Roman J. Israel, Esq. 2017

As idealistic defense attorney Roman J. Israel navigates the sudden loss of his mentor, civil rights icon William Henry Jackson, he must confront the harsh realities of his new surroundings at George Pierce's law firm. A case that tests his legacy and convictions unfolds when he takes on Langston Bailey, a young man accused of murder.

As idealistic defense attorney Roman J. Israel navigates the sudden loss of his mentor, civil rights icon William Henry Jackson, he must confront the harsh realities of his new surroundings at George Pierce's law firm. A case that tests his legacy and convictions unfolds when he takes on Langston Bailey, a young man accused of murder.

Does Roman J. Israel, Esq. have end credit scenes?

No!

Roman J. Israel, Esq. does not have end credit scenes.

Ratings


Metacritic

58

Metascore

6.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.5 /10

IMDb Rating

TMDB

63

%

User Score

Movie Quiz


Roman J. Israel, Esq. Quiz: Test your knowledge on the themes, characters, and events of 'Roman J. Israel, Esq.'

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Plot Summary

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The film begins with Roman J. Israel, Esq., portrayed by Denzel Washington, an attorney diligently typing up a legal brief. Within this document, he boldly states that he is suing himself for violating his own principles, believing he deserves disbarment for his actions. The story unfolds as we see Roman at his desk in a law office when a call from his secretary interrupts him; she conveys that his law partner has suffered a heart attack, leaving Roman to handle all ongoing cases. She advises him to request continuances due to this unforeseen health crisis, but Roman has other ideas.

Determined, he appears in court where he makes a case for reducing charges against a defendant. This leads to a heated exchange with a judge, who ultimately holds him in contempt, accompanied by a $5,000 fine. Upon his return to the office, he meets his partner’s daughter and George Pierce, who informs him that the firm is facing financial difficulties. They assure Roman that he can wrap up some existing cases, but ominously caution that the future seems bleak.

Flashbacks reveal Roman’s deep-rooted involvement in the civil rights movement during the 1960s, demonstrating the firm’s significant influence during that era. Subsequently, Maya Alston, played by Carmen Ejogo, invites Roman to speak to a group of youthful protesters, offering them essential legal advice on handling potential arrests. During the session, Roman is taken aback by the gender dynamics he observes, specifically when he remarks on the protocol of men sitting while women stand. His insistence on traditional chivalry leads to a fierce dispute with one of the activists, prompting him to leave in frustration.

Outside, Maya attempts to reason with Roman when they stumble upon a homeless man collapsed on the street. As they check the man’s vitals, the police arrive, instructing Roman to step away. In a poignant moment, he slips his business card into the man’s pocket, asserting that he wants him to be remembered as a person, not merely a statistic. Maya is impressed by this act of compassion, wondering, “Who does something like that?”

Soon after, George presents Roman with a job opportunity after realizing the demand for his services among the community, stemming from his extensive outreach over the years. This leads George to reassess his firm’s priorities, pushing him towards pursuing pro-bono work. One particularly gripping case involves a young man accused of murder, who reveals critical information about the crime. A $100,000 bounty awaits anyone assisting in this major case—a bribe that Roman finds difficult to resist. They solidify a deal over the phone, arranging for a cash drop in a secluded alleyway.

With money in hand, Roman’s growing discontent becomes evident. He craves recognition and fair compensation, unlike many of his counterparts. This newfound cash enables him to indulge in lavish luxuries; he treats himself to gourmet donuts at Santa Monica, acquires new clothes, and opts for an upscale beachfront apartment. His transformation is noticeable when he returns to work at George’s firm, sporting a slick new appearance, prompting him to ask, “This isn’t gonna affect my salary, is it?”

Taking the lead on pro-bono endeavors introduces Roman to his first case involving a prison inmate charged with murder—the same individual he inadvertently compromised when he revealed the killer’s identity for the reward. This knowledge puts Roman in imminent danger, as the killer learns of his betrayal. In a desperate attempt to flee, Roman packs up his essentials, including crucial legal documents intended for long-term social justice reforms he’d been working on, and hits the road in a U-Haul truck. In a tense moment in the desert, thinking he’s being hunted, he realizes they are just joyriding children.

Receiving a call from Maya, he understands the urgency of returning to his fight for justice, instead of descending into a life of luxury as a high-priced attorney. Upon his return, a conversation with George ignites the spark to pursue meaningful change. As he begins to walk down the street, he notices a man stalking him, prompting George to follow them. Moments later, a gunshot rings out. The scene shifts to Roman’s briefcase lying abandoned on the ground, leaving his fate ambiguous.

In the end, the audience witnesses George entering a courthouse, carrying Roman’s long-cherished legal briefs, entangled in a quest for reform that continues to resonate through the legal system. The final moments encapsulate Roman’s legacy—the fight for justice he championed lives on, carried by a new generation.

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