Twilight Zone: The Movie 1983

In this cinematic homage to Rod Serling's classic series, four thought-provoking tales explore the blurred lines between reality and the unknown. A racist WWII soldier is reeducated, a retirement home learns the secret to eternal youth, a teacher uncovers a mysterious boy's true nature, and a panicked plane passenger confronts demonic gremlins.

In this cinematic homage to Rod Serling's classic series, four thought-provoking tales explore the blurred lines between reality and the unknown. A racist WWII soldier is reeducated, a retirement home learns the secret to eternal youth, a teacher uncovers a mysterious boy's true nature, and a panicked plane passenger confronts demonic gremlins.

Does Twilight Zone: The Movie have end credit scenes?

No!

Twilight Zone: The Movie does not have end credit scenes.

Actors

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Ratings

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Metacritic

44

Metascore

6.4

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.4 /10

IMDb Rating

TMDB

65

%

User Score

Movie Quiz

Challenge your knowledge of Twilight Zone: The Movie with an engaging quiz. Test your memory of the movie’s characters, plot twists, and unforgettable moments.


Twilight Zone: The Movie Quiz: Test your knowledge of the eerie tales and memorable moments from 'Twilight Zone: The Movie' released in 1983.

What song do the two main characters sing during the prologue?

Plot Summary

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Get the full story of Twilight Zone: The Movie with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.


The film opens with a prologue showcasing two men riding in a car on a desolate rural road late at night. The driver, Albert Brooks, and his passenger, Dan Aykroyd, engage in a light-hearted sing-along to Creedence Clearwater Revival’s cover of “Midnight Special,” until the tape unexpectedly breaks. They embark on a game centered around TV theme songs, eventually revealing their fears as they reminisce about unsettling episodes of The Twilight Zone. Suddenly, the passenger poses a chilling question: “Do you want to see something really scary?” With some reluctance, the driver pulls over, only to face a shocking transformation as the passenger removes a mask to reveal a monstrous visage, before fatally attacking him.

The narrative then transitions into the iconic opening of The Twilight Zone, narrated by Burgess Meredith, encapsulating the eerie essence of the series: “You unlock this door with the key of imagination… You’ve just crossed over into… The Twilight Zone.”

The first segment, titled “Time Out,” introduces Mr. William Connor—a man burdened by bitterness and prejudice, portrayed by Vic Morrow. As he reels from being overlooked for a promotion, Bill’s hostile nature surfaces during a drunken night out with friends, where he hurls derogatory remarks at people of various backgrounds. His hatefulness catches the attention of a group of men nearby, leading to his confrontation with them. Bill’s reality shatters when he finds himself transported to Vichy France during World War II, where he is mistaken for a Jew and chased by Nazi officers. His desperate attempts to escape transitions through several harrowing eras that mirror his prejudices, eventually culminating in his capture alongside Holocaust victims, leaving him screaming hopelessly for help—his fate intertwined with the consequences of his biases.

In the second segment, “Kick the Can,” directed by Steven Spielberg, we meet Mr. Bloom, a hopeful resident at Sunnyvale Rest Home. Bloom, played by Scatman Crothers, believes that age should not diminish one’s joy for life. With an invitation to play a game of kick the can, he rekindles the spirits of the elderly residents. As they partake in the game, a miraculous transformation occurs; they revert to their youthful selves. However, they soon realize that being young again comes with the complexities of life. With newfound wisdom, they opt to return to their aged selves, understanding that true vitality lies within the heart. The segment concludes with Mr. Bloom departing for a new journey, hinting at his magical role in rejuvenating the elderly.

The third segment, “It’s a Good Life,” features Helen Foley, played by Kathleen Quinlan, who embarks on a seemingly mundane road trip. A fateful encounter with a peculiar boy named Anthony leads her into a surreal nightmare, where it becomes evident that Anthony wields terrifying powers of creation. After discovering that the people around Anthony are not his real family but rather prisoners in his dominion, Helen navigates a perilous landscape of fantasy and control, ultimately striking a bargain to become his true friend, escaping into a reality filled with bright meadows.

Finally, “Nightmare at 20,000 Feet,” introduces us to John Valentine, played by John Lithgow, whose anxiety surfaces spectacularly during a tumultuous flight. His fear of flying manifests in a bizarre confrontation with a gremlin-like creature wreaking havoc on the airplane’s wing. As panic grips him, he takes desperate measures to fend off the creature, resulting in chaotic consequences. The segment ends ambiguously as Valentine is carted away, deemed insane, while the aircraft maintenance crew uncovers terrifying damage that hints at the truth of his experience.

In the epilogue, the ambulance driver, portrayed by Dan Aykroyd, plays “Midnight Special” and humorously inquires about Valentine’s terrifying journey, closing with the iconic nod to the show’s overarching themes, setting the stage for another journey into the unknown realms of The Twilight Zone.

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