Back

Does Maniac Cop have end credit scenes?

No!

Maniac Cop does not have end credit scenes.

Maniac Cop

Maniac Cop

1988

A rogue cop's reign of terror resumes in this bloody thriller. After his brutal demise at the hands of a hero cop, Matthew Cordell returns from the dead with a vengeance, resurrecting his campaign of vigilante slaughter that had once terrorized New York City. Now, good cop Jack Forrest must confront his own demons and stop the vengeful killer before it's too late.

Runtime: 85 min

Box Office: $671K

Language:

Directors:

Ratings:

Metacritic

40

Metascore

6.2

User Score

Metacritic
review

62%

TOMATOMETER

review

44%

User Score

Metacritic

6.0 /10

IMDb Rating

Metacritic

61.0

%

User Score

Check out what happened in Maniac Cop!

As the credits roll, we're introduced to a man meticulously donning the attire of a lawman, complete with badge, gun belt, and cap - a nod to the cinematic tradition of 'Maniac'. Later that night, Cassie Phillips (Jill Gatsby) leaves a local watering hole, only to be confronted by two ne'er-do-wells on the street who attempt to relieve her of her valuables. In desperation, she seeks refuge with a passing police officer in a nearby park square. However, as she approaches him, her eyes widen in horror as the very same officer scoops her up in his white-gloved hands and ends her life by snapping her neck.

The next day, the two perpetrators are apprehended and claim that the killer was none other than a member of the law enforcement. Detectives Frank McCrae (Tom Atkins) and Lovejoy (Lou Bonacki) pay a visit to the morgue, where they're met with the gruesome reality of Cassie's lifeless body. Frank is convinced by the suspects' account of a murderous policeman.

That same evening, a couple is driving through Manhattan when they're stopped at a red light. A lone officer approaches their vehicle on foot, brandishing a billy club. The unsuspecting driver is pulled out for a sobriety test, while his companion watches in terror as the officer reveals a sinister secret: hidden within the club is a deadly blade, which he uses to dispatch the man in a swift and brutal manner. The woman's screams pierce the night air as she speeds away from the carnage, desperately wiping the blood off her windshield.

The following morning, Frank seeks out Police Commissioner Pike (Richard Roundtree) in his office, proposing that mental evaluations be conducted on police personnel to prevent such atrocities from occurring. However, Pike remains unmoved, warning Frank against pursuing the matter further and subtly threatening him by referencing a dark incident from his past - the attempted suicide several years prior, following the tragic loss of his partner in the line of duty.

As night descends upon the city streets, a lone pedestrian (Luke Walter) finds himself face-to-face with a sinister force that lurks in the shadows. The unseen killer, masquerading as a law enforcement officer, brutally subdues him before a startled onlooker can intervene. In a desperate bid for escape, the man flees, only to be pursued by his tormentor, who ultimately silences him with a gruesome and inhumane act of suffocation.

The next morning, a news report sensationalizes the exploits of a rogue cop, responsible for a string of gruesome murders that have sent shockwaves throughout New York City. Amidst this climate of fear and mistrust, a woman in Queens finds herself at the mercy of a benevolent policeman who stops to assist her with car trouble. But when she misidentifies his good intentions as a threat, she takes matters into her own hands, unleashing a deadly shot that claims his life.

Meanwhile, Jack Forrest (Bruce Campbell) prepares for another day on the streets as a New York City police officer, his domestic life a tumultuous reflection of the chaos unfolding outside. His wife Ellen (Victoria Catlin), increasingly anxious about his nocturnal exploits and fearing he may harm her in his sleep, implores him to reevaluate his priorities.

As Jack departs for another long night on patrol, Ellen receives a cryptic phone call from an unknown female caller who has previously reached out to her. The anonymous caller warns Ellen that Jack is not what he seems, that he is actually the notorious "maniac cop" responsible for the city's recent bloodshed. Consumed by this revelation, Ellen arms herself and sets out to confront Jack at a seedy Manhattan motel.

Upon arrival, she discovers Jack in flagrante with another woman, his infidelity the final straw that shatters her trust. Though initially inclined to take vengeance into her own hands, Ellen's fear dissipates as she realizes the true extent of Jack's duplicity. With her anger and betrayal simmering just below the surface, she exits the motel room, unaware that the real maniac cop lies in wait, ready to pounce upon her unsuspecting form. As she drives away from the motel, a black van materializes out of nowhere, its occupants intent on snatching Ellen into their midst.

As the sun rises over the desolate landscape, a maid's gruesome discovery at the motel shatters the morning calm: Ellen's lifeless body lies in the same room where Jack had spent his fateful night just hours prior. The no-nonsense Captain Ripley (William Smith), Jack's superior and an embodiment of brutal efficiency, arrives at Jack's doorstep to deliver the devastating news of his wife's murder. As Jack confesses to having been at the motel the previous evening, Ripley's skepticism turns into a full-blown arrest warrant for Jack's alleged involvement in Ellen's slaying. In a sterile interrogation room, Ripley and Frank present Jack with a damning collection of newspaper clippings (featuring Ellen's own sensationalized writings as "Maniac Cop"), which they pair with an excerpt from her diary suggesting that she had grown increasingly convinced that Jack was the killer himself. Jack maintains his innocence, refusing to respond further to the probing questions, while Ripley remains resolute in his determination to pin the murder on him.

Just moments later, Jack's lawyer arrives at the scene, where Jack reveals that he has a crucial eyewitness who can vouch for his alibi around the time of Ellen's murder – but insists that this individual remain anonymous. Frank, sensing the tension between Ripley and Jack, privately shares his own reservations about their suspect's guilt with Captain Ripley. Despite these misgivings, however, the unyielding Ripley remains convinced that Jack is behind the string of murders and plots to charge him accordingly.

Meanwhile, Theresa Mallory (Laurene Landon), an enigmatic vice cop, finds herself in a precarious situation as she's assaulted by the Maniac Cop while posing as a prostitute. Frank arrives on the scene just in time to help her fend off their assailant, who flees into the night. Over drinks at a local watering hole, Theresa confides in Frank about Jack's alleged involvement and hints that she's told only one person about their encounter: Sally Noland (Sheree North), a seasoned policewoman with a prosthetic leg and cane, who toils away in the precinct's clerical department. As Frank visits Sally at her office, he shares Theresa's harrowing tale with her, setting the stage for a complex web of alliances and betrayals that threaten to ensnare them all.

As Frank's surveillance continues, Theresa leads the enigmatic Maniac Cop to a secluded pier on the Hudson River, where their cryptic conversation unfolds. Unbeknownst to Frank, Sally confides in the killer cop, Matt (though she refers to him as Matt), revealing that Jack's recent arrest has inadvertently fueled the chaos, allowing him to orchestrate his bloodthirsty rampage. She implores Matt to redirect his fury towards those who wronged him, rather than perpetuating a cycle of violence. As Frank is exposed, Sally opens fire, forcing him to flee in haste.

In the records department, Frank seeks out Clancy (James Dixon), pouring over archival newspapers to uncover the truth about Matt Cordell's (Robert Z'Dar) past. According to Clancy, Cordell was a well-respected and feared police officer who had little regard for protocol or procedure. His girlfriend, Sally Noland, had attempted to take her own life by jumping from a window after his imprisonment, resulting in a permanent physical impairment - a fractured left leg. Cordell's conviction had been the culmination of a perceived conspiracy within the force, which he claimed was aimed at silencing him for being an outspoken troublemaker.

Meanwhile, as Matt Cordell relaxes in his warehouse hideout, memories of his trial and subsequent imprisonment flood back. He recalls being sentenced by a judge to serve several years behind bars, where he was met with scorn and hostility from the very inmates he had once imprisoned. In the showers, three knife-wielding convicts launch a brutal attack on Cordell, who fights back with ferocity before ultimately falling prey to their relentless assault.

As Frank and Theresa visit Jack in jail, they confide in him about their growing suspicions that Matt Cordell, the infamous convict rumored to have met his demise behind bars a decade prior, may be orchestrating a series of gruesome murders. The air is thick with tension as Theresa and Jack share an intimate moment, leaving them both emotionally vulnerable. Meanwhile, Frank retreats to the station's clerical room, only to be brutally assaulted by Sally, her cane wielding fury fueled by a bitter admission: "He knows I'm no good to him anymore!" As she departs, the eerie atmosphere is shattered by the sudden appearance of a lifeless cop, prompting Theresa's blood-curdling scream: "He's here!" The unseen Cordell seizes Sally, his supernatural strength leaving Frank stunned and helpless. In this chaotic melee, Frank finds himself pummeled across the room by the Maniac Cop.

As chaos erupts, Theresa discovers the gruesome reality outside the cell blocks - a trail of dead cops leading her to the inescapable conclusion that the Maniac Cop has invaded the station. With Jack now freed from his cell, he arms himself with a gun seized from a fallen officer and instructs Theresa to await Frank's arrival in his car. Meanwhile, back at the station, Detective Lovejoy arrives on the scene, mistakenly believing Jack is responsible for the carnage. His frantic attempts to call for backup are foiled when he inadvertently touches Sally's lifeless fingers, prompting an unsettling reaction. Jack swiftly dispatches the detective with a swift punch and claims his gun, before dashing outside to reunite with Theresa.

The next morning, Jack and Theresa pay a visit to Dr. Gruber at Sing Sing's infirmary, with Jack presenting himself as Frank McCrae and claiming an appointment. As the doctor conducts preliminary examinations, he eventually reveals the astonishing truth: on the day Cordell was brutally attacked in the showers, Dr. Gruber had discovered that the officer was still alive, despite being near death. Sympathetic to Cordell's plight and aware of his wrongful framing by his superiors, Dr. Gruber chose not to disturb the status quo, declaring Cordell legally dead while technically keeping him alive - a bizarre limbo that would persist for years to come.

As the festive atmosphere of the St. Patrick's Day parade unfolds, Theresa takes a bold step by racing to police headquarters to alert Commissioner Pike about the impending threat from Matt Cordell. She confronts the commissioner in his office, revealing her suspicions about the true identity of the Maniac Cop and the conspiracy that has framed Jack for the gruesome murders. However, Pike and Ripley are too entrenched in their own beliefs to listen, viewing Theresa's warnings as a desperate attempt to cover up Jack's escape. Meanwhile, a policeman arrives to apprehend Theresa, only to meet a grisly demise at Cordell's hands in an elevator, where they are brutally murdered.

As the chaos ensues, Cordell's accomplice, a lawman, handcuffs Theresa to him, and as they navigate through the corridors, Cordell suddenly appears and viciously assaults the officer with his deadly billy-club blade. Freed from her restraints, Theresa flees to a nearby room, where she finds solace on a ledge outside, watched anxiously by Jack.

Meanwhile, a group of oblivious police officers, still convinced that Jack is responsible for the bloodshed, mistakenly capture him and toss him into a police van. Cordell, still shrouded in mystery, seizes control of the vehicle, sending it careening towards his lair at Pier 14. As the van screeches to a halt, Cordell unleashes his wrath by axe-mauling the door open.

Theresa arrives on the scene, shotgun at the ready, only to find herself face-to-face with the grotesque visage of Matt Cordell, whose horrific injuries and decomposition have left him a walking nightmare. The undead cop snatches the gun from the lifeless officer's hand, but Jack manages to wrestle it free. Cordell retaliates with an unhinged fury, pummeling Jack into submission.

As sirens blare in the distance, Cordell jumps back into the van and attempts to flee, only to be thwarted by Jack, who clings to the vehicle as it hurtles towards chaos. The van plows through a suspended tube, which shatters the windshield, impales Cordell's chest, and sends the trio flying off the dock and crashing into the water.

As the sun dips below the horizon, casting a golden glow over the tranquil lake, Jack and Theresa stand vigilantly, their eyes fixed on the commotion unfolding before them. The paddy wagon, its once-vibrant paint job now dulled by the murky waters, is slowly lifted from its watery grave by a team of tireless police salvage experts. Yet, as they expectantly scan the interior for signs of life, a crushing reality sets in: Cordell (actor's name) is nowhere to be found.

Meanwhile, beneath the surface, a solitary hand begins to stir, its fragile fingers splayed out like a supplicant's plea for help. The water's gentle lapping against the shore creates an eerie stillness, as if time itself has paused to allow this poignant moment to unfold. Unbeknownst to Jack and Theresa, their worst fears are about to be confirmed, as the truth begins to seep from the depths of the lake, like a slow-moving tide of despair.