Bitter Moon 1994

As an embittered writer, confined to a wheelchair by his own demons, recounts his tumultuous marriage to the enigmatic and alluring Emmanuelle Seigner to a curious Hugh Grant, the boundaries between reality and fantasy blur on a luxurious ocean liner.

As an embittered writer, confined to a wheelchair by his own demons, recounts his tumultuous marriage to the enigmatic and alluring Emmanuelle Seigner to a curious Hugh Grant, the boundaries between reality and fantasy blur on a luxurious ocean liner.

Does Bitter Moon have end credit scenes?

No!

Bitter Moon does not have end credit scenes.

Ratings


Metacritic

62

Metascore

6.1

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.2 /10

IMDb Rating

Movie Quiz


Bitter Moon Quiz: Test your knowledge on the complex relationships and dark narrative of 'Bitter Moon'.

Who plays the character Nigel Dobson in 'Bitter Moon'?

Plot Summary


As the sun sets on their idyllic honeymoon cruise, Nigel Dobson (Hugh Grant) and his wife Fiona (Kristin Scott Thomas) are treated to an unexpected introduction to the enigmatic Mimi (Emmanuelle Seigner), a mesmerizing French beauty with a penchant for the exotic. It is through her that they meet Oscar (Peter Coyote), a charismatic American author confined to a wheelchair, whose dark and twisted tale of love and obsession would forever alter their perspective on relationships. Nigel becomes enthralled by the macabre narrative, while Fiona finds it repulsive and unsettling, desperate to know how this cautionary story will conclude.

As Oscar’s words paint a vivid picture of his tumultuous relationship with Mimi, a stunning dancer, it becomes clear that she has surrendered to his every whim, indulging in their intense, boundary-pushing sexual escapades. Her devotion is all-consuming, and she remains enthralled by him, even as he grows bored and cruel, ultimately telling her to leave for good. But Mimi refuses to abandon their twisted bond, returning to the condo they share, determined to stay no matter the cost.

The consequences of her decision are dire, as Oscar’s behavior descends into outright abuse, and their once-passionate encounters devolve into sadistic rituals, fueled by anger and a warped psyche. Mimi becomes a shadow of her former self, sacrificing everything for the sake of her obsessive love, including her own sense of identity and autonomy. Her life becomes a living nightmare, as she is forced to abandon all that once brought her joy in order to cling to this toxic relationship.

As the weight of Oscar’s manipulative grasp tightens around her neck, Mimi is forced to surrender to his demands, sacrificing her own desires for the sake of their tumultuous relationship. The prospect of being cast aside forever hangs precariously in the balance, a constant reminder that she dare not defy him lest he abandon her once and for all. Her world begins to shift when pregnancy becomes a beacon of hope, offering a chance at a conventional life with Oscar by her side. However, their agreement to leave France together and start anew is short-lived, as Oscar’s selfish tendencies resurface, culminating in his sudden departure from their flight to Martinique, leaving Mimi shattered and abandoned.

The trauma of the abortion and subsequent infection leaves Mimi weakened and forever changed, a victim of the very system that once promised her happiness. Meanwhile, Oscar revels in his freedom, indulging in a life of excess and debauchery, his creative pursuits taking a backseat to his hedonistic desires. A car accident, brought on by his own recklessness, ultimately leaves him crippled and unable to escape the consequences of his actions.

As Mimi returns to Paris, her love for Oscar remains unwavering, despite the depth of his betrayal. Her anger and frustration simmer just below the surface, fueling a desire for revenge against the man who has wronged her so profoundly. She becomes the architect of Oscar’s misery, controlling every aspect of his life with an iron fist. The boundaries she sets are rigid and unforgiving, prohibiting him from rekindling connections with their former lovers or venturing forth without her constant supervision.

In a particularly twisted display of cruelty, Mimi subjects Oscar to a verbal tirade while he’s soaking in a bath that slowly cools, forcing him to crawl out like a worm. Another occasion finds her presenting him with a gun and a single bullet, an insidious offer designed to tempt him into self-destruction. As the weight of her anger settles over them both, Mimi’s half-smile hints at a profound sadness, a sorrow that refuses to abate despite the passage of time.

As the narrative unfolds, Fiona’s exasperation with Nigel reaches a boiling point. She’s convinced that his wandering gaze has fixated on Mimi, whose tantalizing flirtations and coy hints have become increasingly brazen. In a bold declaration of superiority, Fiona sets out to prove her prowess by shamelessly flirting with Dado (Luca Vellani) during Oscar’s intimate storytelling sessions.

Meanwhile, Nigel embarks on a quest to locate Fiona, only to be met with the shocking discovery that she’s sharing a tender moment with Mimi in their bed. As it turns out, Oscar has been quietly observing the illicit encounter from the shadows, his gaze lingering as he takes in the explicit details. The sudden burst of gunfire jolts both women awake, and they’re left entwined in each other’s arms.

As the chaos subsides, Nigel and Fiona emerge from the cabin hand in hand, their faces etched with a profound trauma. The weight of what they’ve witnessed has left them shaken to the core, forever altering the dynamics of their relationships and leaving an indelible mark on their psyche.

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