Directed by
Ethan Coen
Made by
CBS Films
In February 1961, we meet Llewyn Davis, portrayed by Oscar Isaac, a struggling folk singer navigating the vibrant yet harsh reality of New York City’s Greenwich Village. Once a merchant marine, Llewyn’s life has turned upside down after the tragic suicide of his musical partner, Mike. His recent solo album, Inside Llewyn Davis, fails to gain traction, leaving him broke and couch-surfing at the homes of friends and acquaintances.
At the Gaslight Cafe, Llewyn performs an emotional rendition of “Hang Me, Oh Hang Me”. After his set, the club owner Pappi (played by Max Casella) informs him that someone is waiting outside. Unfortunately, Llewyn finds himself confronted by a shadowy figure in a suit who brutally attacks him, retribution for heckling a previous performance.
Seeking shelter, Llewyn stays at the apartment of his older friends, the Gorfeins. The following morning, he listens to a track from his and Mike’s album called “Dink’s Song”, before encountering the Gorfeins’ orange tabby cat, which ends up locked out. Llewyn takes the cat to his friends Jim and Jean (the latter played by Carey Mulligan), where complications arise when Jean reveals she is pregnant, compelling Llewyn into an uncomfortable conversation about financial support for an abortion.
The trio attend the Gaslight Cafe once more, but Llewyn’s financial struggles lead him to ask Jim (Justin Timberlake) for assistance, which goes unsuccessfully. Later, Llewyn’s visit to his sister in Woodside proves similarly disappointing, and he ends up impulsively recording a novelty song titled “Please Mr. Kennedy” as part of a group called the John Glenn Singers with Jim and another musician, Al Cody (played by Adam Driver).
Llewyn attempts to set up Jean’s appointment at the gynecologist but learns of a past dilemma he faced concerning another woman. Tension rises between Llewyn and Jean as their lives become increasingly intertwined through their unforeseen circumstances. As he continues searching for money and direction, Llewyn has yet another encounter with the Gorfeins’ cat that leaves him frustrated.
As the story progresses, Llewyn embarks on a road trip to Chicago with two musicians: the quiet Johnny Five (portrayed by Garrett Hedlund) and the abrasive Roland Turner (John Goodman). Roland’s rude remarks only add to Llewyn’s woes. Tragedy strikes when Roland collapses due to a heroin overdose, forcing Llewyn into a precarious situation that leads him to abandon the car with both Roland and the cat inside.
In Chicago, Llewyn seeks out Bud Grossman (played by F. Murray Abraham), only to find his dreams dashed when Grossman claims he received no record from him but agrees to an audition where Llewyn performs “The Death of Queen Jane”. After a lackluster reception, Llewyn hitchhikes back to New York, unintentionally hitting what seems to be the same orange cat.
Returning to New York, he tries to reconnect with his ailing father and wonders about life choices as he prepares for a final goodbye to Jean. Yet, the pressures of his past and the allure of performing again bind him in a cycle of frustration and hope.
At the Gaslight once again, Llewyn confronts disturbing revelations about Pappi’s interactions with female performers, leading him to lash out during someone else’s performance. After being thrown out, he finds refuge one last time at the Gorfeins’, relieved to see the familiar orange cat back home.
The film closes with Llewyn’s poignant reflection as he sings “Hang Me, Oh Hang Me”, followed by a raw performance of “If I Had Wings”. As his journey seemingly comes to an end, a young Bob Dylan debuts on stage, marking the passage of time and the bittersweet nature of Llewyn’s artistic struggles. With a final confrontation outside with the man he previously angered, Llewyn mutters, “Au revoir”, leaving viewers to ponder the cyclical nature of dreams, despair, and the pursuit of artistry.
Introduction to Llewyn Davis
In February 1961, we are introduced to Llewyn Davis, a struggling folk singer portrayed by Oscar Isaac. He navigates the vibrant yet harsh environment of New York City's Greenwich Village, carrying the weight of his fallen musical partner, Mike's tragic suicide.
The Failed Album
Llewyn's recent solo album, 'Inside Llewyn Davis', fails to resonate with audiences, leaving him financially drained. He finds himself couch-surfing among friends and feeling disillusioned about his music career.
Performance at the Gaslight Cafe
At the Gaslight Cafe, Llewyn delivers an emotional rendition of 'Hang Me, Oh Hang Me'. Unfortunately, after his performance, he is assaulted by a shadowy figure as retribution for a previous heckling incident.
Staying with the Gorfeins
Llewyn seeks refuge at the home of his friends, the Gorfeins. The next morning, he reflects on his past collaboration with Mike while dealing with the Gorfeins' cat, which ends up locked outside.
Complications with Jean
Llewyn visits his friends Jim and Jean, where Jean reveals her pregnancy. This revelation forces Llewyn into an uncomfortable discussion regarding financial support for her abortion.
A Desperate Request
The trio returns to the Gaslight Cafe, where Llewyn's financial struggles lead him to seek help from Jim. His request falls flat, adding to his growing sense of desperation as he grapples with his future.
Visit to His Sister
In an effort to improve his situation, Llewyn visits his sister in Woodside. However, this meeting does not provide the relief he seeks, only adding to his feelings of inadequacy.
Recording a Novelty Song
Llewyn impulsively records a novelty song titled 'Please Mr. Kennedy' with Jim and another musician, Al Cody. This venture represents a momentary distraction from his disheartening reality.
Road Trip to Chicago
Llewyn embarks on a road trip to Chicago with musicians Johnny Five and Roland Turner. Tensions rise further as Roland's abrasive personality adds to Llewyn's frustrations during the journey.
Tragedy Strikes
In a tragic twist, Roland collapses from a heroin overdose during their trip. Llewyn is left in a precarious situation as he faces the choice of abandoning the car with both Roland and the cat inside.
Meeting with Bud Grossman
Upon arriving in Chicago, Llewyn seeks out Bud Grossman, hoping to secure a recording deal. However, his dreams are dashed when Grossman claims not to have received a record and agrees only to an audition.
The Audition
Llewyn performs 'The Death of Queen Jane' at his audition for Bud Grossman. Despite his effort, the lackluster reception further deepens his sense of rejection and despair.
Return to New York
After the disappointing audition, Llewyn hitchhikes back to New York. Ironically, he unintentionally hits the same orange cat he has been entangled with throughout his journey.
Final Goodbye to Jean
Back in New York, Llewyn tries to reconnect with his ailing father and contemplates his life choices. He prepares for what he believes will be a final goodbye to Jean.
Confrontation at the Gaslight
At the Gaslight one last time, Llewyn confronts disturbing truths about the club and its owner, Pappi. After being thrown out, he finds solace at the Gorfeins' home, reuniting with the familiar cat.
Llewyn Davis
Llewyn Davis, played by Oscar Isaac, is a talented yet troubled folk singer navigating the trials of life in 1961 New York City. His melancholic nature and artistic aspirations often clash with a harsh reality, resulting in a tumultuous journey of self-discovery. Llewyn's character embodies the struggles and sacrifices artists endure in the pursuit of their dreams.
Jean
Jean, portrayed by Carey Mulligan, is a complex character intertwined with Llewyn's life, balancing her own aspirations with unexpected pregnancy. Her candid nature and tough love reflect the struggles of young women in the 1960s, showcasing the emotional and financial challenges faced in relationships. Jean's resilience and desire for independence make her a pivotal figure in Llewyn's story.
Roland Turner
Roland Turner, played by John Goodman, is a brash and abrasive musician whose interaction with Llewyn adds tension to the road trip to Chicago. His larger-than-life personality contrasts sharply with Llewyn's more subdued character, highlighting the chaotic nature of the music scene. Roland's downfall serves as a stark reminder of the dangers that accompany a troubled life.
Jim
Jim, portrayed by Justin Timberlake, is a supportive friend to Llewyn but also represents the pressures of navigating the complex relationships within the music industry. His character adds depth to Llewyn's experiences, illustrating the delicate balance of friendship and competition among artists. Jim's involvement in Llewyn's story highlights the broader struggles of pursuing success in a demanding field.
Johnny Five
Johnny Five, played by Garrett Hedlund, is a quiet yet talented musician traveling with Llewyn and Roland. His presence amplifies the dynamics between the characters, capturing the essence of camaraderie and unspoken challenges faced on the road. Johnny's character subtly reflects the diverse personalities within the folk music scene.
Time period
February 1961
The early 1960s marked a transformative era in American music, with folk music rising in popularity as a voice for social change. It was a time when traditional values clashed with new cultural movements, reflected in the struggles of musicians like Llewyn Davis as they navigated a challenging industry. The personal and economic difficulties many faced illustrate the bittersweet nature of the artistic pursuit during this period.
Location
New York City, Greenwich Village, Chicago
New York City's Greenwich Village is an iconic neighborhood known for its rich history in the arts, particularly during the 1960s folk music scene. With its vibrant cafes and bohemian culture, it has served as a sanctuary for countless artists and musicians. Chicago also plays a significant role in the film, symbolizing both opportunity and disillusionment for Llewyn Davis as he seeks to further his musical career.
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Struggle
The theme of struggle permeates Llewyn's journey as he grapples with personal loss, financial instability, and the relentless pursuit of artistic success. His experiences underscore the harsh realities many artists face, balancing dreams against the demands of daily life. This theme is poignantly highlighted through Llewyn's relationships and his haunting performances.
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Connection
Llewyn's interactions with the orange tabby cat serve as a metaphor for connection and companionship amid a lonely existence. As he navigates through the lives of others, the cat becomes a symbol of the unintentional bonds formed through shared struggles. This theme reflects the importance of human connections, even in times of despair.
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Loss
Loss is a central theme in Llewyn's life, from the death of his musical partner to his faltering career and strained relationships. Each encounter forces him to confront his past and the choices he's made, emphasizing the emotional weight of grief and the challenge of moving forward. Llewyn's journey is a poignant exploration of how loss shapes one's identity and drive.
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