
A grumpy widower named Otto struggles to cope with loneliness after the loss of his wife. His solitary existence is disrupted when a lively young family moves in next door. Despite his initial resistance and cynical outlook, he gradually forms an unexpected bond with his new neighbors, particularly with Marisol and her impending baby. Through their warmth and persistence, Otto begins to rediscover joy and connection, ultimately finding a renewed sense of purpose in his life.
Does A Man Called Otto have end credit scenes?
No!
A Man Called Otto does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Man Called Otto, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Cameron Britton
Jimmy

Elle Chapman

John Higgins
Hardware Store Clerk

Josefine Lindegaard

Juanita Jennings
Anita

Kailey Hyman
Barb

Kelly Lamor Wilson

Lavel Schley

Lily Kozub
Hardware Store Taylor

Mack Bayda
Malcolm

Manuel Garcia-Rulfo

Mariana Treviño
Marisol

Max Pavel
Andy

Mike Birbiglia

Peter Lawson Jones
Reuben

Rachel Keller
Sonya

Tom Hanks
Otto

Tony Bingham
Hardware Store Customer
Discover where to watch A Man Called Otto online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how A Man Called Otto is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where A Man Called Otto stands among top-rated movies in its genre.
A Man Called Otto delivers a mixed viewing experience, anchored by Tom Hanks’s reliably warm performance while falling short on originality and tonal balance. Critics note the film’s predictable plot and occasional melodramatic excess, yet acknowledge moments of heartfelt sincerity. User feedback mirrors this split, praising the emotional core but criticizing formulaic storytelling and pacing. Consequently, the movie offers modest appeal for audiences seeking gentle comfort, but limits broader enthusiasm.
The Movie Echo Score Breakdown for A Man Called Otto
Art & Craft
Direction and visual execution remain largely conventional, offering little in the way of inventive framing or palette. Cinematography delivers competent coverage but lacks distinctive texture, while production design settles for familiar suburban settings. Editing maintains narrative clarity yet contributes to a measured pace that feels pedestrian. Overall, the film’s craft is serviceable but unremarkable, providing a functional backdrop without notable artistic ambition.
Character & Emotion
When evaluating character work, Tom Hanks provides a nuanced, empathetic portrayal that anchors the emotional center, and Mariana Treviño offers a lively complement. Nonetheless, several supporting roles feel under‑developed, and introduced sub‑plots appear forced, diminishing chemistry. The overall ensemble succeeds in generating occasional genuine connection, yet uneven depth and occasional caricature limit full character immersion.
Story & Flow
The narrative follows a familiar redemption arc, presenting a predictable plot that adheres closely to established tropes. Pacing fluctuates, with early scenes dragging while later moments gain emotional traction. While some viewers find the melodramatic beats excessive, others appreciate the heartfelt exploration of loss and community. Overall, the story offers modest engagement but lacks the originality to distinguish itself.
Sensory Experience
The soundtrack provides gentle, unobtrusive accompaniment that supports the film’s tone without standing out. Sound design is competent, delivering clear dialogue and ambient cues, while visual style remains restrained, employing an understated color palette reflective of wintery suburbia. Though technically sound, none of the sensory elements achieve a memorable impact, resulting in an overall modest audiovisual experience.
Rewatch Factor
The film’s gentle humor and heartfelt moments grant it a degree of repeatability for audiences seeking comforting fare, yet its protracted runtime and formulaic melodrama may diminish enthusiasm on subsequent viewings. Viewers who connect with Hanks’s performance often find value in revisiting the emotional beats, while others consider the experience tedious. Consequently, its rewatch appeal is moderate at best.
51
Metascore
6.8
User Score
70%
TOMATOMETER
97%
User Score
7.5 /10
IMDb Rating
78
%
User Score
3.6
From 2.9K fan ratings
4.58/5
From 38 fan ratings
Challenge your knowledge of A Man Called Otto with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is Otto's behavior towards rules and regulations?
He is a stickler for details
He is very lenient
He doesn't care about rules
He makes up rules as he goes
Show hint
Read the complete plot summary of A Man Called Otto, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Otto Anderson, portrayed by Tom Hanks, is a 63-year-old widower living in suburban Pittsburgh, Pennsylvania. After his retirement from a steel company, he finds himself wrestling with suicidal thoughts, deeply affected by the loss of his beloved wife, Sonya, played by Rachel Keller, a former schoolteacher who passed six months prior.
Despite his prickly demeanor, Otto deals with the mundane frustrations of life, including an argument at a local superstore over an insignificant charge of 33 cents for extra rope. With a long-standing resentment toward his neighbors, he has taken it upon himself to enforce community rules as a member of the neighborhood association, keenly observing every infraction, from bicycles on lawns to improperly displayed parking permits.
While contemplating his final moments, Otto begins to take care of business—canceling his phone and utility services, tidying up his home, and dressing sharply for what he believes will be his last day. However, during a failed suicide attempt by hanging, his plans are unexpectedly interrupted by his new neighbors, Marisol, played by Mariana Treviño, her husband Tommy, portrayed by Manuel Garcia-Rulfo, and their two daughters. The newcomers introduce him to the warmth of family by sharing some homemade Mexican food and later asking to borrow an Allen wrench. Despite his intentions, Otto’s subsequent suicide attempts are continually hampered by either misfortune or timely interruptions from this lively family.
Otto’s life becomes more intertwined with Marisol’s family. After a humorous incident involving a ladder and an injury to Tommy’s leg, he begrudgingly offers to drive them to the hospital. In an amusing twist, he encounters a clown at the hospital who requests a quarter from him—a quarter laden with memories of his late wife. His irritation peaks as he feels compelled to retrieve his treasured quarter from the clown.
As time passes, Marisol persistently breaks into Otto’s world, sparking an unexpectedly tender relationship. A notable shift occurs as he starts to confront his grief—an important turning point manifests when he heroically saves an elderly man who faints on train tracks, an act that garners attention online.
As Marisol learns from Otto about driving, he revisits bittersweet memories, including a trip to his favorite bakery, reminiscing about cherished times spent with Sonya. Throughout these interactions, Otto wrestles with the delicate balance of honoring his wife’s memory while building new connections with his neighbors. His journey reflects a profound examination of friendship, loss, and an ongoing battle against a heart condition that symbolizes his emotional turmoil.
However, challenges arise when a real estate company targets their neighborhood for redevelopment, which jeopardizes his dear friends, Reuben, played by Peter Lawson Jones, and Anita, portrayed by Juanita Jennings. Driven by his sense of justice, Otto galvanizes the community to fight back, wrestling with his own sorrow over Sonya’s death, while also finding inspiration from Malcolm, played by Mack Bayda, a local transgender teen who admired Sonya dearly.
Tragedy strikes when Otto collapses and is taken to the hospital. In this vulnerable moment, Marisol’s presence proves to be a beacon of comfort and strength. In a heartwarming conclusion, Otto pens a farewell message to Marisol, ensuring her family’s security by bequeathing them his savings and possessions.
In a deeply emotional finale, Otto’s struggle gives way to peace as he leaves behind an enduring legacy of kindness and community, forever shaping the lives of those he touched, as they gather to mourn his departure and celebrate the profound impact he made in their lives.
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