In the picturesque coastal town, city boy Jack Flange trades in his urban lifestyle for a grueling oyster farming gig to support his injured sister. As he navigates the challenges of small-town life and romantic entanglements, Jack concocts a daring plan to reclaim pilfered cash, confronting his boss, ex-wife, and inner demons along the way.

In the picturesque coastal town, city boy Jack Flange trades in his urban lifestyle for a grueling oyster farming gig to support his injured sister. As he navigates the challenges of small-town life and romantic entanglements, Jack concocts a daring plan to reclaim pilfered cash, confronting his boss, ex-wife, and inner demons along the way.

Does Oyster Farmer have end credit scenes?

No!

Oyster Farmer does not have end credit scenes.

Actors

Meet the cast of Oyster Farmer and learn about the talented actors who brought the characters to life. Explore their roles and career highlights.


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Ratings

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Metacritic

51

Metascore

tbd

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

61

%

User Score

Movie Quiz

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Oyster Farmer Quiz: Test your knowledge on the movie Oyster Farmer and its intricate web of relationships and challenges faced by the characters.

Who is Jack Flange's sister who is fighting for her life?

Plot Summary

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Get the full story of Oyster Farmer with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.


As Jack Flange finds himself entangled in a desperate situation, he tends to his sister Nikki, who is critically ill in the hospital following a tragic car accident. With a rapidly depleting health insurance fund threatening to hinder her recovery, Jack devises a bold scheme to hijack a payroll van at the vibrant Sydney Fish Markets. His plan includes cleverly diverting the cash to a nearby Australia Post Box, thereby avoiding suspicion. Once the money is hidden away in Brooklyn, Jack adopts a new identity within the community of oyster farmers along the Hawkesbury River. Here he encounters Brownie, an eight-generation oyster farmer struggling to sustain his business, along with his grumpy father Mumbles, who frequently clashes with Brownie’s innovative approaches to oyster farming.

In his quest for work—under the guise of blending in—Jack crosses paths with Pearl, a meticulous cleaning lady with a discerning eye for fashion. Meanwhile, the relationship between Brownie and Mumbles continues to grow tense, fueled by disputes over farming methods and the unexplained absence of Trish, Brownie’s estranged wife. Despite her departure, Trish has successfully established her own thriving business, leaving Brownie’s operation struggling and unable to produce quality oysters, further exacerbating the rift between the two men.

As Jack’s anxiety mounts alongside the ticking clock—his stash of cash failing to materialize—he resorts to increasingly desperate attempts to retrieve it. Enter Slug, a wastewater manager known for his abrasive personality, whose confrontational behavior adds a volatile element to the tight-knit community of oyster farmers. A dramatic clash culminates in a physical confrontation between Slug and Jack, heightening the already simmering tensions.

An unexpected twist occurs when the postal worker responsible for delivering Jack’s funds suffers a sudden heart attack, sending the money plummeting to the depths of the Hawkesbury River. Mumbles continues to insist that only Trish’s return can save Brownie’s failing oyster business, thrusting the stakes even higher. With his sister’s health hanging by a thread and his own fortunes dwindling, Jack’s future becomes ever more precarious, leaving him adrift in a storm of uncertainty.

Amidst the escalating tensions, a heated moment arises when Pearl shows up at Jack’s home seeking a ride. The spark between them intensifies as they engage in playful banter, ultimately leading to a passionate kiss. Jack’s relationship with Trish deepens as he learns more about her formidable skills and the factors leading to her departure from Brownie’s business. It becomes apparent that Brownie’s refusal to involve Trish in his ventures, coupled with his reluctance to provide her with a bathtub, played significant roles in their turbulent relationship. To complicate matters further, Mumbles reveals an unexpected connection: Slug is Pearl’s father, casting a shadow over their growing bond.

As the narrative unfolds, Pearl finds a job at the local post office, leading to playful exchanges with Jack about his missing package. The discussion takes a serious turn when it’s revealed that Nikki is the intended recipient, causing Pearl to chuckle about Jack’s rumored participation in market heists—claims Jack vehemently disputes. Jack also spends time with Skippy, a wise Vietnam veteran who urges him to refrain from involving himself in affairs that don’t concern him.

Mumbles, always protective of his friends, accuses Slug of deliberately sabotaging Brownie’s oyster harvest by contaminating the river. Slug fiercely denies the allegations, claiming he plans to abandon his enterprise. Pearl confronts Slug about this, while Jack shares heartbreaking news about Nikki’s transfer to a different hospital, which inadvertently positions Pearl on a collision course with her father.

In a comedic turn of events, Pearl’s unruly dog wreaks havoc at Jack’s home, leading to an unfortunate incident involving the family TV remote. In a bid to revive the dog after it meets its demise, Jack and Mumbles accidentally send its body floating down the river just as Pearl arrives looking for it. They deny any knowledge of the situation, allowing Pearl to continue her search unencumbered. During their conversations, Brownie expresses his financial struggles to Jack, revealing Pearl’s penchant for extravagant footwear purchases that have landed her in legal trouble more than once.

As Jack and Pearl’s relationship unfolds, their emotional connection intensifies, culminating in a romantic night shared between them. Meanwhile, Brownie, frustrated with his faltering oyster business, reaches out to Trish for advice, only to uncover a surprising truth about her success: she sings harmonic melodies to her oysters, a whimsical method that leads Brownie into fits of laughter. This light-hearted moment is cut short when their son enters, prompting a passionate reunion between Brownie and Trish.

With tensions beginning to ease, Brownie surprises everyone by announcing his plan to buy back the oyster leases from Trish, thereby granting her full ownership of her beloved farms. He also offers Jack two leases on the condition that he brings Mumbles along, an offer Jack eagerly accepts.

However, Jack’s surprise turns to shock when he learns that Mumbles was responsible for the theft of his money, using the same currency to creatively craft Brownie’s gift to Trish—a bathtub. Mumbles’ defense of Jack’s questionable character only adds fuel to the fire, leading Jack to declare his resignation from the oyster business. Consumed by a sense of moral blight, Jack watches as the annual oyster competition approaches.

Against the odds, Brownie wins first place at the competition, sending a wave of pride through Trish. Jack, now disillusioned with his life at Hawkesbury River, makes the decision to relocate to Gosford, leaving behind his friends and what was once familiar.

In a dramatic twist, Mumbles discloses to Brownie that Jack has indeed quit, shattering both their hopes. With Trish’s bathtub unveiled during the celebration, the moment is bittersweet due to Mumbles’ revelation overshadowing the festivities. Despite this, Jack reflects on his life and choices during a train ride to Gosford, leading him to a pivotal realization: he decides to abandon his journey and return to where he truly belongs—Hawkesbury River.

As the victorious oyster farmers—Brownie, Trish, Mumbles, and their companions—celebrate their triumph, Jack and Pearl are joyfully seen indulging in the very bathtub that once represented Jack’s moral descent, marking a profound moment of victory and rebirth amidst the challenges of their intertwined lives.

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