The Prince of Tides 1991

As a New York psychiatrist delves into the psyche of a deeply traumatized patient, he uncovers the dark secrets of her troubled family history in rural South Carolina. His quest for understanding sparks a profound connection with her twin brother, leading them on a journey of self-discovery and ultimately, a passionate romance.

As a New York psychiatrist delves into the psyche of a deeply traumatized patient, he uncovers the dark secrets of her troubled family history in rural South Carolina. His quest for understanding sparks a profound connection with her twin brother, leading them on a journey of self-discovery and ultimately, a passionate romance.

Does The Prince of Tides have end credit scenes?

No!

The Prince of Tides does not have end credit scenes.

Actors

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Ratings

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Metacritic

65

Metascore

7.8

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

66

%

User Score

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Plot Summary

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Tom Wingo, a high school teacher and football coach from South Carolina, finds himself on an unexpected journey to New York City, spurred by his mother, Lila. She urges him to intervene in the troubling life of his twin sister Savannah, whose recent suicide attempt has left her psychiatrist, Susan Lowenstein, deeply concerned. Tom’s hesitance to face the city reflects his dissatisfaction with his current life, which he views as a cage that stifles his true potential.

As Tom teams up with Lowenstein to delve into Savannah’s troubled mind, haunting flashbacks begin to unfurl the dark secrets harbored by their dysfunctional family. Their abusive father, who amassed a fortune in the shrimping business, squandered their wealth on foolish ventures, leaving the family struggling in poverty, while their mother’s manipulative ways only served to amplify their strife.

Tom grapples with his own issues, often choosing to hide behind what he refers to as “the Southern way,” adopting a facade of humor to avoid confronting painful truths. His marital woes deepen as his wife, Sallie, engages in an affair with another man, yet Tom remains in denial about the emotional turmoil this betrayal inflicts upon him.

As Tom and Lowenstein grow closer, their burgeoning attraction becomes increasingly difficult to ignore. However, the relationship faces challenges when Lowenstein reveals she is married to Herbert Woodruff, a celebrated concert violinist, and introduces Tom to her son, Bernard. Torn between aiding Savannah and his rising affections for Lowenstein, Tom begins to coach Bernard and attend therapy sessions with Lowenstein to unravel the complexities of Savannah’s mindset. The startling discovery that Savannah, under the pseudonym Renata Halpern, has been leading a double life as a writer adds to Tom’s burdens.

The tension escalates when Tom confronts Lowenstein for withholding critical information, straining their relationship further. In an effort to bridge the rift, Lowenstein invites Tom to dinner, deepening their bond once more. Despite these growing feelings, Tom’s past soon rekindles as he unexpectedly encounters his parents, re-exposing old wounds that had long been dormant.

The gravity of a traumatic event from Tom’s childhood resurfaces—a brutal invasion by three escaped convicts when he was just 13 years old, fundamentally altering the family dynamic and leaving lasting scars. While Tom attempts to navigate through his tumultuous emotions and familial shadows, he finds himself at odds with Lowenstein’s husband, Herbert, who asserts control over Bernard’s aspirations, insisting he forgo football in favor of music.

As tensions mount, Tom and Lowenstein steal away for a romantic retreat at her secluded country escape, heightening the suspense. Meanwhile, Savannah—a character we see battling the demons of her past—begins her recovery journey in the hospital, a process catalyzed by confronting childhood traumas related to horrific incidents that have deeply scarred her. This profound breakthrough emerges after years of painful suppression and leads to a desperate suicide attempt at just 13 years old.

As Tom’s connection with Lowenstein deepens, a call from his wife disrupts their tranquility. She pleads for his return, thrusting Tom into a heartbreaking realization: his feelings for her stem from longevity rather than love. This profound moment compels him to part ways with Lowenstein, choosing instead to return to his family and rediscover solace in the mundane rhythms of life.

Through introspective dialogue that arises partly from Lowenstein’s unwavering support, Tom ultimately confronts long-buried traumas that have defined him. As he finally begins to embrace peace, he experiences a poignant longing to hold onto what can’t be; recognizing the bittersweet truth that sometimes, two lives cannot coexist within a single heart.

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