Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.
Does The Seed of the Sacred Fig have end credit scenes?
No!
The Seed of the Sacred Fig does not have end credit scenes.
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85
Metascore
5.8
User Score
76
%
User Score
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What profession does Iman, the main character, hold?
Get the full story of The Seed of the Sacred Fig with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
Iman is a deeply principled and honest lawyer who finds himself in a precarious situation as he navigates his new role as an investigating judge in the Revolutionary Court of Tehran. He shares his life with his devoted wife, Najmeh, and their two daughters, Rezvan and Sana, who are unaware of the turmoil that is about to envelop their family. With the appointment comes a promise of a better salary and more space for his loved ones, but this newfound position is not what it seems. Instead of utilizing his esteemed legal skills, Iman is merely a puppet, forced to rubber-stamp grim judgments handed down by his superiors without engaging with the evidence or even considering the human lives at stake—this includes the harrowing approval of death sentences.
As political protests erupt across the nation, challenging the authoritarian grip of the government, Iman quickly realizes that his career has placed him in an agonizing ethical dilemma. He is instructed to keep his role a secret from his family and friends, who could become pawns in a cruel game of manipulation. This isolation is compounded when the government provides him with a handgun for his family’s defense, an item he is utterly unprepared to manage. The irony is stark: he is tasked with protecting his family while simultaneously feeling powerless to safeguard their well-being.
As the protests grow more intense, Iman’s daily routine becomes rife with anxiety and distrust. He is pushed to sign hundreds of death sentences, a stark contrast to the man who once held truth and justice in high regard. Meanwhile, his daughters, Rezvan and Sana, delve into the unfolding chaos via their cell phones, their horror mounting as they witness the violence against their peers. The tension reaches a boiling point at the dinner table when they challenge their father’s dismissive attitude towards their concerns, viewing their feminist beliefs as mere propaganda of the so-called enemy. Najmeh, sharing Iman’s devout outlook, advises the girls to sever ties with their revolutionary peers, fueling a growing rift within the family unit.
The situation escalates when tragedy strikes—Sadaf, a close friend of Rezvan, is brutally shot in the face during a demonstration against mandatory hijab laws. In an act of defiance against Iman’s strict and fear-driven demands, the women conceal this traumatic event from him, although it only serves to deepen the fracture. As paranoia prevails, Iman’s gun mysteriously vanishes, leading him to suspicion and irrational fear towards the very women he vowed to protect. In a disturbing twist, he subjects his daughters and Najmeh to intense interrogation by a colleague, Alireza, betraying the trust and love that should bind them together.
As the walls close in, Iman’s identity is leaked on social media, a dangerous revelation that forces the family to flee to Iman’s childhood home nestled in the mountains. With a new weapon obtained from a colleague, Iman becomes increasingly erratic, even engaging in a reckless car chase to silence those who threaten his façade. In a shocking revelation, during this chaotic ride, Sana confesses to having taken Iman’s original gun, further complicating the already strained family dynamics.
Upon reaching their destination, a transformation occurs, with Iman putting his family on trial—a cruel caricature of justice. As he interrogates the women of his household, tension erupts; Rezvan sacrifices her own integrity by confessing to hiding the gun, a desperate act to shield her mother and sister from his wrath. He responds with a harsh lockup, but Sana, turned into a fierce protector, manages to escape with the firearm, eventually locking Iman in a shed and freeing her imprisoned family members.
The climax arrives in a dramatic confrontation, a wild chase that symbolizes the ultimate struggle for freedom and agency. With guns raised, Iman and Sana stand against each other, a poignant reflection of their fractured relationship and the effects of a repressive regime. Just as the reality of their conflict comes to a head, the ground beneath Iman collapses, casting him into a seemingly finality of despair.
As the story draws to a close, the film’s haunting visuals portray the brutal protests unfolding on the streets of Tehran, captured through the lens of mobile phones—an echo of lives disrupted and futures uncertain, leaving a chilling reflection on the cost of political struggle and personal sacrifice.
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