Kill the Messenger 2014

In the mid-1990s, a San Jose Mercury News investigation kicks off when Gary Webb, a dedicated reporter, sits down with Ronny Quail, a drug dealer furious that civil asset forfeiture allowed the government to keep his house even after an acquittal. Webb’s probing about forfeiture abuses grows into a broader inquiry as a woman named Coral repeatedly reaches out, claiming to have documents that prove the government backed cocaine trafficking in the United States. Coral hands Webb a transcript of grand jury testimony—normally sealed—accidentally released to her boyfriend during discovery, a critical clue that starts to illuminate a much larger, unsettling pattern. When Webb reveals the existence of the transcript to a prosecutor, charges against Coral’s boyfriend are dropped, seemingly to protect the main witness: Oscar Danilo Blandón.

Webb’s research pushes him deeper into the case, linking Blandón to the infamous “Freeway” Ricky Ross and revealing that Blandón is a paid informant. Ross’s attorney relentlessly presses Blandón to testify under oath about the CIA’s role in Contra cocaine trafficking, suggesting that the agency used drug profits to fund the Contras. This revelation unsettles Webb and points to a government-sponsored ecosystem where illicit drug trafficking could be leveraged for political ends. Webb’s pursuit takes him from U.S. streets to the streets of Managua, where he interviews Blandón’s partner, Norwin Meneses, who corroborates the chain of complicity, including the involvement of Oliver North in the so‑called drugs-for-guns scheme.

Back in Washington, Webb encounters Fred Weil, a National Security Council figure tied to the Kerry Committee report, who warns that delving into this story could put him in danger. Webb is summoned by federal agents who caution him against publishing what he has uncovered, adding a palpable sense of risk to a tale already shrouded in secrecy. Undeterred, the Mercury News presses ahead, and Webb’s three‑part series titled “Dark Alliance” erupts into a national sensation. The piece roils the media landscape, spurring the Los Angeles Times, the Washington Post, and The New York Times to launch their own investigations that sometimes appear to Webb as overly deferential to the CIA, even as they acknowledge the core claims.

The intense coverage also touches Webb personally, as his reporting is met with professional pushback and a controversial personal life, including an affair he had while at The Plain Dealer. His editors eventually relocate him to Cupertino, relegating him to covering local news while he stubbornly continues to chase leads. A pivotal encounter with John Cullen—an individual Webb believes provides a direct CIA link—fuels his sense that the story has real, dangerous substance. Yet the paper balks at the full implications, even as it contemplates publishing an open letter that would challenge aspects of the “Dark Alliance” reporting. At a Society of Professional Journalists dinner that honors Webb as the Bay Area’s Journalist of the Year, he submits his resignation, signaling a fracturing relationship with his editors and a career‑long commitment to a truth he believes deserves public scrutiny.

An epilogue closes the arc with a stark reminder of Webb’s fate: in 2004, he is found dead in his apartment, shot twice in the head, with the death ruled a suicide. The narrative that Webb pursued—of covert dollars, covert power, and the murky intersections of government and crime—leaves a lasting question about accountability, the courage to report hard truths, and the price paid by journalists who dare to challenge powerful institutions.