Play It Again, Sam 1972

Set in the vibrant backdrop of San Francisco, Play It Again, Sam opens with an iconic scene from Casablanca, featuring Humphrey Bogart and Ingrid Bergman. The protagonist, Allan Felix, sits in a cinema, utterly captivated by the film, longing to emulate the suave character of Rick. Leaving the theater, he carries a heavy heart, aware that he may never embody that kind of charisma.

Haunted by memories of his ex-wife, Nancy, who often mocked his lack of confidence in romantic situations, Allan tries to navigate the post-divorce world. He finds solace in the company of his best friend, Dick Christie, and Dick’s wife, Linda, who encourage him to venture back into the dating game. However, each blind date they set him up on ends in disaster. Allan’s only source of encouragement comes from the ghostly presence of Bogart, who appears solely to Allan, offering wisdom in a mix of humor and heartfelt advice. At times, Allan fantasizes conversaions with Nancy, making for both poignant and comedic moments. One particularly chaotic instance occurs when both Bogart and Nancy manifest in his imagination simultaneously.

In his quest for romance, Allan strives to project an air of sophistication reminiscent of Bogart, yet his clumsy attempts often sabotage his efforts. As he spends more time with Linda, he finds a level of comfort allowing him to be himself without pretense. Just as he is ready to confess his feelings—bolstered by Bogart’s suggestions—Nancy intervenes, creating a comical yet painful situation that disrupts Allan’s moment. Linda flees but soon recognizes that Allan harbors genuine affection for her. Their embrace is beautifully underscored by the nostalgic tune of “As Time Goes By,” linking back to Casablanca.

Despite their budding romance, the shadow of tragedy lurks, echoing the fateful love of Rick and Ilsa. When Dick abruptly returns from Cleveland, he unwittingly reveals his suspicions about Linda’s fidelity, not realizing her true feelings for Allan. Tension mounts as the scenario mirrors classic themes of sacrifice and longing—with Allan ultimately having to let Linda choose a life with her husband.

In a powerful closing homage to Casablanca, Allan figures himself in a dreary, fog-filled airport scene, frantically racing after Linda while Dick prepares to leave on a flight. In a heartfelt moment, he echoes the legendary line, “If that plane leaves the ground and you’re not on it, you’ll regret it; maybe not today, maybe not tomorrow, but soon, and for the rest of your life.” To which Linda responds, “That is beautiful.” Allan sheepishly admits, “It’s from Casablanca. … I’ve waited my whole life to say it!” Completing his emotional journey, Allan has finally discovered his voice. With Bogart’s spectral praise of his growth, he comes to terms with his identity, realizing he no longer needs guidance. As the familiar strains from Casablanca fill the air one last time, As Time Goes By marks the poignant end of Allan’s transformative experience.