In 17th century London, Maria's extraordinary talent for creating the perfect female characters propels Ned Kynaston to stardom, yet she remains anonymous and bound by societal constraints. But when royal support changes everything, Maria seizes the chance to take center stage, seeking guidance from her former protégé as they navigate a new world of possibilities.
Does Stage Beauty have end credit scenes?
No!
Stage Beauty does not have end credit scenes.
64
Metascore
4.8
User Score
%
TOMATOMETER
0%
User Score
7.1 /10
IMDb Rating
67
%
User Score
Who plays the character Ned Kynaston?
As the celebrated actor Ned Kynaston (played by Billy Crudup), renowned for his mesmerizing portrayals of female roles, including the legendary Desdemona in Othello, grapples with fading fame, his devoted dresser Maria (portrayed by Claire Danes) secretly harbors a burning passion for the stage. Regrettably, her ambitions are curtailed by an oppressive law that forbids women from acting in theatrical performances. Undeterred by the societal constraints, Maria adopts the persona of Margaret Hughes, capturing the hearts of audiences at a local tavern, where her unique presence as a female performer breaks the mold.
Maria’s talent soon draws the attention of Sir Charles Sedley (Richard Griffiths), who becomes her patron and introduces her to King Charles II (Rupert Everett), further solidifying her ascent in the theatrical realm. Meanwhile, Nell Gwynn (Zoë Tapper), a budding actress and the King’s mistress, orchestrates a scandalous plot to ban men from portraying female characters on stage. The fallout from this decree leaves Kynaston reeling, stripping him of his ability to embody the very roles that once brought him acclaim.
In the midst of his plummeting status, Kynaston faces a harsh revelation when his lover George Villiers (Ben Chaplin), the Duke of Buckingham, expresses a lack of interest in maintaining a same-sex relationship, leading to whispers that damage Kynaston’s reputation. While he is relegated to performing risqué numbers in drag at music halls, Maria’s star is on the rise as she continues to shatter boundaries, although she feels the gap between her own talent and Kynaston’s, whom she perceives as not having fought with the same tenacity as a woman would.
When the moment arises for Maria to perform before the King, nerves take hold, prompting her friends to seek Kynaston’s mentorship. In an unexpected twist, he agrees to mentor her in hopes of reigniting his stagnant career, provided that he can step in for Thomas Betterton as Othello. As Maria’s brilliance stands out increasingly on the stage, Kynaston embarks on a quest to reclaim his once-coveted position in the theatre world, setting off a chain of events that intertwines their fates in ways neither could have anticipated.
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