In 1970s San Diego, charismatic news anchor Ron Burgundy rules the airwaves until upstart Veronica Corningstone shakes things up. As she gains popularity, Burgundy's ego takes a hit, sparking a rivalry that culminates in a cringe-worthy on-air blunder. But when a wild zoo story breaks, can Ron salvage his reputation and reclaim his throne?
Does Anchorman: The Legend of Ron Burgundy have end credit scenes?
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Anchorman: The Legend of Ron Burgundy does have end credit scenes.
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63
Metascore
7.3
User Score
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TOMATOMETER
0%
User Score
7.1 /10
IMDb Rating
67
%
User Score
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In the mid-1970s, Ron Burgundy (Will Ferrell) stands out as the leading and charismatic anchorman for KVWN-TV Channel 4 Evening News in San Diego, experiencing an immense wave of success alongside his quirky news team. This motley crew includes the stylish lead field reporter Brian Fantana (Paul Rudd), the enthusiastic sportscaster Champion “Champ” Kind (David Koechner), and the loveably clueless chief meteorologist Brick Tamland (Steve Carell). Their boss, Ed Harken (Fred Willard), informs them of their long-held status as the top-rated news program in San Diego, which sparks a wild celebration.
During a raucous party, Ron’s eye catches an attractive blonde woman, leading to an awkward attempt to flirt — only for her to leave shortly after. The very next day brings unexpected news as Ed unveils that a new co-anchor has been hired: Veronica Corningstone (Christina Applegate), the same woman Ron had attempted to woo the night before. The entire news team, feeling threatened by her arrival, embarks on a clumsy series of attempts to impress Veronica, but their sexist tactics only lead to embarrassment.
Under the pretense of helping her acclimate, Ron finally asks her out, and to his surprise, she agrees. Their date takes an unconventional turn when Ron serenades her with his jazz flute skills at his friend Tino’s (Fred Armisen) club, resulting in a romantic encounter that leads to more than just dinner. However, in a moment of indiscretion, Ron publicly reveals their relationship, much to Veronica’s dismay.
As tensions rise, Ron faces a catastrophic chain of events, beginning when a burrito he carelessly throws hits a motorcyclist (Jack Black), leading to disastrous consequences for his beloved dog, Baxter. Desperate to make things right, Ron rushes to the station, only to find Veronica has gone on air, causing a rift between them that escalates into a fierce rivalry. Their co-anchor positions soon morph into a fierce competition, each determined to outshine the other both on and off-screen.
In a moment of camaraderie gone awry, the news team shares a collective downturn in spirits and decides to shop for new suits, leading them inadvertently into a dangerous neighborhood. Here, they encounter the rival evening news team led by Wes Mantooth (Vince Vaughn), sparking a comical brawl that features all news teams in a chaotic fight, only to scatter at the sound of police sirens.
As the rivalry deepens, an affront to Ron’s dignity leads to an embarrassing incident during a broadcast when Veronica manipulates his teleprompter. Instead of his classic sign-off, Ron proclaims, > “Go f*** yourself, San Diego,” shocking the entire studio and igniting an outrage that culminates in his dismissal. Heartbroken and lost, he finds himself in a downward spiral, a bumbling drunk without a friend in sight, while Veronica rises to fame.
Three months later, a twist of fate draws Ron back to the station during a coverage of a panda giving birth. When Veronica finds herself in a precarious situation, Ron leaps into action, rallying his old team for an adrenaline-fueled rescue mission. In a twist of irony, it’s Baxter the dog who saves the day, reassuring the bears and allowing Ron and Veronica to find common ground once again.
The story concludes with glimpses into their futures, where Brian becomes the host of a reality show, Brick advises high-ranking officials, Champ has a brief NFL commentary career, and Ron and Veronica find themselves co-anchoring a prestigious news outlet, solidifying their bond while donning the fashions of the 80s that would come to define a new era of journalism.
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