Does Pulp Fiction have end credit scenes?

Pulp Fiction does not have end credit scenes.

Which character does Mia Wallace relate to?

the wife of gangster Marsellus Wallace

Pulp Fiction (1994) - Reviews, Summary & Info

Pulp Fiction is a film structured in a non-linear narrative that weaves together three interlinked stories, each spotlighting a distinct protagonist: hitman Vincent Vega, boxer Butch Coolidge, and Jules Winnfield, Vincent’s business partner.

The film opens with a dramatic diner hold-up orchestrated by a couple, but quickly transitions between various story arcs, culminating in a return to the diner for the conclusion. The narrative comprises seven sequences, each introduced by an intertitle:

Prologue - The Diner

Prelude to “Vincent Vega and Marsellus Wallace’s Wife”

Vincent Vega and Marsellus Wallace’s Wife

Prelude to “The Gold Watch” (a - flashback, b - present)

The Gold Watch

The Bonnie Situation

Epilogue - The Diner

If arranged chronologically, the sequences flow as follows: 4a, 2, 6, 1, 7, 3, 4b, 5. Notably, sequences 1 and 7 overlap, presenting events from varied perspectives, as do sequences 2 and 6.

The plot kicks off with hitmen Jules Winnfield](/actor/samuel-l-jackson) and Vincent Vega entering an apartment to collect a briefcase for their boss, the gangster [Marsellus Wallace](Ving Rhames), from a partner named Brett. After Vincent inspects the briefcase, Jules swiftly executes one of Brett’s allies and dramatically recites a passage from the Bible before killing Brett for his attempted treachery. They eventually deliver the briefcase to Marsellus while he attempts to bribe Butch Coolidge to lose an upcoming fight.

The following day, Vincent buys heroin from his dealer, Lance (Eric Stoltz), and after taking the drug, he is tasked with watching over Marsellus’s wife, Mia (Uma Thurman), while her husband is away. Mia, fresh off a pilot about female secret agents called “Fox Force Five,” and Vincent enjoy a meal at Jack Rabbit Slim’s—a nostalgic 1950s-themed diner—where they participate in a twist contest. During their time together, Vincent inquires if it’s true that Marsellus threw Tony Ricky Horror out of a window for giving Mia a foot massage, but Mia insists that she never received such a treatment.

In a harrowing turn of events, while Vincent is momentarily absent, Mia mistakenly snorts his heroin, believing it to be cocaine, leading to a life-threatening overdose. Vincent rushes her to Lance’s, where they manage to revive her with adrenaline. He gently drops Mia off, and they agree to keep the incident a secret from Marsellus.

Meanwhile, Butch recalls a poignant moment from his childhood involving Captain Koons (Christopher Walken), a Vietnam War veteran, who gifted him the family’s treasured gold watch—an heirloom that survived multiple wars. Butch ultimately defies Marsellus by betting against his own expected loss and winning the fight, but in a tragic twist, he inadvertently kills his opponent.

Realizing that Marsellus will seek vengeance, Butch plans to escape with his girlfriend, Fabienne (Maria De Medeiros), but must first retrieve his cherished gold watch, which he discovers is left behind. In a violent encounter, he finds Vincent in his apartment and shoots him before fleeing the scene.

The ensuing chaos continues as Marsellus is struck by Butch’s vehicle at a traffic light, leading to a gruesome confrontation and a showdown in a pawn shop where Butch ultimately saves Marsellus from being assaulted. After this intense experience, Marsellus declares that they are even and instructs Butch to leave Los Angeles for good.

The story culminates in a diner where Jules contemplates retirement from his criminal life after what he perceives as a miraculous survival. However, the tranquility is shattered when a couple, Ringo “Pumpkin” (Tim Roth) and Yolanda “Honey Bunny” (Amanda Plummer), attempt their own robbery. Here, Jules deftly handles the situation, using a biblical passage to reflect on his life choices before allowing the robbers to escape with his cash, leaving the diner and the briefcase behind.

Pulp Fiction 1994

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