In the vibrant LA music scene, pop icon Grace Davis has reached stratospheric fame, but at what cost. Her overworked assistant, Maggie, harbors a secret passion for producing. When a life-altering proposition arises, these two strong-willed women join forces to take control of their destinies and rediscover their true voices in this soaring drama of music, identity, and the pursuit of stardom.
Does The High Note have end credit scenes?
No!
The High Note does not have end credit scenes.
Dakota Johnson
Maggie Sherwoode
Kelvin Harrison Jr.
David Cliff
Bill Pullman
Max
June Diane Raphael
Gail
Marc Evan Jackson
Alec
Ice Cube
Jack Robertson
Eugene Cordero
Seth
Zoe Chao
Katie
Eddie Izzard
Dan Deakins
Ben Lewis
Deniz Akdeniz
Jonathan Freeman
Martin
Lena Drake
Tracee Ellis Ross
Grace Davis
58
Metascore
7.1
User Score
%
TOMATOMETER
0%
User Score
5.2 /10
IMDb Rating
70
%
User Score
What is Maggie Sherwoode's role at the beginning of the film?
In a realm where enduring talent is frequently eclipsed by momentary fame, Maggie Sherwoode (Dakota Johnson), the dedicated personal assistant to the iconic R&B star Grace Davis (Tracee Ellis Ross), finds herself caught in a dilemma between her loyalty to her esteemed boss and her own artistic ambitions. As an aspiring music producer, Maggie devotes her spare time to reimagining some of Grace’s timeless tracks, blending the essence of the original with her own innovative style.
While navigating her daily life, Maggie encounters David Cliff (Kelvin Harrison Jr.), an unassuming musician who possesses a voice capable of captivating even the hardest hearts. Impressed by his immense talent, she decides to attend his spontaneous performance, only to realize that there’s more to David than meets the eye; he has a wealth of potential hidden beneath his modest façade. Their continued encounters spark a growing connection, urging Maggie to extend an invitation for herself to produce his debut album.
However, as Maggie invests more in David’s musical journey, she finds herself grappling with challenges posed by her demanding boss, Grace Davis, who despite not releasing fresh material in over a decade, still holds a formidable presence in the industry. Jack Robertson (Ice Cube), Grace’s self-serving manager, has become increasingly frustrated with her diminishing commercial appeal, aggressively pushing for a Las Vegas residency and a series of live albums — a move Maggie is staunchly against.
The conflict escalates when an outside producer remixes one of Grace’s legendary songs, introducing disruptive synthesizers and contemporary pop elements that horrify Maggie. Driven by a desire to maintain artistic integrity, she creates her own version and presents it to Grace, who shocks Maggie by deciding to release it without providing her proper credit or compensation.
This betrayal starkly highlights the ruthless nature of the music industry, where even the best-of-intentions may be manipulated for profit. When Grace voices an interest in creating new material for her label, the response from her circle is disheartening, pushing her instead towards the lucrative Vegas venture. Nevertheless, Maggie stands firm in her belief that Grace deserves a genuine shot at reviving her artistic legacy, a conviction that rekindles Grace’s sense of agency over her creative journey.
As a bond blossoms between Maggie and David, they both stand at a crucial juncture in their careers. With David set to unveil his demo, Maggie seizes the opportunity to elevate him by booking Dan Deakins (Eddie Izzard) as an opening act for Grace’s album launch, only to discover this moment also serves as a platform for David to shine out. In an unexpected twist, Dan generously steps aside, allowing David to ascend to the spotlight, introducing this promising artist to a new generation of fans.
As the event unfolds, Maggie must confront the fallout when she informs Jack and Grace that Dan has unexpectedly withdrawn. Determined to salvage the night, she turns to David, who mistakenly believes they share the same vision. On realizing that the party is for Grace, he becomes offended, refusing to perform and leaving in a fit of anger. Maggie, trying to explain her inability to find a replacement, faces harsh criticism from Jack and the cold disdain of Grace, resulting in her immediate dismissal.
Disheartened, Maggie retreats to her father Max (Bill Pullman), a perceptive radio DJ who provides her with invaluable encouragement and persuades her to reconnect with David, as well as mentor Grace by showing gratitude for the chance to learn from her. Standing at this pivotal crossroads in her career, Maggie begins to envision her future and reflects on her next steps.
Meanwhile, Grace confronts her own vulnerabilities, appearing at Maggie’s door to deliver an unenthusiastic apology. Underneath her tough exterior, she admits her admiration for Maggie’s production skills and proposes a collaboration on a new project — one that would mark Maggie as the first female producer Grace has ever worked with. To further surprise Maggie, Grace reveals she has started crafting new music, expressing her desire for Maggie’s guidance in shaping its vision.
Just as hope begins to swell for Maggie, David arrives with a startling revelation: Grace is his estranged mother, a secret he has kept hidden from everyone around him. Adding to this turmoil, Dan has been circulating David’s work, leading to an enticing offer from a major studio.
As Maggie observes from the sidelines, David takes the stage at a music festival, inviting Grace to join him for a moving duet that steals the show. Later, in the studio, Maggie finally gets her chance to shine as she produces Grace’s new album — a crucial opportunity that could unlock her creative potential and secure her future in the fiercely competitive world of music production.
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