
Legendary filmmaker William Friedkin returns with this gripping documentary, joining forces with Father Gabriele Amorth, Rome’s official exorcist. The film offers an unflinching look at demonic possession, taking viewers from the infamous Exorcist steps to a disturbing house call. Through these experiences, Friedkin explores the dark history of demonic lore and ancient beliefs that endure in the modern world, revealing a chilling and unsettling reality.
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No!
The Devil and Father Amorth does not have end credit scenes. You can leave when the credits roll.
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The Devil and Father Amorth delivers a limited documentary experience marked by uneven execution. While some appreciate the director’s engagement and the rare glimpse of an exorcism, most commentators note the film’s slender structure, uneven pacing, and lack of substantial content. The slim 68-minute runtime and repeated references to The Exorcist background contribute to a sense of padding. In conclusion, the film leaves a modest impression due to its underdeveloped presentation and middling engagement.
The Movie Echo Score Breakdown for The Devil and Father Amorth
Art & Craft
The documentary’s craft execution reveals an uneven approach to direction and editing. In terms of cinematography and production design, visuals remain straightforward with minimal stylistic distinction. The editing relies on extended interviews and background material that contribute to a sense of incompleteness. In conclusion, the art and craft elements lack the polish and cohesion expected of a feature-length documentary.
Character & Emotion
When it comes to character depth, the film provides limited emotional resonance. Father Amorth appears sincere yet underexplored, and the possession subject offers a fleeting sense of intrigue without deeper context. Performances remain primarily observational with minimal dramatic development. Overall, character and emotional engagement feel superficial and contribute modestly to viewer investment.
Story & Flow
In terms of story and flow, the narrative structure feels loosely assembled. Excerpts from scientific and religious commentary are interwoven without clear thematic progression, while the climactic exorcism sequence occupies a disproportionate portion of the short runtime. Pacing alternates between extended exposition and a brief ritual depiction. Overall, the story lacks cohesion and sustained engagement.
Sensory Experience
When evaluating the sensory experience, the film relies on intermittent sound design and modest visual styling. The score features unnerving musical bursts that momentarily heighten tension, yet cinematography remains functional rather than distinctive. Sound design occasionally amplifies key moments but lacks consistency throughout. In conclusion, sensory elements provide fleeting atmosphere but fall short of a cohesive sensory impact.
Rewatch Factor
In terms of rewatch factor, the documentary offers limited incentive for repeat viewings. The singular exorcism sequence may draw occasional interest, but the brief runtime and lack of narrative depth reduce lasting appeal. Without substantial new insights or development, subsequent screenings lose novelty. Overall, rewatch value remains low and primarily appeals to dedicated fans.
46
Metascore
6.0
User Score
45%
TOMATOMETER
22%
User Score
50
%
User Score
2.3
2.80/5
From 5 fan ratings
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