The Accused 1988

The gripping and controversial drama The Accused (1988) delves into the harrowing realities of sexual assault, opening with a suspenseful atmosphere set outside a bar known as The Mill, located along the highways of Washington. The scene transitions from the normalcy of nightlife to a crescendo of chaos, as the anguished cries of Sarah Tobias, portrayed by the talented Jodie Foster, echo hauntingly as she escapes from the bar in sheer terror after enduring a horrific gang rape perpetrated by three men amidst a crowd.

As soon as Sarah is rescued on the highway, she is rushed to the hospital, where she encounters various professionals dedicated to helping victims like her. Among them is Carol Hunnicutt (Linda Darlow) from the Rape Crisis Center, as well as Kathryn Murphy, brilliantly portrayed by Kelly McGillis, who takes on the role of her Deputy District Attorney. Adding to the tension, Lieutenant Duncan (Terry David Mulligan) is also present to oversee the police investigation, highlighting the significant theme of systemic bias faced by assault victims.

Once the chaotic night settles, two of Sarah’s attackers are identified, with Kurt (Kim Kondrashoff) and Danny (Woody Brown) coming into focus as immediate suspects. Kathryn drives Sarah back to her modest home—a trailer where she lives with her boyfriend, Larry, a struggling musician portrayed by Tom O’Brien, who embodies a fleeting glimpse of chaos in Sarah’s already tumultuous life. The setting branches into a poignant moment of normalcy as Sarah is seen with her beloved dog, Sadie, named in homage to The Beatles.

Against rigorous odds, the police apprehend the third assailant Bob Joiner (Steve Antin), only for all three rapists to be released on a $10,000 bail, due to the shocking reality that one of their own, Kenneth Joyce (Bernie Coulson), is a close friend. Sarah, a waitress by trade, faces the staggering burden of digesting such disheartening news—only to be met with judgment by Kathryn when her lifestyle choices and past drug possession are brought to light. Despite being confronted with such biases, Sarah asserts her need for justice, insisting that her attackers must be held accountable.

In the following scenes, Kathryn interviews witnesses including Sarah’s best friend, Sally Fraser (Ann Hearn), who provides additional clarity regarding The Mill. However, the investigation faces multiple hurdles, including a bar patron named Polito (Stephen E. Miller), who proves too compromised by his state at the time of the assault. A devastating turn arises when, following a deal with the rapists’ legal representation, the men receive minimal sentences for reckless endangerment—an outcome that leaves Sarah feeling betrayed and furious.

In a powerful confrontation, Sarah disrupts one of Kathryn’s dinner parties, voicing her anger at the leniency towards her assailants and asserting that the spectators, who turned a blind eye that night, share in the guilt of her trauma. The gravity of the situation weighs heavily upon her, leading Sarah to a cathartic moment of self-reflection as she decides to cut her hair—a symbolic gesture of reclaiming her power.

Amidst the turmoil, Sarah unexpectedly runs into Cliff ‘Scorpion’ Albrect (Leo Rossi), who taunts her with memories of that fateful night and attempts to force her back into a victim role. In a moment of rebellion, she retaliates, only to find herself entangled in yet another chaotic encounter leading them both to the hospital.

Fueled by distress and determination, Kathryn shifts her focus to the bystanders who participated in the audience of her trauma, initiating a quest for justice that many in her field consider reckless. With little support from her colleagues like D.A. Paul Rudolph (Carmen Argenziano), Kathryn remains resolute, receiving assistance from both Sarah and Sally, the latter of whom identifies the degrading spectators in a lineup.

As the courtroom drama unfolds, Kathryn meticulously navigates the complexities of Sarah’s testimony, uncovering pieces of the night that linger in ambiguity, particularly concerning the actions of onlookers. In a stunning flashback sequence, we are drawn into the events as Kenneth testifies, and Sarah’s detailed account of her traumatic experience replays with gut-wrenching clarity.

The film’s climax rests on the fierce debate of culpability, where Kathryn’s fervent advocacy highlights a poignant truth: it is crucial not only to address the rapists but also to expose those who silently revel in the horror. After a gripping trial, Kathryn’s unwavering dedication ensures a verdict against the men for criminal solicitation, much to Sarah’s relief, as the film closes on a note of tentative healing.

Finally, amid the echoes of her past trauma, Sarah returns home, greeted by the comforting presence of her dog, Sadie, symbolizing the resilience of the human spirit and the ongoing fight for justice for all victims.