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Deadline 2012

In rural Alabama, a cold case murder remains unsolved and largely forgotten. Nashville Times reporter Matt Harper investigates the mystery, partnering with a young and enthusiastic colleague. Their pursuit of the truth is met with obstacles, including a reluctant publisher, dangerous threats, and Harper's own personal challenges, which involve a family crisis and difficulties in his relationship.

In rural Alabama, a cold case murder remains unsolved and largely forgotten. Nashville Times reporter Matt Harper investigates the mystery, partnering with a young and enthusiastic colleague. Their pursuit of the truth is met with obstacles, including a reluctant publisher, dangerous threats, and Harper's own personal challenges, which involve a family crisis and difficulties in his relationship.

Does Deadline have end credit scenes?

No!

Deadline does not have end credit scenes. You can leave when the credits roll.

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Ratings and Reviews for Deadline

See how Deadline is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Deadline stands among top-rated movies in its genre.


Metacritic

25

Metascore

tbd

User Score

TMDB

60

%

User Score

Movie Insider

4.20/5

From 20 fan ratings

Take the Ultimate Deadline Movie Quiz

Challenge your knowledge of Deadline with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Deadline (2012) Quiz: A ten‑question quiz that tests your knowledge of the main characters, plot points, and key details from the film "Deadline" released in 2012.

What is the name of the young newspaper reporter sent to investigate the murder in Amos?

Full Plot Summary and Ending Explained for Deadline

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Read the complete plot summary of Deadline, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


From Nashville to the sun-baked town of Amos, Alabama, a young newspaper reporter named Matt Harper is sent to cover the murder that rattles this quiet community—the police chief’s death. In Amos he meets Trey Hall, a 21-year-old blue-blood who lives on her family’s hunting plantation and has a keen interest in reopening a nearly twenty-year-old mystery. Trey pushes Matt to investigate the unsolved killing of a black teenager, Wallace Sampson, convinced that cracking the case could finally give him the break he’s been chasing. Motivated by career ambitions and a growing sense of responsibility, Matt dives into the investigation, even as personal life takes a hit: he forgets an appointment for his upcoming wedding, and his fiancée, Delana Calhoun, calls it off.

Seeking permission to pursue the story, Matt turns to his editor, Walker Burns, who warns him that the publisher, David Ditmore, is already unhappy with Matt’s productivity. Still, Burns allows a tentative path forward, on the condition that the cantankerous, politically incorrect reporter Ronnie Bullock accompanies him. The duo uncovers old police files that point toward a Klansman who operated a shop called ‘The Store’ near where Wallace’s murder occurred. The day before the shooting, someone had attempted to firebomb The Store during a civil rights protest, hinting at deeper conspiracies. Amid the unfolding inquiry, Matt’s personal life intrudes again when Delana reveals that Matt’s father, Lucas, is battling cancer, prompting a tense visit that exposes fault lines in their relationship.

With the publisher watching, Matt and Bullock press on, keeping their work secret from Ditmore. One of their sources, Wallace’s mother, Mary Pell Sampson, is hesitant to talk, and Matt begs Delana to help him reach her. Mary Pell finally opens up, suggesting that The Store was a front for prostitution, a revelation that broadens the murky motive behind the decades-old crime. The publisher discovers the unauthorized investigation and a public confrontation ensues, but Matt’s resolve only hardens. Turning to family guidance, he seeks his father’s counsel, and with that wisdom they refocus their efforts, subverting the publisher’s control and dragging Delana back into the circle. The team then interviews Wallace’s girlfriend, Vanessa, with Delana’s renewed involvement, and Vanessa offers a crucial clue about someone fleeing the scene. They also learn that Judge Buchanan owned the firebombed store, tying economic or political power to the crime.

A tense moment arrives when a car tries to run Delana off the road as she leaves Amos, but she escapes unharmed. This close call deepens Matt’s resolve and prompts a sincere, full apology for his self-centered behavior. The investigation leads them to Billy ‘Possum’ Baker, an anti-Klan informer who is now dying but willing to come forward with the truth. Baker’s testimony reframes the case and brings crucial context to light.

Just as they publish the story, Matt’s father passes away, and Matt must confront his personal loss while still protecting the integrity of his work. He makes peace with Delana, choosing the right thing over professional convenience, and Delana’s faith in him is rekindled. The report’s revelations indict key players and connect the same gun that killed Wallace to the police chief, signaling a broader convergence of crime and power. An attempt on Possum’s life is thwarted just before a hearing that would crystalize the case, and Mary Pell reveals a final, shocking truth about the killer that leaves everyone reeling.

In the aftermath, the reporters are honored with a prize for investigative reporting. Amos begins to transform as truth and accountability take center stage, and Matt Harper emerges as a journalist with a conscience—someone who has earned Delana’s trust and respect once more.

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