In 2000s Italy, the charismatic but troubled Silvio Berlusconi reigns supreme, surrounded by sex, drugs, and corruption. Amidst this chaos, a cunning young hustler, Sergio, seizes an opportunity to rise through the ranks by currying favor with the embattled former PM.
Does Loro have end credit scenes?
No!
Loro does not have end credit scenes.
Kasia Smutniak
Kira
Anna Bonaiuto
Cupa Caiafa
Dario Cantarelli
Paolo Spagnolo
Elena Sofia Ricci
Veronica Lario
Euridice Axen
Tamara
Fabrizio Bentivoglio
Santino Recchia
Giovanni Esposito
Mariano Apicella
Riccardo Scamarcio
Sergio Morra
Roberto De Francesco
Fabrizio Sala
Toni Servillo
Silvio Berlusconi, Ennio Doris
56
Metascore
7.0
User Score
%
TOMATOMETER
0%
User Score
6.7 /10
IMDb Rating
67
%
User Score
Who is Sergio Morra's partner in crime?
In the sun-drenched city of Taranto, Sergio Morra (Riccardo Scamarcio) runs a secretive operation, wielding his influence to bribe local officials and secure valuable licenses for his ventures. His partner in this underworld escapade is Tamara (Euridice Axen), a fearless and unapologetic spirit who wholeheartedly supports Sergio’s illicit pursuits. With their eyes set on the illustrious city of Rome, Sergio’s ambitions skyrocket as he endeavors to gain favor with the notorious Silvio Berlusconi (Toni Servillo).
Upon their arrival in the bustling capital, Sergio encounters Kira (Kasia Smutniak), an enigmatic character directly linked to Berlusconi, often referred to as the “Queen Bee.” Meanwhile, Tamara finds herself drawn to former minister Santino Recchia (Fabrizio Bentivoglio), a seasoned politician with his own aspirations. Through her irresistible charm, she orchestrates a meeting between Sergio and Berlusconi to further their mutual interests.
As the tension heats up, Recchia confides in deputy Cupa Caiafa (Anna Bonaiuto) about his strategies to unseat Berlusconi as the head of the center-right coalition. Seizing a golden opportunity, Sergio decides to showcase his enterprise by renting an extravagant villa in Sardinia, conveniently located a stone’s throw from Berlusconi’s summer hideaway.
However, amid this backdrop, Berlusconi grapples with his own set of challenges. Alone with his wife Veronica Lario (Elena Sofia Ricci), he attempts to revive their once-passionate romance, only to be met with her frosty rejection. The once-dominant Forza Italia party has seen better days, leaving Berlusconi with no official responsibilities to occupy his time.
One day, as tensions mount, Recchia knocks on Berlusconi’s door, desperate for assistance as Tamara blackmails him, demanding a hefty sum for Sergio to keep her quiet about Recchia’s extramarital affairs. Although initially cooperative, Berlusconi’s mood darkens as he reveals his awareness of Recchia’s treacherous intention to overthrow him.
Caught in a web of intrigue and betrayal, Berlusconi departs for Rome under the guise of urgent “political commitments.” In truth, he is attending a major fashion event featuring the vibrant Noemi Letizia, a young woman known for her adventurous spirit. As the complexities of corruption and deception deepen, one thing remains clear – the stakes have never been higher.
When the stormy weather clears, Berlusconi finds himself back on his Sardinian yacht, where Veronica whimsically suggests a return to television alongside Mike Bongiorno. Yet, his attention is diverted by the sight of Morra’s boat, lavishly decorated with naked beauties. Instead of yielding to temptation, he opts for a leisurely excursion with Veronica, cherishing the tranquility as they navigate through choppy waters. Upon their return to the villa, she questions him about their wedding song. In a moment of pretense, he feigns forgetfulness but ultimately surprises her by inviting Fabio Concato to perform the nostalgic “Una domenica bestiale,” a sweet reminder of their cherished day.
Meanwhile, old friend and business mogul Ennio Doris spins tales of riches and success, yet Berlusconi is haunted by images of his recent electoral defeat. Ennio proposes a daring scheme to sway six senators to his side, potentially unseating the center-left government. Amid this political turmoil, Veronica prepares for a trip to Cambodia, leaving Berlusconi feeling momentarily abandoned.
Seizing the moment, Berlusconi throws an extravagant party at his Sardinian estate and invites Sergio Morra to bring an entourage of beautiful women. Although initially captivated by the attention, Morra’s companions soon grow disillusioned as reality falls short of their expectations. Kira, striving to catch Berlusconi’s eye, soon finds herself overshadowed by the charms of Sergio and Tamara.
In an unexpected twist, Berlusconi develops an interest in a youthful beauty named Stella, but his advances are met with rejection, leaving him frustrated. As Kira feels sidelined, both she and Sergio realize their alignment with Berlusconi leads to disillusionment. As the festivities wind down, the partygoers depart, leaving a trail of unfulfilled ambitions behind, prompting Berlusconi to reflect on the ephemeral pleasures of his lifestyle.
As Silvio Berlusconi returns to the position of prime minister, he faces the daunting task of addressing the devastating fallout from the L’Aquila earthquake. In a show of empathy, he personally visits displaced families, boldly promising to rebuild their lives. However, his antics in the international arena continue to bring shame upon Italy’s leadership, prompting his trusted advisor, Crepuscolo, to press for a more serious approach to governance. As he prepares for a crucial visit to New York City and the United Nations, Berlusconi’s focus shifts as he reroutes to Naples for a romantic rendezvous on Noemi Letizia’s 18th birthday.
With the media relentless in exposing his reckless lifestyle, political allies like Cupa Caiafa begin to distance themselves. Amidst this turmoil, Veronica returns from Cambodia and declares her intent to divorce, igniting a fierce confrontation between the couple. Feeling increasingly isolated, Berlusconi seeks refuge with Mike Bongiorno over a lavish dinner, yet even this encounter ends abruptly.
As the crisis in L’Aquila persists, the injured refugees begin to receive new homes, thanks to Berlusconi’s efforts. Firefighters work diligently to recover a cherished statue of Jesus Christ from the rubble of a devastated church, highlighting the continuing struggles faced by those affected by the earthquake. As the film draws to a close, the camera lingers on the exhausted faces of the firefighters after a long day of hard work, leaving viewers to ponder the weight of their sacrifices amidst a chaotic political landscape.
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