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Does Desperado have end credit scenes?
No!
Desperado does not have end credit scenes.
![Desperado](https://atm.fra1.digitaloceanspaces.com/movies/desperado.jpg)
Desperado
1995
In this gritty action-drama, Mariachi, a mysterious gunslinger, embarks on a perilous quest to exact vengeance against the ruthless drug lord, Bucho. With his trusty sidekick and a captivating bookstore owner by his side, Mariachi navigates the lawless borderlands, engaging in a violent showdown with Bucho's henchmen and leaving a trail of carnage in his wake.
Runtime: 104 min
Box Office: $25M
Language:
Directors:
Cast:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
55
Metascore
8.5
User Score
![Metacritic](/images/common/movies/rt-logo.png)
67%
TOMATOMETER
79%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
7.1 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
69.0
%
User Score
Check out what happened in Desperado!
As the door swings open, an enigmatic figure (Steve Buscemi) strides into a dimly lit tavern, his presence met with a mixture of suspicion and hostility from the patrons. However, this unnamed man seems impervious to their animosity, his gaze fixed on some distant point as he launches into a tale of a bygone night. He recounts how a mysterious individual in black had descended upon a bar in another town, leaving it eerily still in search of someone named Bucho. The customers' initial apprehension quickly gives way to outright fear, and the bartender (Cheech Marin) and his trusted sidekick Tavo (Tito Larriva) attempt to extract a description of this menacing figure from Buscemi's stoic visage. Yet, he remains curiously evasive, opining that this dark stranger is likely bound for their very own town.
As the patrons' unease simmers just below the surface, El Mariachi (Antonio Banderas) awakens from a vivid dream featuring his love interest, Domino. The soft knock at his door heralds the arrival of Buscemi, who reveals himself to be an unlikely ally in the quest to uncover Bucho's whereabouts. He shares cryptic information with El, hinting that the answers they seek can be found in the very bar where Buscemi has just departed.
Buscemi's enigmatic presence piques El's curiosity, and as they converse, it becomes clear that this newcomer is driven by a desire to see justice served – though his methods are far from bloodthirsty. "Neither did you," he responds when El presses him on the nature of his revenge, his tone suggesting a deep understanding of the Mariachi's motivations.
With a newfound sense of purpose, El transforms himself into a mariachi, donning the attire and adopting the mannerisms of a traveling musician. As he makes his way to town, he crosses paths with a young boy who carries a guitar, teaching him the art of playing with finesse despite the physical limitations imposed by his own injury – a lingering reminder of his brutal encounter with Moco in the first film. With a quiet determination, El guides the boy's right hand to coax sweet melodies from the strings, his left hand remaining still and forgotten, a poignant testament to the resilience of the human spirit.
As Bucho's paranoia reaches a fever pitch, he becomes convinced that the enigmatic figure known only as "the man in black" has his sights set on him. To safeguard against this perceived threat, Bucho orders his loyal lieutenants to remain vigilant for any strangers and invests in a bulletproof limousine, a move that speaks volumes about his growing unease. Meanwhile, El Mariachi (Antonio Banderas) makes his way to the local watering hole, where he's met with skepticism by the patrons. Despite their initial distrust, they're taken aback by El's unassuming appearance, which bears little resemblance to the hulking giant described in Buscemi's tale. The only common denominator is his choice of attire – a black ensemble that seems to be the only constant in this sea of uncertainty.
As El tries to win over the barflies with his guitar-playing skills, they grow increasingly agitated, convinced that he's hiding something beneath his innocent facade. In a move that's as much about showmanship as it is about intimidation, they open El's instrument case, hoping to find weapons instead of just music. However, all they're met with is the sweet sound of strings and a few strategically placed harmonicas. Just as tensions are reaching a boiling point, El reveals his true nature by ejecting two Ruger P90 .45 ACP semi-automatic pistols from his sleeves, sending the patrons into a panic. The ensuing gunfight is a chaotic spectacle, with bullets flying every which way as El takes down his assailants one by one.
Meanwhile, in a hidden room filled with shadowy figures, Tavo (Jorge de la Rosa) and his cohorts watch the mayhem unfold on a video monitor, their faces set in stone. It's here that we learn of Pick-Up Guy's (Quentin Tarantino) untimely demise at the hands of Tavo, a brutal execution carried out with all the finesse of a cold-blooded assassin.
As the dust settles on this gruesome tableau, El Mariachi emerges victorious but not unscathed. He sets his sights on the bartender, hoping to glean some information about Bucho's whereabouts. The bartender, however, is an innocent bystander caught in the crossfire, and it's Tavo who ultimately claims his life with a well-placed shot.
With the bartender out of commission, El finds himself facing off against yet another foe – this time, a man armed to the teeth and wielding a .44 caliber Desert Eagle. But just as all hope seems lost, El Mariachi recalls that he's left a few tricks up his sleeve, including a Ruger P90 that proves more than a match for his adversary.
As El departs the bar, he's blissfully unaware of the danger lurking in the shadows – Tavo's friend and associate, who's been tracking him from afar. This deadly duo is hot on El's heels, armed to the teeth with an arsenal of semi-automatic pistols that seem to have an endless supply of bullets.
In a cruel twist of fate, El's attention is drawn to a stunning woman (Salma Hayek) making her way towards him. Her shocked expression at the man behind him serves as a stark warning, and El reacts with lightning-quick reflexes, shoving her out of harm's way just in time. Though he takes a bullet to the arm, El proves more than a match for Tavo, dispatching his foe with ruthless efficiency.
As El Mariachi walks away from the carnage, he's left to ponder the true nature of this treacherous game – a world where loyalty is a luxury few can afford and betrayal lurks around every corner.
As consciousness slowly returns, El finds himself in a quaint bookstore, where a woman named Carolina tends to his wounded arm with a quiet efficiency. He implores her to take him to a hospital, but she remains adamant that the truth would be too much for him to handle. His curiosity piqued, he asks about their location, and Carolina reveals that this is, in fact, her bookstore - though business has been slow of late. Weary from the ordeal, El succumbs to the painkillers she offers, only to awaken later as Carolina returns to the store. Her gaze falls upon his guitar case, which she opens with a mixture of curiosity and trepidation. As the case yields its secrets, revealing an arsenal rather than a six-string, Carolina's expression remains unreadable - a subtle acknowledgment that she now knows exactly who El is.
Unfazed by this revelation, Carolina declines his offer to bestow upon her one of his firearms as a token of goodwill. And with that, El departs the bookstore, bound for the local church where he hopes to find solace and guidance from none other than Buscemi (in parentheses). The latter's words of wisdom are timely: "Get out while you still can." El's response is a mixture of defiance and uncertainty, but ultimately, he chooses to ignore this counsel, unaware that Navajas (Danny Trejo), the mysterious figure in black, has been tracking his every move throughout the film. As El continues to grapple with Buscemi, Navajas lurks unseen, poised to strike.
In the midst of this tense confrontation, Buscemi meets his untimely demise at the hands of Navajas' deadly throwing knives. El, gravely wounded but still alive, takes cover in a nearby alley as Navajas awaits him confidently at the entrance. The scene shifts when Bucho's limousine, packed with armed henchmen and his sultry girlfriend, pulls up behind Navajas, seeking to extract information from this enigmatic figure. A brutal battle ensues as El dispatches several of these goons with his trusty knives, only to be felled by a hail of bullets. In the aftermath of this violent encounter, El manages to escape detection and stumbles into the path of the young boy who first crossed his path earlier in the film. This pint-sized musician invites El to behold his treasured guitar - an instrument that seems to hold more significance than mere music. As El limps along, his pain and blood loss evident for all to see, he is drawn into a world where the lines between reality and fantasy are increasingly blurred.
As the sun beats down on the dusty streets, a sleek sedan glides into view, its occupants locked in a flurry of guitar swapping with the young boy. The scene unfolds like a symphony, each note carefully crafted as the driver's eyes scan the horizon, finally settling on El. Without hesitation, the man in the car reaches for his gun, but El's lightning-quick reflexes leave him grasping at air. As he drives away, abandoning his ill-fated attempt to intimidate the mysterious stranger, El's curiosity gets the better of him, and he meticulously disassembles the guitar to reveal a package of cocaine.
Meanwhile, Bucho's henchmen return with Navajas' lifeless body, their gruesome cargo deposited within the secure confines of the gated compound. The calculating leader dials his superiors, inquiring about the identity of the operative sent to track down El. As he listens intently, his expression remains impassive, even as the description matches his fallen comrade. Bucho's response is a masterclass in deception, refusing to acknowledge the obvious truth and instead directing his ire towards his second-in-command for entertaining the notion that El might be more than just a myth.
As El returns to Carolina's bookstore, his anger simmers like a pot about to boil over. He confronts Carolina, his wrath fueled by the revelation that she is unwittingly complicit in Bucho's nefarious schemes and that Navajas has paid the ultimate price for his meddling. Carolina's impassive demeanor only serves to fuel El's ire further, but as he begins to calm down, she reveals the true nature of her arrangement with Bucho – a tidy sum of 50,000 dollars per annum in exchange for serving as a unwitting pawn in his game.
As El's wounds begin to heal, Carolina's hands move with a quiet confidence, her touch both soothing and reassuring. Yet, just as El's guard drops, she shoves him behind the counter mere moments before Bucho bursts into the store, his eyes scanning the room for any sign of trouble. The cunning leader inquires about any unusual visitors, but Carolina's response is a masterclass in deception – she claims to have seen nothing out of the ordinary and promises to notify Bucho if anything amiss comes to her attention.
As El lies in wait, his fingers itching to load his gun silently, he realizes too late that time has run out. He attempts to slip away unnoticed, but Carolina's words of caution echo in his mind – she warns him that pursuing Bucho would be a suicidal endeavor, and that he should bide his time until the opportunity arises to strike back. For now, El remains frozen behind the counter, his patience tested as the stakes grow higher with each passing moment.
As El recuperates from his injuries, Carolina surprises him with a thoughtful gift - a guitar. The pair attempts to harmonize their musical talents, but their efforts are met with discordant failure. However, their creative differences give way to a more intimate connection as they share a passionate kiss in the quiet of Carolina's bedroom. Meanwhile, Bucho dispatches his henchmen from afar, instructing them to track down El and Carolina at the bookstore and eliminate them by incinerating the entire establishment.
The next morning, El awakens to the sweet melody of Carolina's singing, her eyes closed in rapt concentration. But his serenity is shattered when he beholds the silhouettes of heavily armed men lurking outside the windows. With calculated precision, El extracts a pistol and his trusty sawed-off double-barreled shotgun from thin air, swiftly dispatching two would-be assassins while simultaneously nudging Carolina to safety.
As they attempt to escape through the bookstore, only to find it engulfed in flames, they're forced to flee via the rooftop. A hail of bullets rains down upon them as they take out several attackers, but their progress is soon halted by a phalanx of hostile figures blocking their path. With calculated coolness, Carolina leaps into action, while El fires away and then hurls his guitar case across the divide, clearing a path to the adjacent building.
As El drops down from the rooftop, rolling effortlessly to absorb the impact, he's left momentarily stunned. He then deploys a grenade with devastating effect, finishing off the remaining gangsters. Taking refuge in the shadows, El spots Bucho's arrival at the scene, his Wildey Magnum pistol trained on the culprit's head. However, El's trigger finger hesitates when confronted with the familiar visage of his former ally, ultimately deciding against taking the shot.
Carolina queries El about his momentary hesitation, but he remains sphinx-like in response. Together, they seek solace within the confines of a nearby hotel, seeking to lay low and regroup amidst the chaos that has engulfed their lives.
As El implores Carolina to seize the opportunity to escape and start anew, utilizing the funds she had cleverly hidden among the charred remains of the incriminating documents, she steadfastly refuses, citing the irreparable loss of their only financial lifeline. Undeterred, El decides to summon his loyal cohorts Campa and Quino, who promptly arrive on the scene, bearing gifts of destruction in the form of machine guns and a rocket launcher respectively.
As they converge on a desolate stretch of town, they inadvertently stumble into an ambush orchestrated by Bucho's ruthless henchmen. However, Carolina proves to be an invaluable ally, joining forces with El and his friends to wreak havoc upon their adversaries. Amidst the chaos, Quino meets his untimely demise at the hands of a cunning rooftop sniper, while Campa falls victim to a hail of bullets when his ammunition supply runs dry.
In the midst of this maelstrom, an innocent bystander – a young boy – becomes embroiled in the crossfire and is left seriously wounded. El and Carolina ultimately succeed in eliminating the last remaining foe, Bucho's loyal second-in-command, by running him down with their vehicle. As they rush the injured youngster to the hospital, the medical staff struggles to determine his fate.
As the boy's prospects for survival begin to look up, El becomes consumed by a fierce determination to confront the source of his troubles – Bucho – at his ranch. Upon arriving, they find themselves surrounded, but an unexpected reprieve arrives when Bucho calls off his goons.
The revelation that El and Bucho are, in fact, brothers serves as the catalyst for a profound shift in their dynamics. While Bucho's anger towards Carolina's perceived betrayal reaches a boiling point, El is driven by a deep-seated need to protect those he loves from further harm. As a result, he ejects his pistols from their sleeves and dispatches Bucho with ruthless efficiency.
In the aftermath of this pivotal confrontation, El and Carolina are seen visiting the hospital, where they are met with the welcome news that the young boy has made a remarkable recovery. As El prepares to bid Carolina farewell, she offers him an unexpected opportunity – a chance to join her on the open road, free from the shackles of their troubled past.
El hesitates momentarily before casting aside his guitar case and embracing the uncertain future that lies ahead with Carolina by his side. As they drive off into the sunset, they pause briefly to retrieve El's treasured instrument, acknowledging the importance of preserving a tangible connection to their tumultuous experiences.