Love in the Afternoon 1957

In this charming romantic thriller, a French detective's sheltered daughter sparks a whirlwind romance with an American playboy, unknowingly entangling their families in a web of deception. As secrets unfold and lives intertwine, a chance encounter becomes a quest for love, identity, and redemption.

In this charming romantic thriller, a French detective's sheltered daughter sparks a whirlwind romance with an American playboy, unknowingly entangling their families in a web of deception. As secrets unfold and lives intertwine, a chance encounter becomes a quest for love, identity, and redemption.

Does Love in the Afternoon have end credit scenes?

No!

Love in the Afternoon does not have end credit scenes.

Ratings


Metacritic

73

Metascore

tbd

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.1 /10

IMDb Rating

TMDB

70

%

User Score

Movie Quiz


Love in the Afternoon Quiz: Test your knowledge on the themes and characters of the 1957 film 'Love in the Afternoon'.

Who plays the character Frédéric?

Plot Summary

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Frédéric is a thriving young partner at a Parisian firm, happily married to Hélène, an English teacher, and eagerly awaiting the arrival of their second child. However, beneath this picture-perfect life lies a growing sense of unease. As he navigates daily routines, Frédéric finds himself reminiscing about his bachelor days, where he reveled in the freedom to pursue any woman he fancied. This nostalgia manifests into a vivid fantasy where he wields a magical amulet, compelling all women to submit to his desires—a sequence showcasing actresses from previous “Six Moral Tales” installments. Surprisingly, instead of feeling guilty, Frédéric interprets these escapist thoughts as evidence of his deep love for his wife.

The plot thickens when Chloé, a former flame, unexpectedly appears at his office, homeless and destitute. Once linked to a friend from Frédéric’s past, Chloé carries the weight of unresolved tension. Initially, Frédéric suspects her intentions are merely to find a benefactor, but as she embarks on a quest for stability, trying various jobs with comedic results that amuse Frédéric’s secretaries, they strike up a rapport. Their afternoons together shift from casual banter to intimate conversations that Frédéric struggles to have with his wife, providing him a blend of companionship and allure without romantic entanglements.

With the arrival of Frédéric’s second child, Chloé expresses her desire to have a child of her own, insisting that Frédéric must be the father, despite her aversion to marriage. Faced with an emotional crossroads, Frédéric grapples with the notion of remaining with the devoted Hélène or venturing into the uncertain territory with Chloé, with whom he feels an inexplicable, intense attraction. The pressure mounts when Chloé invites him over to her place, only to be found emerging from a bath, beckoning him to dry her off and luring him towards her bed. In a moment of clarity, Frédéric chooses to flee, returning home to find Hélène in tears. He comforts her, solidifying their bond as they retreat to their bedroom, leaving his dilemma unresolved but rekindling the connection he cherishes with his wife.

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