I'm Not There. 2007

The film draws inspiration from the life and music of Bob Dylan, as noted in its credits. It begins with a gripping POV of a performer stepping onto the stage for a concert, only to swiftly shift to a motorcycle ride that ends in a crash, mirroring an event from Dylan’s life in 1966. The crash leaves us with Jude Quinn, portrayed by Cate Blanchett, who is later the subject of an autopsy.

The narrative travels back to 1959, where we meet a 12-year-old African-American boy named Woody Guthrie, played by Marcus Carl Franklin, who traverses the country as a hobo. Woody introduces himself to a couple of older hobos while carrying a guitar emblazoned with the phrase “This Machine Kills Fascists,” just like the actual Woody Guthrie. His journey unfolds with a recounting of his life story, which includes a failed circus performance and a heartwarming connection with an African American family who shelter him. During dinner, the matriarch profoundly advises Woody to, > “Live your own time child, sing about your own time.” Later, as Woody continues his travels, he’s confronted by thieves on a freight train but narrowly escapes, plummeting into a river. He briefly envisions a mystical underwater woman before being rescued by a white couple who take him in. However, their kindness is interrupted when they are contacted by a juvenile correction center seeking Woody, leading him to leave once again in search of his idol, the real Woody Guthrie, whom he visits in a hospital.

Interwoven in the narrative is an artist named Arthur Rimbaud, portrayed by Ben Whishaw, who claims to be named after the French poet admired by Dylan. Set against the backdrop of Dylan’s emergence in the 1960s, Arthur serves as a reflective narrator, recounting the facets of the different personas portrayed throughout the film.

The story then touches on Jack Rollins, played by Christian Bale, illustrating a version of Dylan during his folk era. As Jack rises to fame in Greenwich Village, his character is fleshed out through the accounts of friends and acquaintances, notably Alice, based on Joan Baez. After a fateful civil rights event post-JFK’s assassination, Jack spirals into disillusionment, calling his own songs “finger-point songs” and ultimately distancing himself from folk music.

The dramatization of Jack’s journey continues with Robbie Clark, a character played by Heath Ledger, who encapsulates the troubles of relationships against the backdrop of his burgeoning career. His romance with Claire, depicted by Charlotte Gainsbourg, reflects the complexities of love marred by ambition and artistic pursuits. As Robbie’s professional life eclipses his marriage, Claire faces her own disillusionment with Robbie’s increasingly toxic behavior. The poignant moments in their relationship show their attempts to mend their bond, culminating in court, where they negotiate custody of their children.

As we return to Jude Quinn, performing at the Newport Folk Music Festival, he experiences a tumultuous transformation from a protest singer to a perceived sell-out, met with hostility from fans. His international tour leads him to England, where he struggles with the chaos of fame, drug use, and the disintegrating remnants of his personal relationships. Brought to a head during an emotionally charged performance of “Ballad of a Thin Man,” Jude grapples with his identity, ultimately revealing profound truths about himself as the layers peel away to expose a troubled past.

The narrative weaves through time, and we confront Billy played by Richard Gere, reflecting on his past under the weight of memory and loss. The film’s final moments capture Billy’s melancholic journey intertwined with Dylan’s legacy, as he struggles to find his own path amidst the chaos of life and external pressures. His closing words encapsulate the essence of change and the multifaceted nature of identity, leading to poignant reflections on freedom and self-discovery.

As the tale concludes, we glimpse clips of Bob Dylan, a fitting tribute to the man who inspired this intricate tapestry of art and life, leaving viewers with the echoes of his harmonica fading away into silence.