American Graffiti 1973

Box Office

$889

Runtime

110 min

Language(s)

English

English

As summer's final sunset approaches in 1962 California, four friends - Curt, Steve, Terry, and John - embark on a nostalgic night cruise, fueled by classic rock 'n' roll and the enigmatic voice of Wolfman Jack. Amidst the thrill of freedom's last hurrah, they confront the dawn of adulthood, where relationships, rebellion, and the open road await.

As summer's final sunset approaches in 1962 California, four friends - Curt, Steve, Terry, and John - embark on a nostalgic night cruise, fueled by classic rock 'n' roll and the enigmatic voice of Wolfman Jack. Amidst the thrill of freedom's last hurrah, they confront the dawn of adulthood, where relationships, rebellion, and the open road await.

Does American Graffiti have end credit scenes?

No!

American Graffiti does not have end credit scenes.

Ratings


Metacritic

97

Metascore

7.4

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

70

%

User Score

Movie Quiz


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Plot Summary


As the sun dips below the horizon on their final summer evening in 1962, high school graduates Curt Henderson (character) and Steve Bolander reunite with friends John Milner, the confident drag-racing king, and Terry “The Toad” Fields, the well-intentioned but often overlooked outcast. The group gathers in the parking lot of Mel’s Drive-In in Modesto, California, where Steve and Curt are set to embark on their journey “Back East” come morning, bound for college. However, Curt is grappling with second thoughts about leaving behind his hometown.

The evening takes a dramatic turn when Laurie, Steve’s girlfriend and Curt’s sister, arrives at the drive-in, only to be met with Steve’s suggestion that they explore other connections while he’s away, ostensibly to strengthen their relationship. While Laurie initially appears unaffected by this proposal, her interactions with Steve throughout the night betray a growing unease.

As the group heads out for a night on the town, Curt becomes fixated on a beautiful blonde woman driving a sleek white Ford Thunderbird who mouths “I love you” as she passes by, leaving him in a state of romantic bewilderment. His search for her becomes an all-consuming obsession, even as he’s drawn into the world of local greasers known as “The Pharaohs.” As Curt finds himself entangled in their antics, including a ill-advised caper involving coin machines and police cars, he begins to question whether this mysterious blonde is indeed the prostitute his new friends claim she is.

Meanwhile, Steve has entrusted Terry with the care of his prized vehicle while he’s away at college. Terry seizes the opportunity to cruise the strip in Steve’s car, adopting the pseudonym “Terry The Tiger” as he woos Debbie, a rebellious free spirit. As the night wears on and Terry’s boasts about the car’s ownership grow more outlandish, Debbie finds herself drawn to his charismatic facade. However, their joyride takes an unfortunate turn when thieves pilfer Steve’s car, leaving Terry feeling betrayed and humiliated.

As Terry attempts to reclaim his friend’s vehicle, he finds himself at the mercy of a group of roughnecks who leave him battered and bruised. John Milner intervenes just in time, only to be met with Terry’s tearful admission that he’d been lying about the car all along. With his pride wounded but his spirit unbroken, Terry rides off into the night on a Vespa scooter, Debbie offering words of encouragement as they part ways. Despite the evening’s tumultuous events, Terry finds himself grateful for the adventure and the connection he shared with Debbie, who agrees to meet him again in the future.

As a desperate attempt to fill the evening’s void, John unwittingly invites Carol, an audaciously precocious 12-year-old, into his life. She skillfully manipulates him into embarking on a nocturnal adventure, driving her around town while he tries to maintain a façade of normalcy by telling friends that she’s a cousin and he’s simply fulfilling some obligatory babysitting duty. As the night wears on, their petty disagreements escalate until another driver’s cruel taunts force Carol to try walking home alone, prompting John to make an impulsive decision to protect her.

Meanwhile, Bob Falfa, a ruthless racing enthusiast, is hotly pursuing John for a showdown that will determine his status as the king of the drag strip. As he navigates the night, seeking out potential opponents to issue a challenge, John comes across Laurie, an emotionally fragile young woman who has just had a heated argument with Steve. He takes her in, and they embark on a journey filled with tension and uncertainty.

In the midst of this chaos, Curt finds himself at a radio station, eager to broadcast a message to the enigmatic blonde driving the White Thunderbird. However, his initial attempts are thwarted by an employee who insists that Wolfman Jack is not present and that the shows are pre-recorded for later replay. Despite this setback, Curt leaves with a promise that the Wolfman will indeed read out the message, only to discover that the employee was actually Wolfman Jack himself, delivering the message over the airwaves.

After dropping Carol off at her doorstep, John is confronted by Bob Falfa, who successfully goads him into a definitive race along Paradise Road on the outskirts of town. As Terry counts down the starting line, John takes an early lead, but Bob’s tire blows out, causing his car to veer into a ditch and roll over before erupting into flames. Steve rushes to the scene upon learning that Laurie was riding with Bob, and as they crawl away from the wreckage just before it explodes, he reassures her that he will stay by her side in Modesto.

In the midst of this high-stakes drama, John finds himself caught between his rivalry with Bob and his growing concern for Carol’s well-being. As the night wears on, the lines between loyalty, compassion, and self-preservation become increasingly blurred.

As the weariness of his existence slowly dissipates, Curt’s slumber is disrupted by the insistent ringing of the payphone. He finally responds to the blonde’s mysterious calls, her enigmatic voice weaving a tantalizing web of possibility, hinting at a clandestine meeting that night. However, Curt’s resolve remains steadfast as he reveals his intention to depart town, effectively severing any potential connection.

Later, at the airfield, Curt bid farewell to his parents and friends, the solemnity of the moment punctuated only by the distant thrum of the departing plane’s engines. As the aircraft lifts off, Curt gazes out the window, lost in contemplation as the ground below gives way to a sea of clouds. His eyes drift upward, tracing the wispy tendrils of cirrus clouds as they morph into ethereal wisps.

The narrative then jumps forward in time, revealing the disparate fates that have befallen the four principal characters. In 1964, John’s life was tragically cut short by a drunk driver’s reckless abandon. Two years later, Terry’s fate became shrouded in uncertainty as he vanished into the chaos of war near An Lộc, South Vietnam. Meanwhile, Steve’s path had led him to become an insurance agent in Modesto, a far cry from the rebellious youth he once was. And Curt, now a writer living in Canada, had somehow managed to channel his demons onto the page, the result a testament to his resilience and creative spirit.

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