The Diving Bell and the Butterfly 2007

The film primarily unfolds through the eyes of Jean-Dominique Bauby, affectionately known as Jean-Do. It begins with his awakening from a three-week coma in a hospital located in Berck-sur-Mer, France. Following an overly optimistic prognosis from one of the doctors, a neurologist breaks the tragic news of Bauby’s locked-in syndrome—an exceedingly rare affliction where the individual is almost entirely physically paralyzed yet retains full mental awareness. Initially, viewers experience Bauby’s inner thoughts, believing he’s voicing them aloud while others around him remain oblivious, perceiving him only through his solitary functioning eye.

To aid in his recovery, a speech therapist and a physical therapist step in with the intent of helping Bauby regain some functionality. Although speech is beyond his reach, Bauby ingeniously creates a communication system by blinking his left eye in response to the letters read out by his dedicated speech therapist. This painstaking method allows him to convey his thoughts and feelings letter by letter.

As the plot progresses, the narrow focus begins to expand. Viewers gain insights into Bauby’s life outside of his hospital room and witness flashbacks to significant moments, including a profound visit to Lourdes. His vivid imagination takes flight, conjuring images of serene beaches, majestic mountains, encounters with the Empress Eugénie, and a sensuous banquet with one of his transcriptionists. It becomes apparent that Bauby once held the esteemed position of editor at the renowned French fashion magazine Elle and had ambitions to pen a book—originally intended to reinterpret The Count of Monte Cristo from a female perspective. Determined, Bauby decides to forge ahead with his literary aspirations, utilizing his arduous communication method. A representative from the publishing house, who had previously engaged with Bauby, is brought in to help him transcribe his thoughts.

Through this memoir, he articulates the struggles of existing within a body he feels encased in murky water, reminiscent of an antiquated deep-sea diving suit, or scaphandre as termed in French. This metaphor evokes the image of his spirit, still vibrant and alive, soaring as a “Butterfly.”

The narrative intertwines Bauby’s poignant reflections and the tensions of his new reality, revealing glimpses of his family—his three children, their mother (whom he never wed), a mistress, dear friends, and his aging father. He reconnects with figures from his past, whose experiences echo his own sense of confinement, including a friend kidnapped in Beirut, held captive in solitary for four years, and his elderly father, constrained to his apartment due to frailty.

Ultimately, Bauby succeeds in finishing his memoir, anxiously awaiting the critics’ responses. Tragically, he succumbs to pneumonia just two days after the book’s publication. The film concludes with evocative imagery of ice glaciers cracking in reverse, paired with the haunting melody of Joe Strummer & the Mescaleros’ “Ramshackle Day Parade.”