Bundle of Joy 1956

In this charming romantic comedy, Polly Parish's life is turned upside down when she discovers an abandoned baby at her department store job. As coworkers speculate about the little one's parentage, Polly finds herself caught up in a web of mistaken identities and misunderstandings. With the dashing Dan Merlin by her side, Polly must navigate the chaos and confess the truth before it's too late.

In this charming romantic comedy, Polly Parish's life is turned upside down when she discovers an abandoned baby at her department store job. As coworkers speculate about the little one's parentage, Polly finds herself caught up in a web of mistaken identities and misunderstandings. With the dashing Dan Merlin by her side, Polly must navigate the chaos and confess the truth before it's too late.

Does Bundle of Joy have end credit scenes?

No!

Bundle of Joy does not have end credit scenes.

Ratings


IMDb

6.0 /10

IMDb Rating

TMDB

64

%

User Score

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Plot Summary

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Polly Parish, played by Debbie Reynolds, finds herself in a difficult bind as she works in the Millinery Department at J.B. Merlin & Son’s department store in Manhattan’s Upper East Side. She’s abruptly fired by the store manager after being told that her enthusiastic sales tactics have led to a surge in returns, creating extra burdens on the accounting department. As she walks home, contemplating how she’ll make ends meet, her life takes a surprising turn when she stumbles upon an abandoned baby wrapped in a blanket. Instinctively, she comforts the little one, only to be ushered inside a nearby orphanage by a woman who lives there.

Inside the orphanage, the staff, including the head, are skeptical of Polly’s claim that the baby isn’t hers, having dealt with many reluctant mothers in the past. Polly explains her recent job loss and her inability to care for someone else’s child, but her words are met with disbelief. Soon after, the orphanage head reaches out to the kind-hearted Dan Merlin, the son of the store’s owner, who subsequently decides to rehire Polly with a pay increase of $10 a week, and promises a surprise delivery to her apartment that evening.

When a package arrives, it turns out to be the very baby Polly had found, leaving her utterly astonished. Desperate to return the infant to Dan, she enlists a friend to help her bring the baby back to his East 63rd Street residence. However, Dan’s butler becomes involved, as Dan himself goes to fetch Polly. Their paths cross in a dance hall where Polly hopes to win a prize, but things take a chaotic turn when Dan gets thrown out.

With no choice but to care for the baby, Polly names him John and begins to develop a genuine attachment. The more time they spend together, the deeper her bond with the child grows. As New Year’s Eve arrives, Dan, initially stood up by his date due to a forgotten call, decides to indulge Polly with a night out, arranging for her landlady to babysit John.

After shopping for an outfit, Dan playfully hints that Polly’s job is at risk just to steal a kiss. Meanwhile, a misunderstanding leads J.B. Merlin to believe that Polly and Dan are the new parents of baby John, whom he mistakenly thinks is his grandson. The humorous chaos escalates when Polly claims that her landlady’s nephew is the baby’s real father, while Dan attempts to bring in a store employee to play the role of John’s father.

The tangled web of pretenses culminates in an emotional climax where Dan confesses his love for Polly. The comedic misunderstandings resolve beautifully, leading to a joyful union for this makeshift family and a happy ending that convinces J.B. that baby John is indeed his grandchild.

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