A Man Called Otto 2022

In this poignant comedy-drama, Otto Anderson, a curmudgeonly widower, finds himself upended by the arrival of a vibrant young family next door. His prickly demeanor is no match for Marisol's sharp wit and soon-to-be-delivered bundle of joy, leading to an unlikely friendship that will shatter his defenses and reshape his life.

In this poignant comedy-drama, Otto Anderson, a curmudgeonly widower, finds himself upended by the arrival of a vibrant young family next door. His prickly demeanor is no match for Marisol's sharp wit and soon-to-be-delivered bundle of joy, leading to an unlikely friendship that will shatter his defenses and reshape his life.

Does A Man Called Otto have end credit scenes?

No!

A Man Called Otto does not have end credit scenes.

Ratings

Discover how A Man Called Otto is rated on popular platforms like IMDb, Metacritic, and TMDb. Explore audience and critic scores to see how this movie ranks among the best.


Metacritic

51

Metascore

6.8

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.5 /10

IMDb Rating

Movie Quiz

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A Man Called Otto Quiz: Test your knowledge on the heartfelt journey of Otto Anderson and his interactions with his community.

What is Otto's behavior towards rules and regulations?

Plot Summary

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Get the full story of A Man Called Otto with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.


Otto Anderson, portrayed by Tom Hanks, is a 63-year-old widower living in suburban Pittsburgh, Pennsylvania. After his retirement from a steel company, he finds himself wrestling with suicidal thoughts, deeply affected by the loss of his beloved wife, Sonya, played by Rachel Keller, a former schoolteacher who passed six months prior.

Despite his prickly demeanor, Otto deals with the mundane frustrations of life, including an argument at a local superstore over an insignificant charge of 33 cents for extra rope. With a long-standing resentment toward his neighbors, he has taken it upon himself to enforce community rules as a member of the neighborhood association, keenly observing every infraction, from bicycles on lawns to improperly displayed parking permits.

While contemplating his final moments, Otto begins to take care of business—canceling his phone and utility services, tidying up his home, and dressing sharply for what he believes will be his last day. However, during a failed suicide attempt by hanging, his plans are unexpectedly interrupted by his new neighbors, Marisol, played by Mariana Treviño, her husband Tommy, portrayed by Manuel Garcia-Rulfo, and their two daughters. The newcomers introduce him to the warmth of family by sharing some homemade Mexican food and later asking to borrow an Allen wrench. Despite his intentions, Otto’s subsequent suicide attempts are continually hampered by either misfortune or timely interruptions from this lively family.

Otto’s life becomes more intertwined with Marisol’s family. After a humorous incident involving a ladder and an injury to Tommy’s leg, he begrudgingly offers to drive them to the hospital. In an amusing twist, he encounters a clown at the hospital who requests a quarter from him—a quarter laden with memories of his late wife. His irritation peaks as he feels compelled to retrieve his treasured quarter from the clown.

As time passes, Marisol persistently breaks into Otto’s world, sparking an unexpectedly tender relationship. A notable shift occurs as he starts to confront his grief—an important turning point manifests when he heroically saves an elderly man who faints on train tracks, an act that garners attention online.

As Marisol learns from Otto about driving, he revisits bittersweet memories, including a trip to his favorite bakery, reminiscing about cherished times spent with Sonya. Throughout these interactions, Otto wrestles with the delicate balance of honoring his wife’s memory while building new connections with his neighbors. His journey reflects a profound examination of friendship, loss, and an ongoing battle against a heart condition that symbolizes his emotional turmoil.

However, challenges arise when a real estate company targets their neighborhood for redevelopment, which jeopardizes his dear friends, Reuben, played by Peter Lawson Jones, and Anita, portrayed by Juanita Jennings. Driven by his sense of justice, Otto galvanizes the community to fight back, wrestling with his own sorrow over Sonya’s death, while also finding inspiration from Malcolm, played by Mack Bayda, a local transgender teen who admired Sonya dearly.

Tragedy strikes when Otto collapses and is taken to the hospital. In this vulnerable moment, Marisol’s presence proves to be a beacon of comfort and strength. In a heartwarming conclusion, Otto pens a farewell message to Marisol, ensuring her family’s security by bequeathing them his savings and possessions.

In a deeply emotional finale, Otto’s struggle gives way to peace as he leaves behind an enduring legacy of kindness and community, forever shaping the lives of those he touched, as they gather to mourn his departure and celebrate the profound impact he made in their lives.

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