In 1930s Paris, where glamour and corruption reign supreme, two unlikely friends - Madeleine, a struggling actress, and Pauline, a talented but jobless lawyer - navigate the harsh realities of poverty and desperation from their cramped flat. As they confront their own personal demons, they hatch a plan that will test their morals and sense of humor.
Does The Crime Is Mine have end credit scenes?
No!
The Crime Is Mine does not have end credit scenes.
Meet the cast of The Crime Is Mine and learn about the talented actors who brought the characters to life. Explore their roles and career highlights.
Dany Boon
Fernand Palmarède
Isabelle Huppert
Odette Chaumette
Olivier Broche
Léon Trapu, le greffier
André Dussollier
M. Bonnard
Myriam Boyer
Mme Jus, la concierge
Michel Fau
Le procureur Maurice Vrai
Félix Lefebvre
Gilbert Raton
Jean-Christophe Bouvet
Montferrand
Fabrice Luchini
Le juge Gustave Rabusset
Nadia Tereszkiewicz
Madeleine Verdier
Lucia Sanchez
Mme Alvarez
Rebecca Marder
Pauline Mauléon
Dominique Besnehard
Chef de rang restaurant
Édouard Sulpice
André Bonnard
Régis Laspalès
M. Brun
Franck de la Personne
Pistole
Evelyne Buyle
Simone Bernard
Daniel Prévost
M. Parvot, le Président des Assises
Suzanne De Baecque
Céleste, la domestique
Jean-Claude Bolle-Reddat
Emile Bouchard
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74
Metascore
7.4
User Score
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User Score
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Get the full story of The Crime Is Mine with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
In the heart of Paris during 1935, the story unfolds around Madeleine Verdier, a struggling actress mired in financial despair and living in a cramped attic with her relentless friend, Pauline Mauléon. A dedicated lawyer aiming for success, Pauline’s commitment to her career often leaves little room for a personal life. On the other hand, Madeleine’s romantic link to André Bonnard—the son of a wealthy tire magnate—is tumultuous, lacking depth and overshadowed by financial allegiance.
As luck would have it, a meeting with the influential theater producer Montferrand leads to a disastrous proposition for Madeleine: to accept a meager acting role in exchange for becoming his mistress. With courage, she declines the offer and returns to her unfulfilling relationship with André, who is fixated on marrying a wealthy heiress while casually treating Madeleine as his mistress—an arrangement that leaves her despondent.
Things take a dark turn when an unexpected visit from Brun, a stern security inspector, brings shocking news: Montferrand has been murdered, and Madeleine is named the prime suspect. Judge Gustave Rabusset immediately assumes her guilt, pressuring her to confess. Amidst this chaos, Madeleine initially maintains her innocence but finally considers a plea of self-defense when hinted by Rabusset that it might lead to her freedom.
With Pauline by her side, Madeleine’s defense transforms into an insistent criticism of the societal injustices against women. In a poignant moment, she channels her pain into a heartfelt performance of the outraged woman, a role crafted by Pauline. Captivating the courtroom, Madeleine’s emotional appeal resonates deeply, culminating in a verdict of not guilty. The audience, especially the women present, are moved to tears as the excitement fills the room.
After her acquittal, Madeleine rises to stardom, while Pauline earns respect in her legal career. They leave behind their modest living conditions for a lavish hotel in Boulogne. Meanwhile, André, infatuated with Madeleine, contemplates abandoning his wealthy fiancée to be with her, a move staunchly opposed by his father.
Just as their lives seem to stabilize, the unexpected reappearance of Odette Chaumette, a faded silent film star, disturbs their newfound peace. Odette accuses Madeleine of stealing her narrative regarding Montferrand’s murder and demands compensation for her silence. In a twist, she claims the murder for herself and threatens to expose the truth—a move that fails when Rabusset, now rising in his career, dismisses her claims unless fresh evidence arises.
As Odette’s threats intensify, Madeleine seeks the help of Fernand Palmarède, an architect who recently gained a life annuity from Montferrand’s estate. She persuades him to invest in André’s father’s floundering business, cleverly presenting it as a bail-out to get André’s family’s support for their relationship. Ultimately, the deal tempers André’s father’s opposition, allowing him to agree to the marriage proposal while silencing Odette through financial negotiation.
In a dramatic climax, Odette secures a leading role in the play that Madeleine stars in. During a performance reenacting Montferrand’s demise, she dramatically portrays his ‘murder’ to protect Madeleine, who once again is portrayed as a victim caught in an unforgiving narrative twist.
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