Mariana Anghileri

Mariana Anghileri, often affectionately called Moro, is an Argentine actress and theatre director whose career has spanned more than two decades, earning her a reputation as one of the most versatile talents in contemporary Latin American cinema. Born on April 14, 1977, in the small city of Junín, Buenos Aires, she grew up immersed in the rich cultural traditions of Argentina, which later inspired her nuanced performances on both screen and stage. Her early exposure to regional theatre sparked a lifelong passion for storytelling, and she began formal training in the dramatic arts before landing her first film role in the slice‑of‑life drama Sábado (2001), a project that showcased her natural on‑screen charisma and earned her initial critical attention.

Following this breakthrough, Anghileri quickly amassed a diverse filmography, appearing in titles such as Nadar solo (2003), Vida en Marte (2003), and the haunting thriller Si no me ahogo (2004). However, it was her compelling portrayal in the tragic comedy Buena Vida Delivery (2004) that cemented her status as a leading actress; the performance garnered her the prestigious Silver Condor Award for Best New Actress in 2005, a testament to her ability to blend humor with profound emotional depth. Beyond film, she ventured into television, starring in the mini‑series Sangre fría (2004) and the Brazilian soap opera Flor do Caribe (2013), thereby expanding her artistic reach across South American markets.

In addition to acting, Anghileri has pursued directing, using her theatrical background to explore innovative stage productions that often interrogate social issues and gender dynamics within Argentine society. Her commitment to the arts extends to mentorship, as she frequently conducts workshops for emerging actors in Buenos Aires. Over the years, she has continued to appear in notable projects such as Aballay (2010), The Corporation (2012), and the poignant drama El muerto cuenta su historia (2016), each role reinforcing her reputation for choosing complex, character‑driven narratives. As of the present, Mariana remains active in both cinema and theatre, consistently delivering performances that resonate with audiences and critics alike, solidifying her legacy as a cornerstone of Argentine cultural production.