In 1950s London, the enigmatic Reynolds Woodcock, a master dressmaker, and his sister Cyril orchestrate British fashion's opulence. As Woodcock's creations dazzle royalty and stars, a parade of women enters and exits his life, fueling his artistic genius and indulging his bachelor lifestyle. But when Alma, a fiery and determined young woman, bursts onto the scene, Woodcock's meticulously crafted world begins to unravel, challenging his very notion of control.
Does Phantom Thread have end credit scenes?
No!
Phantom Thread does not have end credit scenes.
Bern Collaco
Lesley Manville
Cyril
Dave Simon
Daniel Day-Lewis
Reynolds Woodcock
Camilla Rutherford
Johanna
Cedric Tylleman
Dinah Nicholson
Elsa
Elli Banks
Elli
Harriet Leitch
Pippa
Ingrid Sophie Schram
Jack Gordon
Jane Perry
Jason Redshaw
Joan Brown
Nana
Julie Duck
Irma
Kelly Schembri
Maryanne Frost
Winn
Pip Phillips
Richard Graham
Sarah Lamesch
Sue Clark
Biddy
Vicky Krieps
Alma
90
Metascore
7.7
User Score
%
TOMATOMETER
0%
User Score
7.4 /10
IMDb Rating
73
%
User Score
Who is the main character and fashion mogul in 'Phantom Thread'?
In 1954 London, the esteemed fashion designer Reynolds Woodcock is in the business of crafting exquisite dresses and garments for the elite. His boundless charisma is coupled with an obsessive, controlling disposition, making him a perfectionist who demands nothing short of flawlessness. His luxury fashion house is supported by a talented team of tailors, but it is his sister, Cyril, who manages the daily operations and wields significant influence over his personal and professional life. Haunted by the shadow of their mother’s death, Reynolds expresses his feelings by stitching concealed messages into the linings of his garments.
In this intricate web of creativity and control, Johanna, Reynolds’ current girlfriend, feels overlooked and complains that he never gives her the focus she desires. Noticing the growing distraction Johanna poses, Cyril advises Reynolds that the time has come to sever this relationship, suggesting a much-needed retreat to the countryside.
Following the creation of a beautiful gown for Countess Henrietta Harding, Reynolds finds himself intrigued by a charming waitress named Alma during a visit to an eatery in the countryside. He invites her out, and she eagerly accepts, igniting a connection where Reynolds recounts a poignant childhood memory about his desire to help sew a wedding dress for his nanny, Miss Blackwood. Despite his efforts, superstitions kept him from achieving that dream, and both he and Cyril’s experiences often seem intertwined in their fateful outcomes.
Reynolds, who regards himself as a confirmed bachelor, finds himself bewitched by Alma, creating a dazzling dress for her that cements their bond. Cyril, however, observes these interactions with skepticism, making Alma feel uneasy at times, especially when Reynolds casually remarks about her lack of physical attributes, insisting that his designs will enhance her shape.
As their relationship evolves, Alma moves in with Reynolds, stepping into the roles of muse, assistant, and love interest. In the beginning, she delights in witnessing his creative genius, but Reynolds’ relentless pursuit of perfection transforms their dynamic into one of tension and frustration. He treats her with alternating bouts of warmth and cold detachment, leaving her feeling elated yet disheartened.
During an engagement dinner for Barbara Rose, Reynolds imposes his rigid standards on her, resulting in discomfort that leaves Barbara faint. In a troubling turn of events, he insists on retrieving the dress from her even as she sleeps, leading to further complications.
While Cyril initially distrusts Alma, she earns her respect through resilience and fortitude. The relationship between Reynolds and Alma is marred by incessant bickering, especially when she attempts to prepare a romantic meal, only to be met with Reynolds’ harsh criticisms about the preparations. In a desperate bid to reclaim power in their tumultuous romance, Alma resorts to a drastic decision, using wild mushrooms to poison his tea, an act that ultimately leads to a deep crisis.
As Reynolds becomes gravely ill, hallucinating the ghost of his mother, Alma selflessly attends to him while Cyril steps in to manage the fallout from his distress. Upon recovering, Reynolds finds himself touched by Alma’s unwavering dedication, culminating in a marriage proposal that she initially contemplates before ultimately agreeing.
In the aftermath of a blissful honeymoon in Switzerland, the reality of their marriage sets in, revealing the same old patterns of conflict as Reynolds’ controlling nature resurfaces. Cyril informs Reynolds that one of his elite clients has turned to a rival fashion house, igniting fears that his traditional designs may soon fall out of favor. In a desperate act of defiance, Alma prepares a poisoned omelet, declaring her wish to make him weak and dependent solely on her.
As Reynolds consumes the omelet, he begins to grasp Alma’s intentions and embraces the fate she has envisioned for them. As he lies weakly, Alma fantasizes about a harmonious future filled with children, prosperity, and her running the dressmaking business alongside Reynolds. She contemplates the challenges they may face but is resolute that their love—and the shifts in their power dynamic—will enable them to triumph over adversity.
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