Steve Everett, portrayed by Clint Eastwood, is an Oakland journalist struggling to overcome his battle with alcoholism. In a twist of fate, he is assigned to cover the imminent execution of Frank Beechum, played by Isaiah Washington, a convicted murderer whose case is shrouded in controversy. This assignment comes after the tragic death of Everett’s colleague, Michelle Ziegler, who had been initially tasked with the story. Michelle’s death, a result of a car accident following an evening of drinks with Steve at a bar, weighs heavily on him, compounded by the heavy rain and poor visibility that contributed to the tragic event.

Despite the trepidation of his editor, Bob, who fears that Everett will turn the assignment into an exploration of the complexities surrounding human rights and the death penalty, he is encouraged by Bob’s superior, Alan, who recognizes Everett’s talent. It’s known that Everett’s past work has included exposing high-profile corruption, such as the Mayor of New York, which had led him to quit a previous job to stand by the truth, making him a journalist respected for his integrity. Complicating matters further, Everett is engaged in an affair with Bob’s wife, Patricia, adding layers of personal conflict to his already tumultuous life.

Frank Beechum, incarcerated in San Quentin State Prison, maintains his innocence regarding the murder of Amy Wilson, a young white woman who was tragically killed for a mere $96. The societal prejudices against Frank, an African American man, cast a long shadow over the case, as many leap to conclusions about his guilt based solely on race and the victim’s profile. Everett’s investigation unveils a dark tapestry of racial bias and wrongful conviction as he seeks to uncover the truth behind the murder that Beechum stands accused of.

In his quest for justice, Everett sifts through the testimony of witnesses like Dale Porterhouse, who claims to have witnessed Beechum at the scene of the crime but whose testimony raises red flags. The police records come into play as Everett uncovers discrepancies regarding Porterhouse’s claims, leading him to suspect that Warren, an overlooked witness, might actually be the killer. This revelation sends him on a frantic search for evidence, carefully connecting the dots while racing against the clock—Beechum’s execution is set for midnight, giving Everett barely 12 hours to prove his theory.

Even as he grapples with the urgency of his investigation, Everett is torn by his obligations as a father. He has promised to take his daughter, Kate, to the zoo, showcasing the struggle he faces between personal commitments and professional duty. As time slips away, he confronts the moral dilemmas that define his character—does he risk everything to save a man potentially wrongfully convicted, while also trying to reconnect with his family?

The tension mounts as Everett’s job hangs by a thread; he finds himself fired but cleverly reminds his superiors of his contractual rights, demanding just over six hours of notice. When he finally tracks down Angela Russel, the grandmother of Warren, the supposed eyewitness, a shocking truth comes to light that directly links her grandson to the murder. Gaining her reluctant trust, Everett races against nearly insurmountable odds to get her to the Governor’s mansion to prevent an irreversible tragedy.

As the clock ticks down, the first lethal drug is administered to Frank, signifying the race against time. The heart-pounding climax juxtaposes his frantic efforts outside the Governor’s mansion with Frank’s bleak fate inside the prison walls. Ultimately, as six months pass and Christmas approaches, Everett reflects on his journey and the people affected, while an unexpected encounter with Frank and his family leaves a haunting reminder of the real-life consequences of justice—something that he will always carry with him.

“It’s all about the truth, even when it threatens to break you.”