
Hart Perry's documentary explores three decades of social change in Raymondville, Texas, focusing on the Latino laborers who fought for fair wages and political representation. Through onion pickers' strikes, school board elections, and a campaign for district attorney, the film chronicles their ongoing struggle for equality and justice within their community, revealing the challenges and victories in their pursuit of a more equitable future.
Does Valley of Tears have end credit scenes?
No!
Valley of Tears does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Valley of Tears, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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IMDb Rating
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Challenge your knowledge of Valley of Tears with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
In which rural area does 'Valley of Tears' take place?
Raymondville, South Texas
San Antonio, Texas
Austin, Texas
El Paso, Texas
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Read the complete plot summary of Valley of Tears, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Focusing on the small agricultural town of Raymondville in South Texas, former Barbara Kopple cinematographer Hart Perry meticulously captures the evolving struggles of race relations across the 1970s, 1980s, and 1990s. He chronicles three distinct confrontations between the local power elite Anglo farmers and the Hispanic farm workers.
In the late 1970s, the film vividly presents the Texas Farm Workers strike of 1979, intertwining archival footage that exposes the violent racism from the early days of South Texas settlement with striking action sequences. These scenes depict the intense clashes between migrant workers, labor organizers, and local growers, providing a crucial perspective on the contentious harvesting of the onion crop. The documentary showcases the farm workers’ determined protests against the growers’ efforts to suppress the strike, highlighting the law enforcement’s complicity in the ongoing struggle for rights and dignity.
Transitioning into the film’s second section, the narrative shifts to the Hispanic community’s fervent campaign to elect representatives to the local school board. This segment reveals the ugly backlash from the incumbent administration, shedding light on the broader societal tensions at play.
The final part of the film centers on the 1990s political landscape, focusing on Juan Guerra, a reform-minded leader who emerges as a key figure in tackling the entrenched racism within the local business and political realms. Guerra’s journey begins with his establishment of a school designed for students expelled from Raymondville schools, ultimately leading him to a successful election as the county district attorney. Throughout, the voices of the 1979 strike organizers echo, reflecting on the profound changes they initiated.
In a poignant conclusion, Guerra, who remains the DA as of 2003, reflects on the difficult progress made, asserting that if corruption still persists within the community, it is now the Hispanic community’s fault. The film serves as both a historical record and a commentary on the ongoing challenges faced by marginalized communities.
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