In the breathtaking landscape of the Italian countryside, where echoes of war softly intertwine with the air, a heart-wrenching narrative begins to unravel. On her deathbed at their ancestral estate, Malvina, a woman whose existence was intricately connected to the land and its hidden tales, conveys a significant message to her young son, Jakob. She tells him that another woman will soon arrive – someone who will truly empathize with his sorrow and love him with all her heart. Furthermore, Malvina assures Jakob that when he speaks again, it will be as though she has returned from the depths of the unknown.

Fast forward seven months, where a British nurse named Verena (with a specialization in pediatric care) arrives at the estate, having been brought by Klaus, Jakob’s father. Carefully chosen for her ability to communicate with Jakob in his native tongue, in accordance with Malvina’s wishes, Verena begins to find her place in this complex household. During her initial days, she encounters Alessio, the quiet estate keeper, and Lilia, a wise housemaid who has loyally served the family for numerous generations.

However, Verena’s gentle nature is met with Jakob’s icy silence, as he has not spoken a word since the death of his mother. The burden of his silence weighs heavily, stirring deep concerns within Verena, especially when she uncovers that Malvina’s lineage has owned the land and its quarries for over 1,200 years. The once-bustling quarry now lies abandoned, steeped in untold stories and secrets. Alessio often lights a flame in memory of the long-gone quarrymen, his sentiments resonating through the stillness: > “Life. Death. Love. The stone was everything.”

While keeping vigil over Jakob one night, Verena finds him pressed against a cold stone wall, seemingly attempting to hear the whispers it holds. Klaus harbors fears that Jakob believes he can hear Malvina’s voice resonating through the stone, while Verena grapples with feelings of inadequacy, believing that a mental health professional may be essential for Jakob’s healing.

One intense evening, Verena faces a harrowing situation as she rushes to save Jakob from the edge of a towering ledge. In the aftermath of their ordeal, a newfound bond begins to blossom between them, as Verena’s protective feelings transform into something deeper. The following day, she takes Jakob to visit Malvina’s grave, hoping to reassure him that the voices he perceives are mere figments of his imagination. Yet in that shared moment amidst the ancient stones holding 40 generations of their ancestors, Verena opens up about her own childhood, where being orphaned instilled in her a profound yearning to reconnect with lost loved ones.

Encouraging Jakob to play the piano again – an instrument that once brought joy to him and his mother – Verena begins to forge a close friendship with Lilia, sharing evenings filled with discussions about Jakob’s struggles, Malvina’s legacy, and Verena’s transient life as a wanderer, never lingering long enough to build lasting relationships. As her fascination with the stone deepens, she feels an indescribable connection to Malvina’s lingering essence. The murmurs from the quarry walls, the mysteries of Malvina’s tomb, and even her own reflections seem to converge into a harmonious melody only she can appreciate.

In an unexpected moment, as Verena’s dress becomes torn, Lilia gifts her a dress previously owned by Malvina. Initially igniting Klaus’s anger, this act eventually makes him aware of the stark resemblance between Verena and his late wife. This revelation prompts Klaus to hesitate on finishing the sculpture of Malvina, until Verena agrees to pose nude, mirroring her vulnerability with his creative endeavors.

As Verena explores the mysteries surrounding the stone, she uncovers Jakob listening intently to its secrets within Malvina’s room. Joining him, she also begins to perceive the ethereal whispers, confirming the presence of Malvina’s spirit within the ancient stone. Empowered by this discovery, Verena vows to care for Jakob and Klaus as if they were her own family.

In a moment driven by passion, she surrenders to her desires and spends a night with Klaus, who channels his creative drive into completing the statue representing their shared yearning. As Jakob starts to emerge from his silence, he begins to warm up to Verena while still holding onto some reserve.

However, when guilt overwhelms Klaus and he opts to release Verena from her role, she becomes consumed by despair, falling ill in a manner eerily reminiscent of Malvina’s final days. Desperately, she urges Jakob to break his silence, promising that her stay depends on his ability to speak. When the moment arrives for her to leave, Klaus begs her to stay; however, it is too late – Verena embarks on a journey to seek guidance from Lilia, only to be confronted with the information that Malvina passed away on the same day as her own tragic demise.

In her flight from the estate, Verena collapses, only to be found in Malvina’s room, where a series of intoxicating hallucinations blur the line between reality and fantasy. She sees Lilia’s ghostly figure and witnesses Alessio entombing her alongside Malvina, who caresses Verena’s face as if acknowledging a deep familial bond.

When she regains consciousness, seemingly rejuvenated, Verena finds herself in Malvina’s bedroom with Klaus and Jakob by his side. As Jakob rushes to embrace his father, he whispers, “I miss my mama,” prompting Verena to reply, her voice quivering with compassion, “I’m here, I’m right here.” The radiant smile from the child heralds a new chapter, as Verena slips on Malvina’s distinctive ring and masters the piano with newfound brilliance.

In this newly transformed existence, she asserts that > “We are, none of us, quite who we were”, her words resonating like a divine blessing throughout the estate. As Alessio observes her transformation, he becomes convinced that Malvina’s spirit has returned, reuniting the once-broken family in an embrace of healing and reconciliation.