Back

Does Kinjite: Forbidden Subjects have end credit scenes?

No!

Kinjite: Forbidden Subjects does not have end credit scenes.

Kinjite: Forbidden Subjects

Kinjite: Forbidden Subjects

1989

In a gritty Los Angeles underworld, a seasoned detective (Charles Bronson) and his trusted partner (Perry Lopez) embark on a ruthless pursuit of a ruthless pimp (Juan Fernandez), exploiting vulnerable teens for his own gain.

Runtime: 97 min

Box Office: $3.4M

Language:

Directors:

Ratings:

Metacritic

19

Metascore

tbd

User Score

Metacritic
review

0%

TOMATOMETER

review

35%

User Score

Metacritic

5.5 /10

IMDb Rating

Metacritic

54.0

%

User Score

Check out what happened in Kinjite: Forbidden Subjects!

In the midst of a tumultuous marriage, Japanese entrepreneur Hiroshi Hada's gaze falls upon a woman in Tokyo's crowded subway system, her silent, involuntary climaxes a jarring juxtaposition to the physical assault taking place. His fascination with this peculiar phenomenon only intensifies when he witnesses a similar display from a stranger on a bus ride back home, prompting him to reenact the scene himself - though his Caucasian victim has a decidedly different reaction. The consequences of Hada's actions are swift and severe: he is robbed and brutally assaulted by a mugger.

Meanwhile, the ripple effect of Hada's misconduct spreads far and wide, as several innocent Asian men become pawns in a game of mistaken identity, subjected to brutal beatings from bystanders convinced that one among them is the perpetrator. The stakes are raised when Fumiko, Hada's daughter, becomes entangled in a child prostitution ring led by the notorious "Pimp King" Duke.

As Lt. Crowe, father to Rita, a victim of Hada's misguided behavior on the bus, works tirelessly to locate Fumiko, his initial disdain for all things Japanese gradually gives way to a deep understanding and respect for the Hadas' unwavering devotion to their child - a bond that rivals his own paternal instincts.

The unlikely duo of Crowe and his partner, Eddie Rios, eventually track down Fumiko and put an end to her ordeal, though not before she has been irreparably scarred by her experiences. The gang's leader, Duke, meets a violent demise at the hands of the law, but his accomplices escape, leaving behind only the haunting knowledge that their brutality will have long-lasting consequences.

As the Hadas pay a visit to Crowe's home, bearing gifts in gratitude for his efforts, an uneasy silence falls between Hiroshi and Rita - two individuals whose paths had crossed under the most unfortunate circumstances. The illusion of closure is shattered when Fumiko's tragic suicide by overdose serves as a poignant reminder that the trauma she suffered will forever be etched upon her soul.

As the sun sets over the tranquil harbor, Crowe and Rios embark on a perilous quest to track down the notorious Duke, finally locating him on a boat amidst the bustling marina. The ensuing confrontation unfolds with brutal efficiency as Duke and his remaining gang members ruthlessly dispatch Rios, leaving the once-feared crime lord floating lifeless in the water. But fate has other plans for Duke, who finds himself plunged into the harbor's depths, unable to escape the crushing weight of his own mortality. With an air of calculated deliberation, Crowe presents Duke with a stark choice: succumb to the merciless tides or risk being pulled from the drink by his sworn enemy. In a shocking display of mercy, Crowe chooses the latter, only to compound Duke's despair by consigning him to a maximum-security wing notorious for its depraved and sexually aggressive inmates. As the cell door slams shut behind him, Duke is confronted with a nightmarish reality: his assigned cellmate's lecherous whispers and sinister intentions leave him trapped in a living hell of psychological torment, forced to confront the very real possibility of sexual assault at the hands of his captors. Meanwhile, Crowe walks away from the scene, his expression etched with an air of sardonic satisfaction, as if savoring the bitter fruits of poetic justice.