The Good German 2006

Jacob “Jake” Geismar, portrayed by George Clooney, is an American war correspondent who makes his way back to Berlin during the Potsdam negotiations which took place after World War II ended in Europe, yet before conflict concluded in Asia. Upon his return, Jake is confronted with a disturbing reality when he witnesses his driver, Tully, a black-marketeering American soldier, being retrieved from a river near the Potsdam conference grounds—dead and mysterious. The shocking discovery reveals that Tully was in possession of 100,000 German reichsmarks, a shocking amount later traced back to the U.S. occupying forces.

As the narrative unfolds, Geismar finds himself caught up in a web of intrigue surrounding both the murder of his driver and the elusive search for a German named Emil Brandt, implicated in a profound conspiracy involving Soviet and American interests. His quest intertwines with his efforts to locate Lena Brandt, played by Cate Blanchett, a Jewish woman who had been his love interest prior to the war. Lena’s journey through the Holocaust was one marked by harrowing choices and deep secrets, living under the shadow of survival that goes beyond mere prostitution to reveal a darker guilt that haunts her.

Emil Brandt, a notable figure in this tale and a former SS officer, is depicted as the secretary to Franz Bettmann, the Chief Production Engineer of the V-2 rocket at the concentration camp Mittelbau-Dora. With multiple parties, including the Soviets, Americans, and British, vying for Emil’s capture for their clandestine motives, the Americans have already detained Bettmann, planning to integrate him into their Operation Overcast/Paperclip, a program aimed at recruiting German scientists for their rocket aspirations. They are fully aware of Bettmann’s dark past yet aim to obscure it, fearing that Emil’s insight into the atrocities could derail their plans.

As Geismar’s attempts to free Lena deepen, he becomes increasingly entwined in the pursuit of Emil Brandt. A pivotal moment occurs when Lena entrusts Emil’s notes on the Camp Dora operations to Geismar. Yet, their efforts to turn Emil over to the American prosecutor overseeing war crimes are thwarted when they are intercepted by American authorities intent on shielding Bettmann from exposure, leading to Brandt’s tragic murder. However, Geismar retains Brandt’s notebooks, which he subsequently barters with U.S. Army war crimes investigators, who are aligned with those seeking to suppress the truth, trading them for a Persilschein—a crucial denazification document that would enable Lena to escape to England or the U.S., leaving some ambiguity regarding her ultimate destination.

The film also subtly touches upon the horrors of Nazi human experimentation, through a minor character – a Jewish pawnshop owner who survived the Holocaust with his legs amputated, hinting at the bone transplantation experiments conducted at the infamous Ravensbrück concentration camp. This narrative weaves together themes of survival, moral complexity, and the haunting remnants of a war that shaped a continent’s fate.