The Handmaid's Tale 1990

The film begins with a haunting view of a snow-covered mountain landscape, accompanied by the words: “Once upon a time in the recent future a country went wrong. The country was called The Republic of Gilead.” A woman, Natasha Richardson, along with her husband and child, navigates through the treacherous terrain towards the border of Gilead. When cornered by guards, her husband valiantly attempts to distract them, resulting in his tragic death as Kate is captured and forcefully separated from her daughter.

The narrative swiftly shifts to a city street scene, where groups of women, including Kate, are unloaded from trucks and herded into a facility. Trucks labeled with various oppressive terms also deliver men and people of color, all organized by categories such as race and gender. As fate would have it, the women are identified based on their fertility, and one woman, upon receiving a negative fertility report, protests and is brutally taken away. Infertile women are packed into a truck with a grotesque label of “116 female”, a chilling reminder of their grim reality as they desperately wave for help.

Upon arrival at their new prison, they meet Victoria Tennant, known as Aunt Lydia—a grim authority figure overseeing the Handmaids. The women are then transported to the Red Center, where windows are painted over to block their view of the outside world. During the journey, Kate converses with Elizabeth McGovern, who plays Moira, and they share their experiences leading to their imprisonment. Moira reveals her identity as a lesbian, a condition that could lead to execution in this oppressive regime. After arriving at the Red Center, the horror continues as they face punishment and brainwashing, learning lies about their bodies, and witnessing the devastating repercussions of rebellion.

At this infamous center, Kate has flashbacks to her daughter as she tries to grasp the new rules of her existence among the Aunts, who impose strict behavioral regulations. As night falls, Kate and Moira dream of escape and plot a rebellion. However, their hopes become increasingly dire as they are forced into rigid roles. Aunt Lydia’s cruel treatment and degrading education on womanhood weigh heavily on them, reminding them constantly of their loss and subjugation.

As time passes, Kate becomes Robert Duvall’s character’s Handmaid and is renamed Offred. Within the confines of the Commander’s home, she must navigate the precarious balance of power, surviving the oppressive Yoke of the Wives like Faye Dunaway while maintaining her humanity. Meanwhile, cable news broadcasts cheer about the Republic’s vision, casting Handmaids as the nation’s most valued asset.

Throughout her tenure as Offred, Kate yearns for her past. In moments of quiet, she shares passionate encounters with Nick, a driver played by Aidan Quinn. Their bond becomes a source of solace and rebellion against the regime’s oppressive structure. As she realizes the depth of her feelings for him, the story explores the morally gray areas of loyalty and survival amidst a heartless system, where individual worth is determined solely by one’s ability to reproduce.

The climax erupts during an emotionally draining “salvaging,” where Handmaids are coerced into carrying out violent penalties against transgressors. As Kate becomes increasingly rebellious, her resolve solidifies with each harrowing event around her, leading her to face difficult decisions that will determine not just her fate, but the destiny of her unborn child as well.

In a daring twist, the narrative veers toward resistance as the truth of Mayday—a rebel group—unfolds. Kate ultimately takes the last step toward liberation by killing her Commander. With the shocking revelation of the rebels coming to her aid, she escapes the clutches of Gilead.

The film closes with Kate, now highly pregnant, reflecting on her uncertain future as she finds safety with the rebels in the mountains. Her poignant voiceover captures a mixture of hope and despair: “I don’t know if this is the end for me or a new beginning but I’m safe here in the mountains held by the rebels…” “I wait for my baby to be born into a different world. I still dream about Jill…” The haunting reality of a mother separated from her child lingers, yet a glimmer of hope shines through her determination to reunite with her daughter, feeding a dream of love and freedom amidst a world that has tried to strip it away.