Speed Kills 2018

Here’s a rephrased version of the section:

Don Aronow (1927-1987) was born into a Brooklyn family of Russian Jewish immigrants, inheriting a strong entrepreneurial spirit from his earliest days. His journey began in the construction industry, where he quickly rose through the ranks to achieve success by 1953. However, it was in the world of powerboats that Aronow truly found his calling. After moving to South Miami in 1961, he traded in his hard hat for a racing helmet and launched Magnum Marine, Cary, Cigarette, Donzi, and Formula speedboats. His passion for boat design and racing led him to establish Donzi Marine, which became an international sensation by the mid-1960s.

As his reputation grew, so did his accolades. Aronow won numerous World Championships, driving two 27’ Magnums, a single engine inboard, and a triple engine Mercury powered outboard, cementing his status as a powerboat champion. His impressive roster of wins - over 350 offshore races, to be exact - solidified his position as the king of powerboats. Furthermore, he was honored by being elected into all major power-boating Hall of Fames.

Aronow’s exceptional racing prowess and boat designs earned him recognition from high-profile figures like Presidents, Princes, and the elite. His no-questions-asked policy in business allowed him to supply top-notch boats to those who could afford them. Unfortunately, his fast-paced lifestyle eventually caught up with him, leading to a tragic death in 1987, whispers of which hinted at indiscretions from his early days.

This revised summary maintains the original’s factual content while presenting it in a more engaging and detailed manner.

Here’s the rephrased section:

As Arronow’s wealth grew, so did his desire to distance himself from potential legal repercussions. He made the strategic move to relocate his family to South Miami, leaving behind a trail of controversy. The film chronicles his subsequent descent into a life of infidelity and neglect as a husband and father, ultimately culminating in a divorce following the devastating loss of his eldest son’s mobility in a tragic accident. Meanwhile, Arronow finds himself entangled with a captivating model from New Jersey with ties to a powerful Latin mobster. As he navigates this complicated web, he becomes enamored with her and eventually marries her, siring another son. However, his relationships with both his ex-wife and new love are marked by turmoil and tension.

Throughout the movie, Arronow’s tumultuous past and connections to organized crime are periodically revisited, often precipitating conflicts with Meyer Lansky’s nephew. The film’s pacing is marred, however, by a lack of character development, which renders the entire cast feel flat and uninspired. Furthermore, the director’s failure to capitalize on the cinematic potential of the boats at play – including a pivotal race in choppy waters that Arronow wins despite arriving late due to inclement weather – is particularly egregious. The special effects, reminiscent of those from the late 1950s, only serve to further diminish the film’s overall impact.

Despite the intriguing narrative, the movie ultimately falls short due to its numerous shortcomings. A strong directorial hand and more attention to character development could have elevated this mediocre offering into something more substantial. Unfortunately, Jodi Scurfield’s lack of industry experience makes it difficult to envision her being entrusted with a project that required significant revitalization. In its current form, the story is unlikely to resonate with a large audience.