Directed by
Juan José Campanella
Made by
Sony Pictures Classics
In June 1974, judiciary agent Benjamín Espósito is pulled into a harrowing investigation of the brutal rape and murder of Liliana Colotto de Morales. Espósito makes a heartfelt promise to her husband, Ricardo, vowing to track down the killer and secure a life sentence. He receives assistance from his troubled, alcoholic partner, Pablo Sandoval, and the newly appointed chief, Irene Menéndez-Hastings. The investigation takes a dark turn when Espósito’s rival, Romano, wrongfully accuses two construction workers, one being a Bolivian immigrant, igniting Espósito’s fury upon discovering that both men were tortured into confessing.
Espósito stumbles upon a critical lead while sifting through photographs of Liliana handed over by Ricardo. Many images capture a man, identified as Isidoro Gómez, who seems to obsess over her. Espósito and Sandoval embark on a covert mission to Gómez’s mother’s house in Chivilcoy, where they find letters from him to his mother. Unfortunately, the raid results in empty-handedness as Sandoval pilfers the letters, further complicating their endeavors upon their return to Buenos Aires. A disastrous slip-up occurs when Ricardo inadvertently contacts Gómez’s mother in a fruitless attempt to locate his wife’s killer, leading to the closing of the case.
In 1975, Espósito crosses paths with Ricardo at a train station in Retiro and learns he has been searching for Gómez across numerous stations. Determined, Espósito persuades Irene to reopen the investigation. Meanwhile, Sandoval, during a drunken night out, uncovers a vital connection between names listed in the letters and players from Racing Football Club. Advancing the search, they attend a match between Racing and Huracán in hopes of spotting Gómez.
Their efforts pay off when they finally locate Gómez among the crowd, but chaos reigns with a sudden goal, enabling his escape. A frantic chase ensues, culminating in Gómez being apprehended by stadium security after attempting to storm the pitch. Coming together to interrogate him, Espósito and Irene resort to illegal methods, leveraging Gómez’s insecurities to extract a confession. Although he is convicted, disaster strikes a month later when Romano bails him out, seeking revenge against Espósito and employing Gómez as an assassin for a faction of the Peronist Party. Espósito and Irene strive to intervene but are thwarted by Romano’s machinations. Espósito must deliver the heart-wrenching news to Ricardo that his wife’s murderer will evade justice.
In the aftermath, Sandoval finds himself embroiled in a street brawl, prompting Espósito to take him home to fetch his wife. Upon their return, they are met with a horrifying scene: the door ajar, Sandoval’s photographs scattered, and Sandoval himself lying dead in his room. Espósito quickly deduces that Gómez and Romano sent hitmen after him. In a desperate bid to protect his friend, Sandoval had impersonated Espósito, resulting in his own demise. Fearing for his safety, Espósito retreats into hiding for a decade in Jujuy Province, finding solace with Irene’s relatives. Upon his return to Buenos Aires in 1985, he discovers that Gómez has vanished and Irene is now married with children.
Flash forward to 1999, Espósito is still grappling with the case and seeks out Ricardo, who has secluded himself in a rural cottage in Buenos Aires Province. A confrontation ensues when Espósito inquires about how Ricardo has dealt with the grief of his wife’s murder and the unsatisfying conclusion to the investigation. Ricardo spirals into rage as he confesses to having kidnapped and killed Gómez years prior. However, Espósito soon realizes Ricardo’s unyielding thirst for vengeance when he recalls Ricardo’s earlier desire for Gómez to endure a lasting punishment. Espósito stealthily returns to Ricardo’s residence, uncovering a shocking truth: Ricardo has kept Gómez imprisoned for 25 years, starving him of human interaction. In a poignant moment, Gómez desperately seeks contact, while Ricardo coldly reminds Espósito of his promise to deliver a “life sentence.”
Later, in Buenos Aires, Espósito visits Sandoval’s grave for the first time, lost in a mix of sorrow and reflection. He then heads to Irene’s office, fully prepared to express his long-held feelings for her, a sentiment she has anticipated. As a warm smile crosses her face, she softly urges him to close the door.
Beginning of the Investigation
In June 1974, judiciary agent Benjamín Espósito is drawn into an intense investigation regarding the brutal rape and murder of Liliana Colotto de Morales. Upon receiving the case, he makes a heartfelt commitment to her husband, Ricardo, promising to find and punish the killer.
Team Formation
Espósito teams up with his troubled, alcoholic partner, Pablo Sandoval, and the newly appointed chief, Irene Menéndez-Hastings. Together, they begin to piece together the harrowing details surrounding Liliana's murder and the events leading to it.
Wrongful Accusation
Espósito's investigation takes a dark turn when his rival, Romano, wrongfully accuses two construction workers of the crime. The shocking reality is that both men are tortured into falsely confessing, igniting Espósito's determination to seek true justice.
Discovery of a Lead
While examining photographs of Liliana provided by Ricardo, Espósito identifies a man named Isidoro Gómez who appears to be fixated on her. This critical lead drives Espósito and Sandoval to pursue Gómez with renewed vigor.
Covert Operation
Espósito and Sandoval covertly travel to Chivilcoy to investigate Gómez's mother’s house. During their search, they uncover letters from Gómez, which they hope will provide more context to his obsession, but the raid ultimately yields no substantial evidence.
Failed Communication
After returning to Buenos Aires, a disastrous slip occurs when Ricardo mistakenly contacts Gómez's mother in an effort to find his wife’s killer. This mistake leads to a stall in the investigation, culminating in the case being closed.
Reopening the Case
In 1975, Espósito encounters Ricardo at a train station and learns of his relentless search for Gómez. Inspired by this meeting, Espósito persuades Irene to reopen the investigation into Liliana's murder, reigniting his search for justice.
Key Discovery at Racing Match
As the investigation progresses, Sandoval uncovers an important connection between names from the letters and players from Racing Football Club. Espósito and Sandoval attend a match between Racing and Huracán, hoping to spot Gómez in the crowd.
Gómez's Capture
Excitement turns into chaos when Espósito and Sandoval finally locate Gómez at the match, but a sudden goal disrupts their capture efforts, allowing him to escape. They engage in a frantic chase, ultimately leading to Gómez being apprehended by stadium security.
Interrogation and Conviction
In a tense interrogation, Espósito and Irene resort to illegal tactics to elicit a confession from Gómez. Although he is convicted for Liliana's murder, the victory is short-lived as Romano plots his revenge against Espósito.
Tragic Loss
Tragedy strikes when Sandoval is found murdered in his home, an apparent victim of Gómez and Romano's reach. Espósito suspects that Sandoval was killed while trying to protect him, leaving him devastated by the loss of his friend.
A Decade in Hiding
Fearing for his safety, Espósito vanishes into hiding for ten years in Jujuy Province. He finds a semblance of peace among relatives of Irene, but the shadows of his past and the unfinished case loom over him.
Return to Buenos Aires
In 1985, Espósito returns to Buenos Aires, only to learn that both Gómez and Irene have moved on. The city is unfamiliar, yet he is determined to confront the ghost of his past and find closure.
Confrontation with Ricardo
In 1999, Espósito seeks out Ricardo, who has secluded himself in a rural cottage. During their confrontation, Ricardo reveals that he has not only grieved but has exacted his own violent revenge on Gómez, keeping him imprisoned for years.
Final Reflections
Espósito visits Sandoval's grave to pay his respects before finally confronting his feelings for Irene. In a poignant moment filled with unspoken emotions, he is welcomed by her smile, as she encourages him to close the door on his past.
Benjamín Espósito
Espósito is a dedicated judiciary agent consumed by the desire to solve a brutal case. His integrity is tested as he navigates through a system plagued by corruption and personal loss. His character evolves from an investigator to a tragic figure grappling with the implications of his choices.
Ricardo
Ricardo is a grieving husband whose life is shattered by the murder of his wife. His transformation through the film highlights the effects of trauma and a thirst for vengeance. As he takes justice into his own hands, his character raises questions about morality and the consequences of his actions.
Pablo Sandoval
Sandoval serves as Espósito's troubled partner, battling his inner demons, particularly alcoholism. His loyalty and friendship bring complexity to his character, making him a tragic figure caught in a web of crime and consequences. His downfall ultimately impacts Espósito's journey.
Time period
1974-1999
The events of the movie span from 1974 to 1999, capturing a tumultuous period in Argentina's history marked by political unrest and social issues. This era highlights the intense struggles faced by individuals in pursuit of justice amidst a flawed legal system. Each year in this timeline delivers an evolution of characters grappling with grief, vengeance, and unresolved trauma.
Location
Buenos Aires, Chivilcoy, Jujuy Province
The movie predominantly takes place in Buenos Aires, the bustling capital of Argentina, known for its rich cultural heritage and historical significance. Chivilcoy is a smaller town where crucial evidence is discovered, while Jujuy Province serves as a retreat for Espósito amidst the turmoil of his life. Each location plays a pivotal role in the unfolding investigation and the characters' emotional journeys.
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Justice
A central theme of the movie is the quest for justice, as Espósito embarks on a desperate investigation to solve a heinous crime. The film explores the moral complexities of justice, particularly when the system fails the victims. It delves deep into individual motivations driving characters to seek personal retribution when formal justice remains unattainable.
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Grief
Grief is poignantly portrayed through Ricardo's unwavering pain over his wife's murder. The emotional burden of loss haunts the characters, affecting their relationships and decisions throughout the narrative. The film illustrates how grief can foster an unrelenting desire for vengeance and shape individuals' lives for decades.
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Obsession
The theme of obsession manifests in Espósito's relentless pursuit of truth and justice, reflecting the lengths one might go to in the face of unsolved tragedy. Ricardo's fixation on his wife's murderer drives him to extremes, emphasizing how obsession can both empower and destroy individuals.
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