Rachel, Rachel 1968

In rural Connecticut, 35-year-old schoolteacher Rachel Cameron has been written off as a spinster, living with her widowed mother above a funeral parlor. But beneath the surface, Rachel yearns for connection and passion, finding fleeting escape in her lesbian best friend, Calla. A transformative experience awakens Rachel to new desires, setting the stage for a romantic awakening when a childhood friend returns for his father's funeral.

In rural Connecticut, 35-year-old schoolteacher Rachel Cameron has been written off as a spinster, living with her widowed mother above a funeral parlor. But beneath the surface, Rachel yearns for connection and passion, finding fleeting escape in her lesbian best friend, Calla. A transformative experience awakens Rachel to new desires, setting the stage for a romantic awakening when a childhood friend returns for his father's funeral.

Does Rachel, Rachel have end credit scenes?

No!

Rachel, Rachel does not have end credit scenes.

Ratings


Metacritic

74

Metascore

tbd

User Score

Rotten Tomatoes
review

%

TOMATOMETER

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0%

User Score

IMDb

7.1 /10

IMDb Rating

TMDB

66

%

User Score

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Plot Summary

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Rachel Cameron, portrayed by Joanne Woodward, is a reserved 35-year-old spinster schoolteacher residing with her widowed mother in a cramped apartment above the funeral home that her late father once operated, located in a quaint Connecticut town. Plagued by distressing memories from her tumultuous childhood and her father’s profession, Rachel finds herself entrenched in a monotonous routine—caring for her mother while engaging with the schoolchildren. As summer vacation approaches, Rachel braces herself for yet another lonely and tedious season. It’s suggested that she harbors a deep-seated aversion to summer, which had earlier provided her an escape from her overbearing mother, who consistently compares her to her sister married to a prosperous businessman in Boston.

Rachel’s closest confidante is Calla Mackie, a fellow unmarried educator who encourages her to attend a revival meeting. There, a charismatic preacher named Reverend Wood inspires Rachel to embrace her longing for Jesus Christ’s affection. This moment becomes overwhelming, leading Rachel to express deep-seated emotions during the service. However, as she finds solace in Calla, the unexpected transpires when Calla kisses her passionately. The nature of Calla’s feelings remains ambiguous, leaving Rachel in a state of retreat from their friendship as she grapples with her own emerging feelings.

Amid vivid daydreams, Rachel envisions fleeting moments of connection, including encounters with the school’s possibly predatory principal and her yearning to bring home an overlooked student. Through these fantasies, Rachel comes to a pivotal realization: she must engage with life to genuinely experience it. This epiphany propels her to reconnect with an old high school acquaintance, Nick Kazlik, who is back in town visiting his family. Their encounter leads to a brief, passionate fling, but Rachel naively mistakes it for romantic love. Her dreams for a future with Nick are soon crushed when he, unsettled by her earnestness, abruptly terminates their liaison.

Shortly thereafter, Rachel faces the shocking possibility of pregnancy, compelling her to confront the ramifications of her choices. Determined to take responsibility, she resolves to leave and have the child elsewhere. With Calla’s assistance, she secures a teaching position in Oregon. However, a twist unfolds when a medical examination reveals that her pregnancy is merely a cyst—a manageable condition necessitating minor surgery. After undergoing the procedure, Rachel confides in her mother at the hospital about her plans to relocate, presenting her with the option to join her. Her mother readily agrees, signaling a newfound understanding of her reliance on Rachel, which may alter their relationship dynamics for the better.

With an optimistic outlook, Rachel embarks on a journey infused with newfound awareness—she recognizes her ability to make choices, enjoy meaningful relationships, and actively shape her life’s trajectory rather than passively await its arrival. In her poignant final moments in the town, as she takes one last look at their familiar surroundings with her hesitant mother by her side, Rachel contemplates the myriad possibilities that the future holds.

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