite these challenges, his love for his family drives him to overcome obstacles.
Monica Pear
Monica Pear is portrayed as a supportive wife who initially struggles with the idea of moving. She represents the voice of reason within the family, balancing her husband's ambitions with her children's needs. Her character reflects the emotional turmoil associated with uprooting one's life.
Casey Pear
Casey, as the teenage daughter, is a typical young girl caught between her old life and the pressures of moving. Her rebellious nature is highlighted as she tries to sabotage the move to remain with her boyfriend. Ultimately, her journey reflects the struggles of adolescence and the need for family connection.
Uncover the settings of Moving (1988), from iconic locations to the time period that shapes its world. See how these elements add depth and context to the movie’s narrative.
Time period
While the specific time period is not explicitly mentioned, the events of the movie suggest a contemporary setting, likely in the late 20th century. This was a time of economic shifts in the U.S. when suburban living became increasingly popular, reflecting many family dynamics faced during the era.
Location
New Jersey, Boise, Idaho
The movie begins in New Jersey, a place known for its suburban lifestyle and close-knit communities. Arlo's family experiences the challenges of moving to Boise, Idaho, a city that has its own charm and quiet neighborhoods that often stand in contrast to their old home. Boise is noted for its beautiful landscapes, outdoor activities, and a burgeoning arts scene.
Explore the core themes of Moving (1988). From its commentary on social issues to its emotional undertones, delve into the deeper messages woven into the film’s story.
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Family & Relocation
The theme of family and relocation is central to the film as Arlo Pear grapples with his family's resistance to moving. The trials and tribulations they face during this transition highlight the complexities of keeping a family together amidst change. Ultimately, the film explores how shared experiences, both good and bad, can strengthen family bonds.
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Change & Adaptation
As Arlo navigates the challenges of relocating, the theme of change and adaptation comes to the forefront. From dealing with a difficult neighbor to unexpected twists in their new home, the family learns to adapt to their new environment. This theme reflects the universal struggle of facing the unknown and finding resilience in adversity.
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