Whiskey Tango Foxtrot 2016

Box Office

$1.9M

Runtime

112 min

Language(s)

English

English

As Kabul's chaos unfolds in 2002, intrepid producer Kim Barker (Tina Fey) trades comfort for chaos, taking on a bold assignment that shatters her American routine. Amidst the war zone's madness, she finds refuge with fellow journalist Tanya Vanderpoel (Margot Robbie), and together they navigate the blurred lines between reporting and reality, as Barker discovers the secrets to becoming a fearless correspondent amidst the mayhem.

As Kabul's chaos unfolds in 2002, intrepid producer Kim Barker (Tina Fey) trades comfort for chaos, taking on a bold assignment that shatters her American routine. Amidst the war zone's madness, she finds refuge with fellow journalist Tanya Vanderpoel (Margot Robbie), and together they navigate the blurred lines between reporting and reality, as Barker discovers the secrets to becoming a fearless correspondent amidst the mayhem.

Does Whiskey Tango Foxtrot have end credit scenes?

No!

Whiskey Tango Foxtrot does not have end credit scenes.

Ratings


Metacritic

57

Metascore

6.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.6 /10

IMDb Rating

TMDB

%

User Score

Plot Summary


Here’s a rephrased version of the section:

Three years prior, Kim (no actor name provided) was a cubicle worker at a New York news station, surrounded by her peers as they gathered in a conference room with their supervisor. The occasion was bittersweet, as they were all single, childless staff members assigned to cover the war from the frontlines. Back home, Kim’s boyfriend was none too thrilled about her decision to pursue an international war correspondence role in Kabul.

Fast-forward to Kim’s arrival in Afghanistan, where she’s warmly greeted at the airport by Nic, a member of her security team, and Fahim, a local guide who would become a close friend and ally. As they make their way through customs, Kim is subjected to a pointed remark from a local woman, who calls her a “fahiz” - loosely translated as an uncovered woman. Fahim defuses the situation by revealing that the woman’s intention was actually to offer Kim a warm welcome.

Kim soon finds herself in the midst of a bustling household with her colleagues: Tall Brian, a skilled cameraman; and Tanya Vanderpoel (Margot Robbie), a London-based reporter who would become a close friend. During their initial meeting, Tanya casually mentions that she’s secured the services of hot Kiwis from New Zealand and Aussies from Australia to provide security detail for her reporting assignments. Kim politely declines any offers, citing her commitment back home to her boyfriend.

Tanya takes the opportunity to size Kim up, remarking that while she might be a 6 in New York, she’s undoubtedly a 9 in Kabul - a notion that leaves Kim both amused and intrigued. She often finds herself socializing with Tanya and another colleague, Shakira, over drinks and laughter. Their conversations frequently touch on the origins of names, with Shakira revealing the meaning behind her own moniker.

At a high-profile U.S. Embassy party, Tanya’s friend Iain MacKelpie (Martin Freeman), a freelance photographer, shows interest in Kim - only to be rebuffed by Tanya, who reminds him that Kim is taken back home. Meanwhile, Kim’s path continues to intersect with Marine General Hollanek (Billy Bob Thornton), whose men she is permitted to interview and accompany on routine patrols. The General offers her some sage advice: avoid distractions from the military personnel and maintain a professional distance - lest they become too preoccupied with getting along with her.

As Kim (no actor name provided) ventures forth on a seemingly ordinary patrol with Fahim, the tranquility is shattered by a hail of gunfire. With her camera at the ready, she leaps into action, capturing the intensity of the firefight as Fahim frantically attempts to usher her back to the relative safety of their vehicle. The chaos ceases only when a Marine intervenes, dispatching the threat with precision and aplomb courtesy of his trusty grenade launcher.

The General (no actor name provided), ever the pragmatist, takes the opportunity to impart wisdom upon the assembled troops, emphasizing the importance of resourcefulness in the face of uncertainty. His words are tinged with a hint of amusement as he notes Kim’s unflinching dedication to her craft, capturing every moment of the mayhem on film.

In another instance, the Marines’ efforts to repair a local village well are met with confusion by its occupants. The women, it transpires, have been deliberately destroying their own well, using the time spent walking to and from the nearby river as an opportunity to socialize freely, unencumbered by the constraints of patriarchal expectations. Kim is quick to convey this revelation to the General, who, in turn, sees fit to spare the women’s secret and forgoes any further repairs.

As the days pass, Kim earns the General’s respect, earning a place among the Marine’s ranks as one of their own. He takes her under his wing, initiating her into the nuances of military culture by sharing the time-honored traditions of the Marines (Oorah!) and the Navy (Hooyah!). She also finds herself in the company of Specialist Coughlin, who assumes a paternal role, offering words of wisdom on the importance of hydration. This leads to a comical interlude as Kim’s pressing need for relief necessitates an impromptu pit stop.

Coughlin’s parting gift is his candid admission that he has ceased loading his weapon, precipitating his transfer to another unit. Meanwhile, Kim’s journalistic endeavors continue to flourish, courtesy of her guide Fahim and her own tenacity. A fortuitous encounter with Ali, a local politician with presidential aspirations, sets the stage for a pivotal interview. As Ali takes a liking to Kim, she finds herself drawn into the complex web of Afghan politics.

Just as Kim is poised to return to New York and rejoin her boyfriend, Ali’s timely phone call presents an opportunity too enticing to ignore. He has arranged a meeting with a powerful local warlord, an encounter that holds the potential to elevate her profile and further her journalistic pursuits. With this new development, Kim must bid farewell to her plans for a hasty departure, choosing instead to stay in Kabul and seize this chance to make a lasting impact on the world around her.

As Fahim, Nic, and Kim venture to meet the enigmatic warlord, whose linguistic limitations render him unable to converse in English, they rely on Kim’s presence as a conduit for communication. With Fahim serving as an interpreter, he cleverly fabricates the notion that Kim is of Turkish descent, thereby precluding any comprehension of her prayers. Meanwhile, Fahim’s attempts to decipher women are aided by his perusal of Oprah Magazine, a guide imparting wisdom on understanding the opposite sex.

The trio’s social dynamics soon unfold when Fahim invites them to witness his nuptials. Kim’s query regarding attire is met with a dismissive response from Fahim, who prioritizes her presence over external appearances. However, at the wedding itself, Kim’s understated ensemble starkly contrasts with Tanya and Shakira’s refined attire, underscoring the nuances of their relationships.

As time passes, Kim’s Skype sessions with her boyfriend are plagued by technical issues, ultimately culminating in a devastating revelation: his infidelity, prompting her to sever ties. A somber Kim reflects on her experiences with her friends, recounting an incident where she felt stuck in her relationship, likened to the stationary bike at her gym where the carpet’s subtle undulations seemed to propel her backward despite her energetic pedaling.

Shakira’s astute observation that this is “the most white woman story” she has ever heard serves as a poignant reminder of the cultural chasm that exists. Following this introspective moment, Kim finds herself single once more. Though Nic, her security guard, presents an attractive proposition, she resists the temptation.

Meanwhile, Ali, a local politician, makes a drunken appearance, propositioning Kim with a request to be his “special friend.” Rebuffed, Kim continues to navigate her newfound independence. A night out ends with her being dropped off at the wrong residence, prompting Nic’s ire and Iain’s subsequent anger directed at Nic. The consequences of this altercation are severe: Nic suffers a broken nose after falling and striking his head on a coffee table.

Kim is struck by Nic’s resilience in the face of adversity, leading her to form an unlikely connection with Iain, as they explore the complexities of their relationships amidst the vibrant backdrop of Kabul.

As Kim’s alarm blares to life, a pang of remorse washes over her, and she confesses to Iain that their nocturnal trysts will cease. Yet, as the night wears on, they find themselves entwined in bed once more, their mutual attraction proving too strong to resist. As their days blend together, they spend an increasing amount of time in each other’s company, holding hands in the vibrant marketplace where a disapproving stranger’s scathing gaze abruptly severs their tender moment, leaving them feeling chastened and uneasy.

Kim’s professional ambition, however, soon becomes her primary focus as she begins to put Iain and Fahim in harm’s way, recklessly pursuing sensational news footage. Meanwhile, Tanya employs the services of Jaweed, a computer whiz fixated on donkey pornography, whose dubious connections she hopes will yield an exclusive interview. The pair embarks on a perilous journey to meet with these mysterious sources, only to be ambushed upon arrival. In a shocking turn of events, an air strike intervenes, saving their lives but claiming Jaweed’s in the process. Despite her physical injuries, Tanya is ecstatic about the dramatic footage they captured and can’t help but feel vindicated by the subsequent airtime she receives.

As Kim’s envy of Tanya’s increased exposure on camera simmers beneath the surface, a nagging sense of guilt besets her conscience. She can’t shake the feeling that it’s unfair to covet attention when her friend nearly met her maker. Fahim, ever the voice of reason, cautions Kim against putting herself in harm’s way, likening her craving for camera time to junkies constantly seeking their next fix. His words are laced with concern for his own family - a wife and children waiting at home. The tension culminates in a heated phone call with Chris, where Kim demands more resources and airtime, only to be told that’s precisely what Jerry, the new boss, has instructed him to do. Unbeknownst to Kim, her new superior is none other than Geri, who promptly drops a bombshell: America’s war-weary appetite has shifted away from somber news coverage, and Tanya’s unique brand of storytelling is exactly what’s needed to reel viewers back in.

Kim’s world is turned upside down when she discovers Geri’s decision to hire Tanya, assuming that the two had arrived together. The shock sends her fleeing to a conference room where she confronts Tanya, who unsurprisingly shares Kim’s sentiment. But as they commiserate over their shared frustrations, the weight of Jaweed’s sacrifice and the devastating fate of Specialist Coughlin, an IED victim, serves as a stark reminder of the war’s brutal reality. The encounter leaves Kim feeling defeated and dejected.

In search of solace, she reaches out to Iain, who advises her to take a break from Kabul and meet him in Glasgow. Little does she know that her colleagues back in Afghanistan are grappling with their own crisis: Iain has gone missing, and rumors suggest he may have been kidnapped. With her heart racing, Kim rushes back to Kabul, only to find Fahim waiting at the airport. Together, they seek the General’s assistance in securing his Marines’ screen time, which could lead to increased government funding and potentially facilitate Iain’s rescue. However, the General is hesitant, insisting that he can’t send his men into a blind operation without concrete intel on Iain’s whereabouts. Kim’s desperation intensifies as she faces the daunting task of gathering information that could save her friend’s life.

As the dust settles, Kim turns to Ali with an audacious request: use her influence to track down Iain and exact a price from him in exchange for crucial camera footage of his unbridled revelry on the streets. In a clever move, she leverages his vulnerability, exploiting his intoxication to secure his cooperation. Meanwhile, Tall Brian accompanies the Marines as they embark on a perilous rescue mission to extricate Iain from the clutches of danger. Upon his safe return, Iain expresses profound gratitude towards Kim, prompting her to ponder the boundaries of their budding relationship and the perils that come with navigating the unpredictable landscape of Kabul. With a hint of trepidation, she reveals her intention to seek a transfer to Washington D.C. or New York City, leaving the door open for Iain should he desire to reclaim his scarf. As Kim departs Kabul, she shares a poignant farewell with Fahim, who has recently become a father to twin bundles of joy. Their parting is marked by a tender moment, as Kim asks Fahim about the fate of the junkies, and their hands briefly brush as he passes her luggage.

Later, Kim visits Specialist Coughlin, a remarkable individual who has risen above his physical limitations to build a life filled with love and purpose. His words of wisdom offer solace to Kim, dispelling any notion that she bears responsibility for his circumstances. Instead, he emphasizes the uncontrollable nature of their shared experiences in Kabul, reminding her that even amidst chaos, people found ways to make the best of a difficult situation.

Fast-forward to the present, where Kim has transitioned into a steady news anchor role in New York City. As Iain MacKelpie prepares for his book tour, he extends an invitation for Kim to meet him over coffee, sparking a smile on her face as she contemplates their upcoming encounter.

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